Pitch Studio

Pitch Studio Interior Design

31/08/2026

I don’t believe you can pick the perfect paint colour without considering all your options.

How a colour acts in a spaces changes so much depending on the other colours in the room and also how much natural light the space gets.

Always get sample pots of the colours before you finalise the colour as the paint cards you get from bunnings or the paint shops are not the same as when the colour is painted in on the walls.

I also always recommend you look at the colour over the course of a day to see how it looks in different lights, morning, midday, early evening and night time when the lights are on.

I’ve heard this so many times I could probably say it in my sleep.“I don’t know where to start.”You sit down with your a...
29/08/2026

I’ve heard this so many times I could probably say it in my sleep.
“I don’t know where to start.”
You sit down with your architect, your designer, your builder, and suddenly the questions come thick and fast. What do you actually say? What do they need from you?
Here’s the thing most people don’t realise until they’re already mid meeting. A brief is not just a list of rooms you want. It’s how you want your house to feel. Which spaces you want connected. Your priorities. What your house actually needs to do for the way you live.
When you walk in with that clarity, everyone gets on the same page faster. And that is where the real savings happen, sometimes thousands of dollars worth.

Grab Before the Plans, link in bio, and walk into your next meeting with a brief that actually works for you.

28/08/2026

Colour is one of the most powerful tools you have in a room. Most people just don’t use it that way.

There’s this idea that using colour means going bold. Deep walls, a statement everything, a room that shouts the second you walk in. But that’s only one way to use it.

Colour can just as easily make a space feel calm. Soft, warm, easy to settle into. A muted green, a dusty clay, a warm off white, these aren’t “safe” choices, they’re intentional ones. They’re doing exactly what colour is meant to do, they’re just doing it quietly.

The point was never bold versus boring. It’s picking colour based on how you actually want to feel in that room. Energised in the kitchen. Calm in the bedroom. Grounded in the living room. That’s colour working for you, not colour performing for anyone else.

Every room in this reel was chosen with that in mind. Some loud, some quiet. All intentional.

The builder says “nog” and you say “yep” while your brain quietly shuts down.Sound familiar.Here is the thing, your buil...
26/08/2026

The builder says “nog” and you say “yep” while your brain quietly shuts down.

Sound familiar.

Here is the thing, your builder is not doing anything wrong. That is just their language. They have said those words to other builders and tradies a thousand times. It genuinely does not occur to them that you are not following, because to them, it is just talking.

A simple fix if you don’t understand, just ask. Your builder will be more than happy to explain, they just don’t always think to.

This is exactly why I am there during the builder walk through when a project is being priced. Not to replace the builder or take over the conversation, just to make sure every element gets captured properly and you actually understand what is being said, instead of nodding along.

Because it goes beyond the decision itself. Every choice on site has a flow on, not just the thing directly in front of you.

This is part of what I do alongside clients through the build, want to know how it could work for your project? Send me a DM or head to link in bio.

Some briefs ask for a room. This one asked for a feeling.The client wanted the outside brought in, properly. So the door...
25/08/2026

Some briefs ask for a room. This one asked for a feeling.

The client wanted the outside brought in, properly. So the doors became steel framed glass, opening the living space straight onto the courtyard. And where the doors close, a floor to ceiling living wall picks up where the view left off.

The result isn’t a design feature. It’s a room that breathes differently. Green light instead of white light. Texture instead of flat wall. A space that feels like it’s still half outside.

24/08/2026

Ask your builder to look at your concept plans before you lodge for approval. Not after.

It feels early. It is not.

A builder can give you real cost feedback while the design is still flexible, not once it is locked in through council. That feedback might mean adjusting the footprint, simplifying a roofline, or rethinking a material choice, all while it is cheap and easy to change.

The alternative is getting your approval, feeling like you have crossed the finish line, then finding out what you have designed is not what you can afford to build. At that point every fix costs more, in time, in redesign fees, in momentum.

Involve your builder early. It is one of the few checks that costs you nothing and can save you the whole project.

Except it wasn’t deep enough. Built exactly as planned, the washing machine and dryer would have stuck out in front of t...
23/08/2026

Except it wasn’t deep enough. Built exactly as planned, the washing machine and dryer would have stuck out in front of the bench instead of sitting neatly underneath it.

We caught it during the plan review, before it was sent off to be built, while there was still time to fix it.

This is exactly what The Design Edit is for. Not the big picture decisions, the specific details that are easy to miss and hard to undo once they’re built.

20/08/2026

Colour isn’t decoration, it’s the thing that decides how a room feels to actually be in. Warm, earthy tones ground a space and slow it down. Cooler, muted tones open it up and calm it. Add one darker accent and the whole room gets weight it didn’t have before.

Most people pick colour last, in isolation, without testing it against how the space will actually feel once it’s lived in. Then wonder why the room looks right on paper but feels off in real life.

20/08/2026

Every drawer in your kitchen needs a job before it goes on the drawing.

Not “drawer 1” and “drawer 2.” Actually label it. Plates. Mugs. Kids plates. Tupperware. Because if you don’t know what’s living in there, you can’t know if it’s deep enough, wide enough, or even in the right spot.

This is the step most people skip. It feels like a small detail on paper, but it’s the difference between a kitchen that works for how you actually live, and one that looks great in the drawing and frustrates you every day after.

Case in point, one client had a long chopping board with nowhere sensible to put it. So we built a drawer into the kickboard just for that board. Not a big renovation move, just someone asking the question before the joinery was locked in.

Give every drawer a job before it’s built, not after you’re stuck with it.

If you’re mid design and realising you haven’t thought this far into every drawer yet, that’s exactly what a Design Edit session is for. 90 minutes, your plans on the table, and we go through the detail most people don’t think to check until they’re living with it. Link in bio to book.

20/08/2026

The floor plan looks right on paper. Then you stand in the actual space and something feels off, and you can’t quite explain why.

This is what masking tape is for.

Before anything is built, mark it out. Full size, on the actual floor. Vanity here. Shower there. Toilet in the corner. Walk through it like you would every morning.

What looked generous on a plan can feel tight in real life. What looked tight can feel completely fine once you’re standing in it. Distances read differently on paper than they do when your shoulder is actually near a wall.

It costs nothing and takes twenty minutes. It’s one of the simplest ways to catch a spatial mistake before it’s poured, tiled, and permanent.

If you’re mid design and haven’t taped it out yet, do it before you sign off on anything.

This is exactly the kind of thing we catch in a Design Edit session, before it’s locked in. Click link in bio for more information.

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