12/07/2026
A very belated post from my time at Bryans in Japan, helping him run textile workshops for 2 months in March / April. I wanted to share more about the process of katazome (stencil printing) and dyeing techniques, but it takes me an outrageous amount of time to go through the photos + notes. Anyway, for those interested.
1. Underwear kimono from an antique market, most likely handwoven with bast (plant) fibres. Honouring the cloth by giving it another iteration as a quilt.
2. Said cloth, now a WIP as quilt blocks, stencil printed and dyed using a combination of indigo / soot / persimmon. Countless hours, printing, dyeing, cutting, sewing.
3. The process - printing the cloth with rice paste, which creates a resist, using Japanese arabesque stencils which had traditionally been used to create Samuri bedding.
4. 6th generation kimono printer demonstrating.
5. Kimono printing studio. Roof so low, it was impossible not to bang a head, multiple times.
6. Brushes for applying the soot + soy milk (the binder to fix the colour to the cloth) or kakishibu (persimmon dye).
7. A pasted piece, brushed with the soot dye. The paste can then be washed off, and left a grey colour, or overdyed with indigo.
8. 1000 litre indigo vat.
9. Indigo dyed cloth.
10. Indigo seedlings.
11. Making the soy milk which can be mixed with different types of pigments to bind the colour to the cloth.
12. Tools for stencil cutting.
13. Living national treasure for stencil cutting + netting the stencils.
14. Bryan’s home. An old silk worm farming house that he has been restoring and updating for the last 25 years.