Kat & Kin - linocut prints from Kat Flint / flintkat

Kat & Kin - linocut prints from Kat Flint / flintkat Tales for the home from Kat Flint. Handmade, folk-inspired linocut prints with roots in storytellin Tales for the home.

Hand-drawn, folk-inspired ceramics, prints and homewares with roots in storytelling, stained glass and ink. Also on Instagram and Twitter

Today’s sketchbookery was inspired by ’s Day 3 prompt for  . As you might have noticed, I am very much not doing this in...
08/02/2024

Today’s sketchbookery was inspired by ’s Day 3 prompt for . As you might have noticed, I am very much not doing this in sequence, because I’m a REBEL.
So: Day 3 is “John Ball”, a jolly semi-spiritual-sing-and-stompalong-cry-for-equality from the same guy who brought you the Lord of the Dance (no, no, not Michael Flatley…). I don’t know why, but this one was yelling “typography!” at me, possibly because the lyrics are quite quotable.
I used to play a fair few trad folk nights in my music days, performing my own songs (like I said - REBEL). They were pretty solidly folky but I still got the sense they were frowned upon for not being old standards. I’ll confess, I used to feel like a bit of an intruder in that scene, because I lacked the in-depth knowledge of all these “real” songs that everyone else seemed to know in their bones… I felt like I should have undertaken some kind of scholarly study before playing, so I could fully appreciate the history of it all.
And yet… the more research I did, the more I discovered that at least half of the “standards” were written by blokes in the 60s/70s/80s and are neither ancient nor any more authentic than anything written today… John Ball is one such song - it sounds convincingly old, but in reality it was born the year before me, to commemorate the 600th anniversary of the Peasant’s Revolt.
I’m not really sure what I’m trying to say with this particular ramble, except that reverence for the old is lovely until it’s used as a tool to exclude the new. Something like that, anyway.
(PS: special thanks go to today who let me hide out in their basement for a slightly unreasonable amount of time working while our windows at home are being reconstructed…)

Once upon a time I declared that if I had to spend the rest of my life working for/with other people I would just melt i...
07/02/2024

Once upon a time I declared that if I had to spend the rest of my life working for/with other people I would just melt into a puddle of stress and anxiety and cease to exist. I resolved to start a creative business instead (whilst doing freelance design and illustration alongside to keep myself from financial ruin, and because that way I could at least pick and choose nice, reasonable clients).
I was pre-kids at that point, and dead-set on designing ceramics, because I flipping LOVE ceramics - I’m a pottery magpie with a massive collection of weird plates, kitsch teapots, retro 70s stoneware and totally awesome Satsuma (c19th Japanese) vases. I wanted to make the kind of things I would be happy to add to my own stash.
For a while, I hand-painted a whole lot of ceramic pieces - mostly tiles and platters, because I had no kiln to fire things so had to keep it decorative rather than functional. It was slow, painstaking work - much slower than printmaking. And in and around the ceramic painting, I messed about with lino as a little hobby…
Sometimes, the universe sends a pretty clear message, and it sent me one when, at various markets, people passed on the big expensive ceramic things and hoovered up the silly little hobby prints. So here I am, nearly 10 years later.
Day 7 of ’s FolkSong February is “The Great Silkie of Sules Skerry”, and by chance here’s a big ‘ole Selkie platter I painted in 2014.
The Selkie myth is one of many strange, wistful tales that are so common in folk music - the impermanence of love, the worry of an absent sailor that his land-bound woman might desert him, the difficulties that arise when we try to capture and tame one another… I find it a really interesting one, because Selkie stories generally end with the reluctant bride and mother abandoning her family and returning to the sea, turning the usual tale of who abandons who on its head. So many of these old songs are just people processing everyday bad stuff that happened. 🦭💔

Morning! Merry Christmas!! Happy New Year!!! Flipping heck, it’s February!!!! (Sorry - it’s been a while…).2024 has been...
06/02/2024

Morning! Merry Christmas!! Happy New Year!!! Flipping heck, it’s February!!!! (Sorry - it’s been a while…).
2024 has been largely domestic so far - we’re getting all the rotting windows in our house replaced and it’s making it very hard to get to the studio. Meh.
In an attempt to jump-start my creative brain again, I’m dipping in and out of ’s FolkSong February because the specific combo of music nerdery and printmaking is too hard to resist. I’ll not manage every day, but I’m picking and choosing the songs I like most and I’ve started with Day 1’s song “Bonny May”, which, as I see it, is the highly problematic tale of a young girl being ‘taken’ by a gentleman soldier who ‘asks of her no leave’. We’ve all seen enough period dramas to know how that generally goes…
On the surface, there’s a happy ending because the offending gent returns and carries her off to his vast estate when he realises the baby she’s holding is his… but honestly, there’s no way he would be marrying her in reality so I reckon he just nicks the kid to raise as a gentleman and poor Bonny ends up scrubbing pans in the kitchen.
There’s a great verse about a fox getting in amongst the sheep right at the core of the song (if you turn up the volume you’ll hear it) which sums up the whole tale very deftly, so that’s what I’ve been playing with. I’ve included a bunch of very scrappy sketches just to show how my brain generally works on its way to a more developed design - you can see I iterate and refine very quickly, mostly playing with shape and flow until it feels balanced and interesting. My sketchbooks are so un-pretty it hurts, but they do the job…

Ha! I hadn’t ever clocked that my 3D style is exactly the same as my drawing style, but  is totally right!! I guess my b...
15/12/2023

Ha! I hadn’t ever clocked that my 3D style is exactly the same as my drawing style, but is totally right!! I guess my brain has decided how it constructs faces and it’s sticking with it… 😁

Sorry for the silence over here - packing orders isn’t very photogenic and after the manic rush of the last couple of we...
14/12/2023

Sorry for the silence over here - packing orders isn’t very photogenic and after the manic rush of the last couple of weeks I’ve had a few days off, visiting family and quietly carving an angel for our tree. Sometimes it’s nice not to feel the need to document everything as I go.
I’ll be closing the shop in about an hour and doing the final post office run tomorrow with any last-minute orders. Thank you everyone for your support this year - you’re all amazing and it always means so much to me knowing that people find meaning in the odd things that emerge from the recesses of my brain (even more so in a year when I’ve not been at my best and my shop has been closed for months on end…).
As far as the angel is concerned - and she *does* look concerned - I’m making her up as I go. I know bu**er all about wood carving except that it’s fun and I sustain a lot of injuries whilst doing it. She’s shaping up ok though - the kids approve. I think I’ve used pretty much every single one of the .tools I own to make her, and I’ve got some serious sharpening to do now…
I’m planning to paint her next (erk) and she’s going to have some kind of cone-shaped body so she can sit on the tree, but those are tomorrow’s puzzles. Oh yeah - and hands. I forgot I need to carve some flipping teeny hands. I can see my immediate future and it definitely involves more injuries…

Fully immersed in order packing this week, rolling up some pleasing print sections ready for their adventures overseas. ...
29/11/2023

Fully immersed in order packing this week, rolling up some pleasing print sections ready for their adventures overseas. I’m aiming to post all international orders by Friday to give them the best chance of arriving before Christmas - international people, look out for tracking numbers coming your way at the end of the week!
Happy/relieved to report that this is all SO MUCH EASIER in a proper studio - I’ve currently got it set up like a little Post Office and it’s gooooood.
Ps: Shop is still open with some bits and bobs available if you missed it - most of the big, fancy ones are sold out until the new year, but there are still some little good’uns in there… 🪐

I’m planning a full shop preview tomorrow, but I’m sneaking this lady in tonight… The Fish Wife will be back in a small ...
21/11/2023

I’m planning a full shop preview tomorrow, but I’m sneaking this lady in tonight… The Fish Wife will be back in a small new edition (25), in a nice chilly inky blue/mauve fade (just because I like her and I’ve missed her!).
Many apologies to anyone who has been having issues signing up to my mailing list in the last 24 hours. I’m still investigating as it’s not a clear-cut issue - some people seem to sign up fine, while others get repeated errors for no discernible reason. Urgh!!
It flips from being fine to saying it’s reached the limit for sign-ups, but I don’t think that can actually be true - there have been a healthy number but nothing extreme, so if you’ve had issues (and you’re particularly determined!) it might be worth clearing cookies/reloading the page and trying again after a little while...
Alternatively, you’re very welcome to DM me your email address and I’ll add you manually. It’s a total pain all round - sorry all…

🦞It’s taken longer than the formation and subsequent melting of an entire glacier, but the new gold-embellished version ...
20/11/2023

🦞It’s taken longer than the formation and subsequent melting of an entire glacier, but the new gold-embellished version of The Catch is finally done. It will be an edition of 60, and I’ll have around 15 available when I reopen my shop later this week, in time for Christmas orders! 🎄 There will also be LOADS of other prints up for grabs, and I’ll try and preview as many as I can before the shop opens so that anyone who’s interested knows what’s what….
If you’d like a heads-up in advance re. exact time and date for the release, please do sign up to my mailing list and/or turn on post notifications on Instagram. I will, as ever, shout about it on here until everyone is thoroughly sick of me, but Instagram being what it is these days, it’s hard to know how visible that will be.
I’m also toying with the idea of letting mailing list subscribers have access to the shop 24 hours in advance of the wider opening, but I wanted to ask whether that’s a good idea or massively unfair on people who may not know about the mailout?? I’ve never done it before for just that reason, but I’m thinking it might be nice to reward people who’ve taken the time to sign up to the mailing list. I’m flip-flopping. Would be v grateful for any thoughts or opinions - nice bonus, or unfair??
Over and lobster and out… 🦞

You may have noticed the sterling work  has done in organising a raffle to raise funds destined for the organisation Med...
09/11/2023

You may have noticed the sterling work has done in organising a raffle to raise funds destined for the organisation Medical Aid for Palestinians (www.map.org.uk). This is a U.K.-based charity, working to provide urgent medical assistance on the ground in a region where hospitals and medical care are on the brink of collapse. The situation is ongoing, and dire.
I’ve donated a copy of “Celestial Bodies” to this raffle, and you have until Sat 11th to buy a ticket (£5) and be in with a chance of winning this, or one of 30+ other prints from some leading U.K. and international artists - I’ve included as many as I can in the gallery and I’ve put the raffle link in my biog.
I fully understand that this is a nuanced and emotive conflict, with a long and bloody history. People I follow, and who follow me, are directly affected. I hope it doesn’t need saying (but I’ll say it anyway) that I in NO WAY condone or support the terrorist attack perpetrated by Hamas against innocent Israeli citizens on the 7th October. I was as horrified as the rest of the world at the atrocities wreaked that day, the kidnappings and the countless lives lost. All of it. I am equally horrified at the fate of all the civilians caught up in the crossfire since, on both sides of the border. The vast majority are ordinary people trying to live normal lives, with families to feed, kids to educate, babies to birth, elderly and sick people to care for. All are at the mercy of those who lead them.
The conflict shows no sign of easing, and so all that those of us watching from afar can do is try to send help where we can. That help will not be perfect - aid organisations rarely are. Politics gets in the way of saving lives.
Not everyone will agree with the work of this charity and that’s ok - there are many others. The important thing is that real-world help gets through somehow, on both sides.
To support to the Israeli victims of the Hamas attack on the 7th of October please also consider donating to emergency medical organisations such as Hatzalah (https://israelrescue.org/donate/) or Magen David Adom (https://mdauk.org/donate/).
Love to all.

🦞They’re back!🦞Today I printed up the last few copies in the first edition of The Catch, and they’ll be available as par...
30/10/2023

🦞They’re back!🦞Today I printed up the last few copies in the first edition of The Catch, and they’ll be available as part of the upcoming Christmas release (exact date incoming…). I held back a handful for potential exhibitions at the start of the year and was roundly rejected by all of them (😭), but the upside is that I can make them available now, so swings and roundabouts.
Once they’re done, it’s finally time for the alternative edition with additional spangly hand-applied gold dust accents… ✨
(if the block behaves, that is…)

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