Orsoni Venezia 1888

  • Home
  • Orsoni Venezia 1888

Orsoni Venezia 1888 The unique historic furnace in Venice that manufactures Venetian smalti and 24K gold leaf mosaics using the same artisanal techniques since 1888.

Orsoni Venezia 1888 is the last historic furnace in Venice that produces Venetian smalti, 24K gold leaf mosaics and colored golds in over 3.500 tonalities using the same artisanal techniques since 1888. Since 1926 Orsoni has supplied the decorative materials for Barcelona’s Sagrada Família and is still today the only furnace capable of producing the “San Marco Gold” for the mosaic restoration of V

enice’s St. Mark’s Basilica. Orsoni’s name is linked to iconic places of worship and modern architectural masterpieces all over the world such as the Makkah Royal Clock Tower, St. Peter's Basilica, the Cathedral of Christ the Savior in Moscow, Rudolf Nureyev’s funerary sculpture and many more. In addition to being a reference point in the field of artisanal mosaics, Orsoni boasts a broad portfolio of exclusive projects in collaboration with prominent contemporary architects and designers for the most diversified applications including leading global hotel chains and prestigious fashion brands. In 2003 Orsoni joined TREND Group, global leader in the field of glass mosaic and engineered stone surfaces for interior and exterior design, reflecting its innovative spirit all while remaining firmly rooted to the millenary Venetian craftsmanship heritage. Today Orsoni is committed to preserving Venice’s historical and artistic legacy, also by promoting a more sustainable paradigm of cultural tourism aimed at valorising the ‘authentic’ Venice.

12/06/2026

With its compact, layered surface and a palette of oxidised greens, earthy yellows and copper tones, “Nel tempo del sole” by Anica Kitanoska reveals a space where fragmentation and continuity quietly coexist.

Here, mosaic and painting merge into a single expressive language: each tessera becomes a sculptural gesture, placed one by one into pigmented cement, following the shifting resonance of light and the rhythm of the material.

The work is part of the exhibition dedicated to the 7th International GAeM Prize - Young Artists and Mosaic.

More at the link in bio 🔗

Discover the exhibition at
📍Domus Orsoni, Venice
April 24 – June 20, 2026
Monday to Friday, 10 am – 5 pm
Free admission



10/06/2026

On June 10, one hundred years after Antoni Gaudí’s passing, his vision rises once more toward the sky.

Today marks the inauguration of the Tower of Jesus Christ, the tallest and most symbolic element of the Sagrada Família , a moment that brings his dream closer to completion, carrying his imagination into the present.

Since 1926, the historic has contributed to this vision through its Venetian Smalti: plates of colour and light that adorn the spires, pinnacles and the Nativity façade of the .

Gaudí used to say: “Color is the expression of life.”
Today, as the Tower of Jesus is blessed and inaugurated, those colours continue to give life to his legacy: a dialogue between matter, faith and imagination that endures beyond time.

Video:


09/06/2026

Only a few days remain to step inside “From the Heart to the Hands: Dolce&Gabbana” at ICA Miami , where imagination, memory and craftsmanship breathe in unison.

After enchanting Milan, Paris and Rome, the maison’s world unfolds in Miami through gestures, materials and stories shaped by the hands of master artisans.

Among these voices is the historic whose mosaic craft becomes part of a wider narrative of heritage and hand‑made beauty.

We look back at where this journey began, offering a closer look at Orsoni’s involvement in the project and at the dialogue between Venetian mosaic tradition and the maison’s creative vision.

A final chance to walk through this universe of colour, vision and craft before it closes.

📍Institute of Contemporary Art, Miami
On view until June 14, 2026

Video


07/06/2026

With its five-part structure and its quiet, organic geometries, “The internal structure of fossil vegetables” by invites the viewer into a world where the vegetal realm becomes memory, pattern and transformation.

Using natural and discarded materials, Elisa Pietracito draws inspiration from a nineteenth‑century text on microscopic studies of plant structures, turning packaging papers into mosaics that echo the hidden architectures of wood and the fragile cycles of nature. In this way the work becomes a reflection on circularity and the poetic potential of the everyday.

The work is part of the exhibition dedicated to the 7th International GAeM Prize - Young Artists and Mosaic.

More at the link in bio 🔗

Discover the exhibition at
📍Domus Orsoni, Venice
April 24 – June 20, 2026
Monday to Friday, 10 am – 5 pm
Free admission


05/06/2026

Each format demands its own technique to achieve the perfect cut.

Among the finest crafted at the historic are the 4 mm smalti plates, known as Piastrina: thin, versatile and ideal for creating both precise geometric shapes. They come in a vast spectrum of colours: soft, bright, deep, luminous.


04/06/2026

A quiet surface unfolds in “Grande folla” by Pedro Silvani . Light moves slowly across the mosaic, revealing the subtle chromatic range of eggshells: no added pigments, only the bare tones of fragments once permeable to breath, now transformed from domestic residue into matter for reflection.

Fragment by fragment, these contemporary tesserae recombine into a continuous, vibrant surface. No hierarchy governs the composition: large curves and tiny flakes build a landscape where every relief and fracture becomes a trace of a miniature world.

The work is part of the exhibition dedicated to the 7th International GAeM Prize - Young Artists and Mosaic.

More at the link in bio 🔗

Discover the exhibition at
📍Domus Orsoni, Venice
April 24 – June 20, 2026
Monday to Friday, 10 am – 5 pm
Free admission


On the anniversary of Carlo Scarpa’s birth (Venezia, June 2, 1906 - Sendai, November 28, 1978), we share a glimpse of a ...
02/06/2026

On the anniversary of Carlo Scarpa’s birth (Venezia, June 2, 1906 - Sendai, November 28, 1978), we share a glimpse of a remarkable private project we were fortunate to visit thanks to the generous hospitality of Federico Businaro and his wife Natalia.

Nestled in the countryside of Monselice, near Padua, villa Il Palazzetto was built in 1627 and later was fully restored by Aldo Businaro. From 1970 to 1978, the project came under the care of the Venetian architect, Professor Carlo Scarpa, who found here a place to experiment with ideas and details that would later appear in other works.

Conceived in the 1970s by the Professor and completed decades later with the the construction of the monumental staircase which remained unfinished due to his death and realized with the contribution of his son Tobia, reflects the profound bond between Scarpa and Aldo Businaro.

Among the villa’s many poetic details, the colourful frame of the fish basin hides a secret message: a 62‑metre mosaic band composed of polychrome tesserae handcrafted by the historic Orsoni furnace.

Decipherable only through a dedicated system, the inscription reads:
“Per rinnovare la cultura nel tempo e salvare testimonianza, Aldo e Lucia Businaro, dall'anno 1965, con il geniale contributo di Carlo e Tobia Scarpa, questo luogo restaurarono per ameno vivere e felicemente ricevere.”
(translation: To renew culture over time and preserve its testimony, Aldo and Lucia Businaro, from 1965, with the brilliant contribution of Carlo and Tobia Scarpa, restored this place, to live pleasantly and host happily.)

The same handcrafted tesserae also adorn parts of the berceau, another architectural gesture envisioned by the Professor, further weaving colour, material and meaning into the fabric of the villa, a testament to Scarpa’s passion for Venetian Smalti.

31/05/2026

Jessica Ferro .arte introduces”Disamare”, a work where painting, printmaking and mosaic merge into a single, evolving process.

At its centre is the samara, a natural form that becomes tessera, rhythm and matrix, multiplying through experimental printmaking and layered mark‑making.
Within this stratified visual landscape, the act of “dis‑amare” turns into a poetic gesture, moving between loss and regeneration, decomposition and new beginnings.

The work is part of the exhibition dedicated to the 7th International GAeM Prize - Young Artists and Mosaic.

More at the link in bio 🔗

Discover the exhibition at
📍Domus Orsoni, Venice
April 24 – June 20, 2026
Monday to Friday, 10 am – 5 pm
Free admission


At the historic Orsoni furnace, a  universe of gold is shaped by fire and hand. Layer after layer, transparent glass, go...
29/05/2026

At the historic Orsoni furnace, a universe of gold is shaped by fire and hand. Layer after layer, transparent glass, gold leaf and molten heat merge into a luminous “sandwich” that safeguards the leaf at its core.

From this alchemy emerge 20 shades of gold, ranging from pale, silvery tones to deep, warm reflections. Their colour shifts with the glass that filters the leaf and with the different carats of the gold leaf, creating subtle variations that transform with every angle of light: a living palette shaped by material, flame and time.

In the heart of Charleroi, Belgium, the Church of Saint Christophe preserves a long history of transformations, from its...
27/05/2026

In the heart of Charleroi, Belgium, the Church of Saint Christophe preserves a long history of transformations, from its origins in 1667 to the major post‑war reconstruction that reshaped the building in the 1950s. It was during this renewal that the church’s defining masterpiece was created: a monumental mosaic of the Apocalypse of Saint John, designed by Jean Ransy.

The work was executed using thousands of handcrafted tesserae in Venetian smalto and gold leaf crafted in the historic Orsoni furnace. Unique within the Belgian artistic landscape, the mosaic stands as a powerful testament to the dialogue between sacred architecture and the centuries‑old craftsmanship.

🔗 Discover more: https://orsoni.com/projects/saint-christophe-charleroi/

Address


Opening Hours

Monday 08:30 - 18:30
Tuesday 08:30 - 18:30
Wednesday 08:30 - 18:30
Thursday 08:30 - 18:30
Friday 08:30 - 18:30

Alerts

Be the first to know and let us send you an email when Orsoni Venezia 1888 posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Business

Send a message to Orsoni Venezia 1888:

  • Want your business to be the top-listed Interior Service?

Share