Blue Bay Design

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Blue Bay Design

Blue Bay Design, inspiration first... Contact:

Marco Santorsola
[email protected]

08/05/2026

In the late 1970s, Massimo Vignelli described as “the most exciting, rewarding client of my professional career.” The rich partnership between Knoll, Massimo, and Lella Vignelli resulted in a graphics system for Knoll that continues to define the brand today. “Lella and Massimo Vignelli. A language of clarity,” highlights this relationship and presents a broader overview of the duo’s work and influence on the design practice.

Hosted by , with MillerKnoll as the main exhibition partner, the retrospective runs through September 6 and features historic works loaned from the MillerKnoll Archives.

Learn more by clicking the link in our bio.

Exhibition images by Photo Delfino Sisto Legnani DSL Studio © Triennale Milano and detailed images by Gianluca Di Ioia / GDI Studio © Triennale Milano
Reposted from

08/05/2026

A tribute to Milan.
Timeless rigor meets new languages and bold materials.
Pieces from the past, present and future coexist in sophistication and grace.

Discover it at Cappellini MDW26 | Carnet de Voyage.

Photo credits:
Video credits:

06/05/2026

White is not empty. It is a pause you can enter.

Davide Groppi. Un’ora di luce - Volumnia
Until May 26
🔗Link in bio

.space

05/05/2026

Art, form, sculpture. A boundary-pushing collaboration is coming. Sign up to be first to know about Knoll's newest debut at Salone del Mobile. Link in bio.kanu

Knoll Pavilion
Hall 24 C11/C15
Milano

05/05/2026

During Milan Design Week, Geometriæ at explored seating as a perceptual experience rather than a purely functional object.

This project by developed a visual language in which form originates on paper — sketches, watercolors, studies of light and shadow — before taking physical shape in space. This transition is not only technical but conceptual: what begins as a two-dimensional trace retains a painterly memory even once it becomes an object.
Even the shadow was not treated as an external effect, but as something already embedded within the material itself.

Within this framework, geometry never defines a fixed point. It remains unstable, operating as a structure that shifts according to viewpoint and movement. The forms reveal themselves differently as one moves through the space, making perception an integral part of the project.

Reposted from

27/04/2026

Davide Groppi
Light, becoming part of the space. A space of emotion and amazement.
Thank you all for being part of this year at our Spazio Davide Groppi, where you can still discover our 2026.

MILANO MANZONI 38
Monday - Saturday H. 10 AM - 2 PM | 3 PM - 7 PM
Reposted from

25/04/2026

Geometriæ, a project by , redefines seating as a perceptual experience.
Each form originates on paper, drawn in pencil or watercolor, where light, shadow, and surfaces follow a painterly logic. These studies are then translated into jacquard-woven textiles, becoming fully realized three-dimensional objects.

“The shadow we perceive is not produced by light, but inscribed within the surfaces themselves.”
The result is a subtle balance between image and volume, where geometry and perception meet in an ambiguous, shifting space. Forms transform depending on the viewer’s perspective, inviting movement, exploration, and active engagement.

More than functional objects, these pieces narrate their own process of formation, questioning how we see, and imagine, space.

SAVE THE DATE — MDW26 19-25 April
Geometriæ | Colombo’s Gallery – via Solferino 44, Milano

Art direction by
Video by

20/04/2026

Explore our Showrooms in Milan during MDW 2026.

Boffi Solferino
📍Via Solferino 11, Milan

De Padova Solferino
📍Largo Treves, Milan

De Padova Santa Cecilia
📍Via Santa Cecilia 7, Milan

07/04/2026

Light becomes matter. It touches. It reveals.

Davide Groppi. Un’ora di luce – Volumnia
Now open
🔗Link in bio

.space

02/04/2026

CARNET DE VOYAGE
A visual narrative of global multiculturalism — weaving distant cultures with the architectures of yesterday and today, from domestic spaces to high-traffic environments.

The home as refuge.
Design as a state of mind.

Register now and join us. Link in BIO.

02/04/2026

Within the Haspa headquarters project, designed by Kerstin Pietzsch and Susanne Leiser of PIETZSCH Architektur, space unfolds as an open system: reception, consultation areas, workspaces, and places for pause are articulated in a continuous sequence where function and perception engage in dialogue.

Moroso accompanies this transformation, becoming a flexible and narrative device: not isolated objects, but elements within an evolving landscape.
The interior thus becomes a cultural device, capable of interpreting the contemporary workplace as a fluid environment, moving away from rigid hierarchies and towards a more experiential dimension.

Featuring: Ruff armchairs
Ph: Leiser/Pietzsch

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