07/05/2026
Every time I put needle to fabric, I’m really stitching a piece of myself, even if I’m working on a stranger’s face.
Most of my embroidery features men. I’m drawn to the structure of masculinity: its foundations, the hairline cracks that run through it, the heavy baggage men pass down, all the tiny repetitions that fill up a life. For me, the best way to dig into all that is through self-portraiture. It puts me right in the middle of the question, “What does it actually mean to be a man?”
But I don’t stop at my own reflection. My work stretches past it, into men who look nothing like me. Sometimes I sew the old-school manly types, broad, stoic, powerful. The kind that stand in for traditional manhood, but not really the way I move through my own day.
Still, something happens as soon as I start. As soon as I stitch, the lines blur. Every guy I embroider is me, no matter how different he seems. When I build someone else’s body or get inside a mind that feels far away from mine, the act brings us together. I’m not just looking at these versions of masculinity, I’m living inside them, even if just for a moment.
It all comes back to the thread. It ties us together. I’m the standard. I’m the break. I’m the pattern that shows up, again and again. At the end of it all, I am every man I’ve ever stitched.