Kim Knoll Art

Kim Knoll Art Nature-inspired paintings from an abstract perspective The shapes, colors, and perspective that I recall or imagine inform and guide each painting.

About The Work:

Inspired by landscapes and influenced by minimalism, I enjoy bringing the outdoors in through painting, in a beautiful, simple and unexpected way. My works on paper are an abstract interpretation of moments and sights from my time spent in nature exploring lakes, mountains, forests and coastlines through hiking and camping. I love living in the city of Chicago, but I often crave a

dventures in wide open lands that renew my spirit and make me feel at peace. I use these adventures as the inspiration for my work to provide others with a momentary escape from their everyday. Using watercolors, ink, acrylic, and graphite, I think of a positive memory or a landscape I loved and then translate what I saw and felt into paint using contrasting marks and textures. About Kim:

My style is heavily influenced by graphic design, which has been my focus throughout my schooling and career. It wasn’t until 2016 when I picked up a paintbrush for the first time, but only to experiment with watercolors for a new branding project. I fell in love with the medium and began exploring it as a personal project. Sharing my paintings on social media allowed me to get noticed by collectors, interior designers and art consultants, which has inspired, propelled and enabled me to pursue painting. Today, I partner with art consulting firms and interior design studios to produce commissioned paintings and prints for homes, hotels, resorts, retail stores, cruise lines, products and more. My most notable work can be found in The Ritz-Carlton Hotels and Yacht Collection, Four Seasons Hotels, Waldorf Astoria Hotels, Bellagio Hotel, 7 For All Mankind (Milan and Berlin), Celebrity Edge Cruise Ship, Norwegian Prima and Sky Cruise Ships, and The Spells Deck produced by Chronicle Books.

Three days left to get both courses at 50% off ⏰ This isn’t a sale — it’s one-time launch pricing, and it ends Saturday,...
04/15/2026

Three days left to get both courses at 50% off ⏰ This isn’t a sale — it’s one-time launch pricing, and it ends Saturday, April 18.

If you’ve been on the fence, this is the time. You’ll have unlimited access to the courses once you enroll, so you can start them whenever you’re ready.

“Flatten Works on Paper” + “Mount Paper to Panel” are available separately or as a bundle. Together, they form a complete professional system for flattening your works on paper and mounting them to wood panels.

🔗 Comment COURSE and I’ll send you the link to learn more

My favorites from EXPO and The Other Art Fair in Chicago this weekend 🖤🤍
04/12/2026

My favorites from EXPO and The Other Art Fair in Chicago this weekend 🖤🤍


Hi 🤍 I’m happy you’re here ✨ My newest painting “Breaking Free” is about letting go of what no longer serves us and choo...
04/03/2026

Hi 🤍 I’m happy you’re here ✨ My newest painting “Breaking Free” is about letting go of what no longer serves us and choosing to step into what’s next.

Inspired by a time of transition and new beginnings, this piece carries a dreamlike sense of release, calm, and gentle transformation.

If you’re in a period of feeling stuck, thinking about breaking the norm or giving yourself a fresh start, I hope this feels like a small reminder to choose yourself every time you see it.

There’s something about tearing paper that signals a reset 🧘🏻After a stretch away from the studio, even the smallest ges...
03/31/2026

There’s something about tearing paper that signals a reset 🧘🏻

After a stretch away from the studio, even the smallest gesture pulls me back in.

If you work from rolls, or have been curious about it, one trick that helps a lot 👇

Unroll the paper, mist it lightly with a spray bottle and let it relax. Once dry, it’s so much easier to cut off the roll and size down.

“Her in-depth descriptions of supplies and clear, detailed steps of her methods eliminate the trial-and-error with suppl...
03/30/2026

“Her in-depth descriptions of supplies and clear, detailed steps of her methods eliminate the trial-and-error with supplies and techniques. This is invaluable to someone who wants to spend their time creating, not researching and testing.” — on “Mount Paper to Panel” Online Course

That’s the real cost no one talks about — the hours lost to guesswork before you even pick up a brush and money spent on the wrong supplies.

“Mount Paper to Panel” gives you the clarity to skip straight to the work and sets you up for success.

This course is half off to celebrate its launch, but only for a limited time. Comment “learn” and I’ll DM you a link to access my courses.

If you paint on paper and cross your fingers, hoping it will lie flat, this is for you.My “Flatten Works on Paper” onlin...
03/28/2026

If you paint on paper and cross your fingers, hoping it will lie flat, this is for you.

My “Flatten Works on Paper” online course is for artists who:

- Make and sell, or intend to sell, works on paper
- Struggle with buckling and getting their finished works on paper to lie flat
- Want a reliable method to flatten paper
- Work on heavyweight, uncoated fine art paper with a minimum weight of 300 gsm (140 lb)
- Use watercolor, ink, acrylic, gouache, spray paint, charcoal, pastel, graphite, or mixed media on paper
- Are willing to invest time and effort

What changes after this process:

- Your paper lies flat consistently
- Your framing becomes better
- Your mounting becomes easier
- Your work feels resolved
- You look at your work with more confidence
- You stop guessing and hoping
- You control the paper

All of the photos here show my works on paper with them flattened from my process (except the first photo shows a “before”) and mounted to a wood panel.

My “Mount Paper to Panel” course is for artists who:

- Make and sell original works on paper
- Work on heavyweight, uncoated fine art paper (300 gsm / 140 lb minimum)
- Use watercolor, ink, acrylic, gouache, spray paint, charcoal, pastel, graphite, or mixed media on paper
- Want a unique look that stands out
- Want to offer a glass-free framing option
- Want to reduce framing costs
- Want their work to have a professional, clean look
- Care about longevity and protection
- Care about craftsmanship and are willing to put effort in

What changes after this process:

- Your work becomes a finished object, not just a sheet of paper
- You can offer a glass-free presentation option
- Your panels are properly sealed, preventing yellowing
- Your edges are clean and flush
- Your artwork’s surface is protected
- You know how to prevent and fix air bubbles
- You have more control over the framing costs
- You expand what you can offer collectors, designers and gallerists
- Your work will be ready to hang
- You control the final presentation

Comment “learn” and I’ll send you a link.

worksonpaper

Address

Chicago, IL

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