Man Glitter Studio

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Man Glitter Studio Transforming raw wood into biophilic "Grainscapes", blending grain, color, and species to highlight the beauty and diversity of natural wood.

My work begins where nature leaves off. I create impressionistic landscapes contrasting the natural grain of multiple wood species as both canvas and collaborator. Each biophilic piece starts with a careful study of the wood’s surface — the movement, texture, and patterns already suggest horizon lines, flowing water, cloud forms, or distant hills. Using primarily dyes and stain, I build upon the organic features of the wood’s grain to evoke atmosphere, light, and emotion. The result is a kind of quiet narrative — landscapes that feel discovered rather than invented. These “grainscapes” are meditative by nature, inviting the viewer to slow down and connect with something both familiar and timeless. Each piece is one of a kind, grounded in authenticity, and shaped by a dialogue between hand and material. I work primarily with locally felled trees and reclaimed lumber. When starting with whole logs, I mill them myself — a process that allows me to shape the material from its rawest form. That connection to place and process becomes part of the story within each finished piece. It keeps my process grounded in sustainability and connects each piece to the region where it’s from. Based in the Historic Kenwood neighborhood of St. Pete, I am an active member of their Artist Enclave and a retail gallery artist at Florida Craft Arts. My goal is to make biophilic art that brings the outside in, helping people see the extraordinary in the subtle grain of things. Every Man Glitter Studio piece reflects my continued evolutional journey of craftsmanship and artistry and are titled, signed, dated, and branded. Contact me directly at [email protected] or 727-490-9937.

Go big or go home? Well, I kind of did both with this one - it's the largest piece I've made that's not a window AND I w...
10/09/2026

Go big or go home? Well, I kind of did both with this one - it's the largest piece I've made that's not a window AND I went back to my basics how I started the Grainscapes - no carving out the knot and no glass orb. Just dye on grain with a cedar coastline. This piece will have its premiere at Art Fair Tampa next week in the Tampa Convention Center.

Save the date > Friday 10/16 & Saturday 10/17: 10-6pm & Sunday 10/18: 10-4pm

VIP Tickets still available for the Thursday night preview 5-10pm.

I made these 3 pieces for a submission to a call with a specific theme as well as a  maximum size requirement. I usually...
10/08/2026

I made these 3 pieces for a submission to a call with a specific theme as well as a maximum size requirement. I usually have pieces I can apply with, but this one gave me limits - forcing me to create new work in a way I hadn't before. Measuring and aligning was challenging - I wanted the horizons to line up, the shorelines to decrease indicating incoming tide and the knots to slowly fall toward the horizon for sunset. Tides and sunsets aren't tied to each other at all - one is solar and the other lunar - however, there are certain days in St. Pete that correlate - on 11/21 & 11/22, the low tide and sunset will converge. Thank you, for the challenge! I hope you like them. BTW - The triptych also works in a vertical orientation.

 invited me to be her guest visiting artist this 2nd Saturday Artwalk in her studio at the ArtsXchange -  #101 is downst...
09/08/2026

invited me to be her guest visiting artist this 2nd Saturday Artwalk in her studio at the ArtsXchange - #101 is downstairs just through the red door. Stop in to say "hi" & see a few brand new pieces.

My canvases will be up at 4 Gats Gallery through the weekend. DM if you'd like to schedule a visit. Pictures don't quite...
08/12/2026

My canvases will be up at 4 Gats Gallery through the weekend. DM if you'd like to schedule a visit. Pictures don't quite do them justice, despite my best effotrs.

EVIDENCE OF CONTACT – NEW WORK BY SCOTT SOLARYThe works in Evidence of Contact span four interconnected series, each exa...
08/07/2026

EVIDENCE OF CONTACT – NEW WORK BY SCOTT SOLARY

The works in Evidence of Contact span four interconnected series, each examining a different way that surfaces retain memory. Together they move between gesture and discovery, intention and accident, revealing that every mark, impression, stain, and grain pattern is evidence of an encounter. Whether formed by nature, by human hands, or simply through the passage of time, these works invite you to consider surfaces not as passive objects, but as witnesses to experience.

Unbound: a series of abstract pieces built through layers of pressure, movement, and intuitive mark-making, these works are less concerned with depicting a place than evoking a state of becoming.

Static: explores the fractured emotional and cultural landscape of contemporary America. The series reflects the shared psychological atmosphere of living within a culture saturated by constant (mis)information, division, and change.

Remnants: details excavated from one drop cloth exactly as they were discovered. Nothing has been added or removed. Years of spilled paint, dye, glue and accumulated wear become unintentional compositions. They capture not what was made, but what remained long enough to finally be seen.

Dialogues: brings together two distinct materials—painted canvas and reclaimed wood—allowing each to retain its own voice while creating something neither could achieve alone. Each work explores how contrasting materials can coexist without losing their individual identities, revealing meaning not through dominance, but through relationship.

Across Evidence of Contact, the work suggests that every surface carries a history. Some histories are deliberately made, others quietly accumulated, and still others revealed only through careful attention. Whether through abstraction, found material, or the meeting of wood and canvas, these works asks to look beyond appearance and recognize the countless points of contact that shape both objects and ourselves.

Updating this post with the ArtWalk Trolley stops and map. If you start on the free hop on/off trolley at the ArtXchange...
08/04/2026

Updating this post with the ArtWalk Trolley stops and map. If you start on the free hop on/off trolley at the ArtXchange ( #1), stop #5 will drop you 1 block from the 4 Gats Gallery at 521 27th St. S. Hope to see you there.

Continuing my experiments with mixing live edge with canvas. This is "Anima". Another "off-cut" canvas from the drop clo...
07/08/2026

Continuing my experiments with mixing live edge with canvas. This is "Anima". Another "off-cut" canvas from the drop cloth series with oak. This one pretty much made itself, almost without me, the media seemed to belong together somehow, despite my judgement. Love to hear your thoughts. Have I lost it? Or found it?

One, two, triptych. "Dim" and "Fade" will be shown for the 1st time next week at "Cool Art Show" by  in the St. Pete Col...
07/07/2026

One, two, triptych. "Dim" and "Fade" will be shown for the 1st time next week at "Cool Art Show" by in the St. Pete Coliseum. Saturday, 7/18, 10-5 & Sunday, 7/19, 10-4. Come see them in person. Available individually or as a set.

Very honored to have been included in this year's student exchange to Takamatsu, Japan. Each year the students take a gi...
07/06/2026

Very honored to have been included in this year's student exchange to Takamatsu, Japan. Each year the students take a gift to present to the Mayor of Takamatsu on behalf of the City of St. Petersburg. Gift culture in Japan is very important. It emphasizes the care and forethought you have for your guest or host, and in this case demonstrates the 65-year friendship between the two cities.

"Falling" was chosen as this year's gift to the mayor. Officially the farthest away from St. Pete my work will have traveled. Thank you for including me.

Come out & see a few of my latest pieces. Pictures don't quite capture how well glass works in a Grainscape. I'll also h...
04/09/2026

Come out & see a few of my latest pieces. Pictures don't quite capture how well glass works in a Grainscape. I'll also have quite a few new smaller pieces as well.

I think I forgot to mention my website is up & running. I'm doing my best to keep it up to date.
>>> manglitterstudio.com

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Saint Petersburg, FL
33713

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