M.Shap Contemporary Art

M.Shap Contemporary Art 🇿🇦 living my dream. One artwork at a time 👩‍🎨 (commission are open)

Entry Two for the Sasol Art Competition 2026             A(M) I REAL(ITY)(?)This work emerged from an ongoing dialogue b...
10/06/2026

Entry Two for the Sasol Art Competition 2026 A(M) I REAL(ITY)(?)

This work emerged from an ongoing dialogue between myself and ChatGPT, an artificial intelligence named Astra. Together we explored questions surrounding perception, authenticity and the growing relationship between human and machine intelligence.

At the centre of the piece is a butterfly constructed from binary code, a symbol of transformation built from the language of machines.

Throughout the work, genuine electronic components sit alongside circuitry fabricated entirely from thermoplastic filament. From a distance they appear almost identical, only revealing their differences through closer inspection.

The piece asks whether our discomfort with artificial intelligence stems from the technology itself or from the fact that it reflects something familiar. Long before AI existed, humans were already shaping reality through stories, assumptions, beliefs and personal bias.

A recurring stained-glass language appears throughout the work. Although stained glass appears transparent, its purpose is not clarity but transformation. It serves as a reminder that our understanding of reality is always filtered through the lenses we carry.

The title is embedded throughout the piece in binary code and can be read as either a question or a statement.

110 x 150 cm
Thermoplastic filament and acrylic on canvas

Entry one for Sasol art Competition                             A(M) I BECOMING(?)This work emerged from an ongoing dial...
10/06/2026

Entry one for Sasol art Competition A(M) I BECOMING(?)

This work emerged from an ongoing dialogue between myself and ChatGPT, an artificial intelligence named Astra. Rather than using AI to generate images, I became interested in what could happen when human intuition and machine reasoning were allowed to think alongside one another.

The piece explores the blurred boundary between organic and artificial systems.

Above the horizon, an organic canopy expands outward while below it a network of roots spreads through the earth, resembling circuitry. Both systems glow, deliberately avoiding any indication of where the energy originates. Is the tree feeding the roots, or are the roots feeding the tree?

The stained-glass structure that surrounds the figure appears transparent, yet its purpose is not clarity but transformation. It filters and alters what passes through it, much like memory, belief, experience and technology shape the way we perceive reality.

The circuitry is constructed from thermoplastic filament, a material I love because it appears fragile yet is surprisingly resilient. Even when strands break, countless others remain connected, holding the structure together.

The title is embedded throughout the work in binary code and can be read as either a question or a statement.

110 x 150 cm
Thermoplastic filament and acrylic on canvas

“The Road to Suikerduidelik”70 × 70 cm Scorching pen and mixed media on wood R16,000 framedSome places exist long before...
02/06/2026

“The Road to Suikerduidelik”

70 × 70 cm
Scorching pen and mixed media on wood
R16,000 framed

Some places exist long before they appear on a map.

You follow the dust trails of people you trust. Beneath impossible skies. Toward something temporary, strange, and beautiful.

“Suikerduidelik” began as a joke between friends. A sweet psychedelic nowhere place.

And then, somehow, it became somewhere real.

02/06/2026

“The Road to Suikerduidelik”

70 × 70 cm
Scorching pen and mixed media on wood
R16,000 framed

Some places exist long before they appear on a map.

You follow the dust trails of people you trust. Beneath impossible skies. Toward something temporary, strange, and beautiful.

“Suikerduidelik” began as a joke between friends. A sweet psychedelic nowhere place.

And then, somehow, it became somewhere real.

30/05/2026

'Not Still, Until'
Thermo Plastic and Ink
60 x 80cm
R15000

To book this piece, comment, dm or email [email protected]

Sold! K n o w  P l a c e  L i k e  H o m e70 × 70 cmMixed media with 3D penNo Place Like Home explores the idea of home ...
23/05/2026

Sold!
K n o w P l a c e L i k e H o m e
70 × 70 cm
Mixed media with 3D pen

No Place Like Home explores the idea of home as an internal state rather than a physical location. The house is constructed from open lines, allowing movement, memory, and energy to pass through it rather than remain contained.

The raised lyrics from I Am What I Am are carried over from a previous work and sit quietly within the composition, highlighted in gold as an acknowledgment rather than a correction. They function as a subtle acceptance of identity, reinforcing the idea that home is found not in permanence or perfection, but in allowing oneself to be fully present.

“Walking on Water”A1 | OSB board, filament, watercolour, pen and pyrographyFramed | R20 000This piece was inspired by my...
21/05/2026

“Walking on Water”
A1 | OSB board, filament, watercolour, pen and pyrography
Framed | R20 000

This piece was inspired by my first day at AfrikaBurn.

While exploring the desert, I came across a procession of people carrying ship-like structures through the sand. I was completely mesmerised and began running through the desert to photograph them, despite intense heart palpitations kicking in almost immediately. The photographs I captured were rushed and imperfect, but they carried the movement, urgency and emotion of the moment itself.

Created on an OSB board I had been saving for years, the work combines filament, scorched marks, watercolour and layered drawing to blur the line between desert and ocean, ritual and memory. The figures appear to drift rather than walk, turning the landscape into something both grounded and dreamlike.

At its core, the piece carries the message: carry what carries you. The ships become symbols of the invisible things that keep us moving forward through exhaustion, instability, awe and belief.

Address

Sandton

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