ELAMO

13/08/2026

Every interior starts long before the furniture arrives.
Plans, materials, textures, small decisions.
Before it all comes together.

Beach Mansion: 156 sq.m.
More to come.

13/08/2026

Turning the pages of Sidra 1: textures, furniture, and lighting

Design & build by Elamo Studio

Watch how we bring it all together on site ⤴︎

12/08/2026

Turning the pages of Sidra 1: textures, furniture, and lighting

Design & build by Elamo Studio

Watch how we bring it all together on site

05/08/2026

If this interior were a jazz quartet:

Walnut keeps the rhythm
Travertine is for harmony
Red Marble plays the solo
Light flows through the space, absorbing every note.

Sidra 1:
Designed & curated by ELAMO Studio.

03/08/2026

03/08/2026

Sidra 1: an investment project in Dubai.

Swipe to see where we are, and the decisions shaping it on site.

31/07/2026

Sidra 1: watch the hidden scenes.

Design and ex*****on, one team, from start to finish.
Come and see how the project comes together.

28/07/2026

A city checklist on scale, light, and subtle details and how they transform into calm, rich interiors.
Swipe through the carousel for the locations and key takeaways from our studio’s perspective.

London is full of design lessons, if you know where to look.

23/07/2026

As you walk through Oxford, it takes a moment to realize why the stone feels so warm and honey-toned, almost glowing from within.

Headington limestone comes from near the city, where an ocean stretched 155 million years ago.

If you stop and look closely at the walls, you can see tiny seashells and soft marks in the stone. The city is literally built from fossilized water.

And this stone has character. Some walls are stern and smooth, standing for centuries without a single crack. Others are softer and more decorative, but they are the first to age: darkening, crumbling, and growing over with moss. The city wears its time unevenly — in some spots it feels a thousand years young, in others, a little worn.

Ivy and wisteria take full advantage of this, creeping into the cracks as if the garden decided long ago that stone and greenery are one and the same.

Unlike in London, the buildings in Oxford are left untouched. Since the 9th century, these structures have been living and changing: wind, sun, and rain leave their mark.

The inscriptions on these walls are no accident either. Oxford has a long tradition of carving its history directly into stone. Names of donors, blue plaques for writers and scientists, marks on the ground for historical events — the city records its memory on its surfaces rather than relying on spoken words.

Oxford seems to breathe and speak to us, passing messages from past generations through carved stone slabs and the sunlight streaming through stained glass, settling upon pointed gothic arches.