My father had spent most of his life in the furniture industry, starting out learning the trade of old school manufacturing and upholstery which would eventually take him into senior management. So when I was a child, Dad spent a lot of time teaching me the process of furniture manufacture from concept to delivery. In the absence of more strict WH&S procedures which we have today, there was much I
could do, see, feel and smell on the production floor when I was a child. As if it was only yesterday, I can still smell the different timbers and leathers being cut to size. Whilst having that time with Dad was valuable, the connection I would have with the industry he was so passionate about, didn’t click for me until much later in life. It was not until I purchased my first property in early 2000s, where I first discovered the architectural design trend of blending the old with new. Developers were converting old buildings from the early 1900’s into loft style apartments, with modern kitchens and layouts to meet today’s lifestyle, whilst maintaining so many of the original features. This rapidly growing trend of architectural design seamlessly expanded into all aspects of furniture and the concept of refinishing something old into something new and unique for someone’s home, was fascinating to me, a light bulb moment that hadn’t occurred up until then. Just as in a cut of timber, a hide of leather, every piece of furniture was unique, one of a kind feature pieces with a story, created for a home as individual as the person who would buy them. Back in the early 2000's however, I was at the height of my career in human resource consulting, a career path I had fallen into after finishing school rather than one I had actively pursued. My parents had come from the belief that careers are built in an office, so despite being a high performer across all of my Arts subjects at school, I needed to find a career in an office. AAARGH!!! I therefore started to spend some of my spare time researching and experimenting with different trends in furniture refinishing. All done from the balcony of our high-rise apartment in inner city Brisbane. It wasn’t until we bought a house in the burbs in 2010 when my hobby of furniture refinishing took on a whole new level, our entire garage level in fact. We lived on a reasonably busy road where people would sometimes stop and watch me at work on my driveway. The name of One20Grit comes from one very important item in my toolkit that is across everything I create, everything I sell, and I simply could not do what I do without it, and that is my most used tool, my sandpaper, 120 Grit.