Jan Muller Antiques

Jan Muller Antiques Jan Muller is a Belgian based antiques dealer specialising in 16th and 17th century art paintings and sculptures.

Specialised predominantly in European paintings and sculptures dating from the 15th up to the early 20th century. Being art lovers we actively enjoy seeking the most beautiful and rare items coming from fairs, auctions, antique dealers and private collections worldwide. We strive to offer our clients only the very best pieces, and am more than happy to offer advice and consultation in order to hel

p them extend their collections with the finest rare and exclusive offerings. The past years we have taken part at national and international art fairs, the highlight of each is the Brafa fair in Brussels. This year will be our 10th edition as an exhibitor. Opened in 2013, the gallery is located in the old city of Ghent in a 17th century mansion, formerly known as the Simon the Mirabello residence, with parts of the building dating back from the 14th century. Here we invite clients and enthusiasts at special opening events to come and share our mutual love for art.

And we are off😁😁😁
17/06/2022

And we are off😁😁😁

G.A.N.D.A. 2021Welkom in de galerij op 26, 27, 28 november en 3, 4, 5 december.  🌸be
25/11/2021

G.A.N.D.A. 2021
Welkom in de galerij op 26, 27, 28 november en 3, 4, 5 december. 🌸be

Our printed invitations are on their way ...
11/01/2021

Our printed invitations are on their way ...

Dear art-lovers, due to current regulations by the Belgian government regarding the corona virus, the exhibition in our ...
13/03/2020

Dear art-lovers, due to current regulations by the Belgian government regarding the corona virus, the exhibition in our gallery will only be open by appointment until further notice.

Welkom op onze tentoonstelling met kunstwerken uit de tijd van Van Eyck.
29/02/2020

Welkom op onze tentoonstelling met kunstwerken uit de tijd van Van Eyck.

Pieter ClaeszHaarlem 1597 – 1660 Haarlem▼'A still-life with a pewter jug, a glass of beer; a cooked ham, a bread roll on...
30/01/2020

Pieter Claesz
Haarlem 1597 – 1660 Haarlem

'A still-life with a pewter jug, a glass of beer; a cooked ham, a bread roll on a pewter plate, together with other objects, all placed on a table draped with a white cloth'
h|w: 52 x 70 cm
Oil on panel
Signed with monogram and dated PC/1648 middle left Expertise by Dr. M. Brunner-Bulst, 31/03/2009

workshop van Jan Anthonisz van Ravesteyn (possibly Abraham Blyenberch) The Hague 1572 – 1657 The Hague. Portrait of a ma...
28/01/2020

workshop van Jan Anthonisz van Ravesteyn (possibly Abraham Blyenberch) The Hague 1572 – 1657 The Hague. Portrait of a man with a wedding medal of Frederick V (Elector of the Palatinate) and Elizabeth Stewart.
The wedding medal by Jan de Bommaert.
h|w: 62 x 49 cm
work: Oil on panel
The wedding medal is a reminder of the events of the anti-Habsburg Czech uprising (1618-1620) and the Thirty Years War (1618-1648)

Huybrecht Beuckelaer (or Beuckeleer)1535/39 – after 1602. 'A fruit and vegetable, poultry game seller with a town beyond...
26/01/2020

Huybrecht Beuckelaer (or Beuckeleer)
1535/39 – after 1602. 'A fruit and vegetable, poultry game seller with a town beyond'. h|w 135 x 101 cm work: Oil on canvas. Signed and dated lower left 'Huberius Beuckelaer.'
The younger brother, presumably, of the well-known painter Joachim Beuckelaer, Huybrecht Beuckelaer remained unknown to art history until only recently. His rare paintings, due to their signature, were initially classified as by a monogrammist Hb, until a full signature was discovered under a layer of overpaint on one of them. This newly discovered market scene is thus the second fully signed work by the artist to come to light. The previously known monogrammed paintings by the artist, history and genre scenes, are stylistically related to those of his brother and to work by their teacher and uncle, Pieter Aertsen. Huybrecht is also known to have painted portraits and believed to have worked as Anthony Mor’s assistant in about 1560. By 1586, he had settled in Greenwich, where he was recorded in that year as ‘Hubert Buchler’. He is believed to be the painter ‘Hubbert’ who had painted portraits of and for Robert Dudley, Earl of Leicester, by 1583 and by whom several works were recorded in the Earl’s inventory in 1584. Formerly, the date on this painting has been read as 1585, but it turns out that, sadly, it was too much abraded in the past to be properly legible. It may even be that the first two digits read as 16, suggesting that it was painted in or after 1600. In any case, this appears to be a later work by Huybrecht Beuckelaer, it was most likely done after his move to England. In it, he has acquired a more individual style and manner than in the earlier works that make up his known oeuvre. As such it may serve as a firm stepping stone for recognition of more works by the artist.
In theme and composition, this market scene is reminiscent of work by Joachim Beuckelaer, but it breathes a somewhat more modern atmosphere, also, and particularly, in the attire of the maid. The handling, particularly that of the animals, fruit and vegetables is quite detailed and refined, not as bold as in Joachim’s paintings. Without the signature – which is absolutely genuine – the painting might not have been connected to Huybrecht Beuckelaer. However, the basket is very similar in its rendering to the one in a painting convincingly attributed to Huybrecht in the Royal Museum of Fine Arts in Antwerp (inv. no. 863). As usual in such paintings, the theme is not simply that of a maid shopping at the market. Her intimate approach of the seller suggests that she is looking for more than just food for the stomach. Specific elements, such as the rooster and the hen together in the basket, may indeed well allude to a sexual connotation of the scene.
— Text by Dr. Fred Meijer

Carl Wilhelm de Hamilton 'A forest floor still life with snakes, butterflies, snails, a grasshopper, and a lizard'h|w47,...
22/01/2020

Carl Wilhelm de Hamilton 'A forest floor still life with snakes, butterflies, snails, a grasshopper, and a lizard'
h|w
47,5 x 34 cm
work
Oil on panel
We thank Dr. Fred Meijer who confirmed the authenticity of this painting.

'Allegory of Abundance: Venus, Bacchus and Ceres' by Brueghel en Van B***n en studio. 56,7 x 100,7 cm. Come and see it a...
03/11/2019

'Allegory of Abundance: Venus, Bacchus and Ceres' by Brueghel en Van B***n en studio. 56,7 x 100,7 cm. Come and see it at our stand at Antica Namur. Antica Namur

Adres

Burgstraat 24
Ghent
9000

Openingstijden

Zaterdag 11:00 - 17:00
Zondag 11:00 - 17:00

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