AM.Antwerp

AM.Antwerp Vintage Lighting, Timeless Design. 💡

Just acquired — the monumental XXL Dome pendant lamp by Ingo Maurer, designed in 1999.An extraordinary statement piece f...
26/05/2026

Just acquired — the monumental XXL Dome pendant lamp by Ingo Maurer, designed in 1999.

An extraordinary statement piece featuring a massive 180 cm fibreglass reflector, finished in a luminous aluminium-silver lacquer with a vivid green interior creating a warm and atmospheric glow. Both sculptural and architectural, XXL Dome was conceived for grand interiors and open spaces where scale truly matters.

This newly acquired piece will be listed online soon.
Additional information, dimensions and pricing are available on request.

Wall sconce, opaline glass, rounded triangle form with side clips, Europe, 1960s. In original packaging.A single piece o...
29/04/2026

Wall sconce, opaline glass, rounded triangle form with side clips, Europe, 1960s. In original packaging.

A single piece of hand-blown opaline glass, shaped into a soft triangle and held to the wall by two small metal side clips — the entire mounting hardware visible and unashamed. When lit, the glass becomes a warm volume of light, neither shade nor globe, somewhere between the two.

Available at AfterMidnight. Inquire via DM.

Pendant lamp, structured cast glass and black lacquered metal, Scandinavia, 1960s.A black lacquered cap, precise and mat...
27/04/2026

Pendant lamp, structured cast glass and black lacquered metal, Scandinavia, 1960s.

A black lacquered cap, precise and matte, sits over a cylinder of thick cast glass wound with horizontal ridges. The glass refracts rather than diffuses — the light breaks through the texture as if through ice. Simple in silhouette, complex at close range.

Available at AfterMidnight. Inquire via DM.

Clamp task lamp, model 672, lacquered aluminium, Martinelli Luce, Lucca, Italy, 1970s.Founded in 1950 in a cellar in Luc...
26/04/2026

Clamp task lamp, model 672, lacquered aluminium, Martinelli Luce, Lucca, Italy, 1970s.

Founded in 1950 in a cellar in Lucca, Martinelli Luce built its reputation on lamps that treated light as a material in its own right. This articulated clamp lamp — two arms, three pivot points, a dome shade in off-white — is the working version of that philosophy: adjustable to any position, holding it without a screw.

A lamp that does exactly what it promises, and nothing more.

Available at AfterMidnight. Inquire via DM.

Table lamp, lacquered metal and opaline glass, Carl Moor for BAG Turgi, Switzerland, 1960s.A red metal cube on four wire...
25/04/2026

Table lamp, lacquered metal and opaline glass, Carl Moor for BAG Turgi, Switzerland, 1960s.

A red metal cube on four wire legs, with a globe of opaline glass pressed inside it. Carl Moor was a professor of design in Switzerland, and this lamp — sold in the US under the name Helvetica — is his most reduced statement: geometry as object, colour as argument.

Available at AfterMidnight. Inquire via DM.

Pendant lantern, cast brass and etched glass panels, four candle lights, France, early 20th century.A hexagonal brass la...
23/04/2026

Pendant lantern, cast brass and etched glass panels, four candle lights, France, early 20th century.

A hexagonal brass lantern with scrollwork crown and acanthus base — the grammar of the grand foyer, scaled for a private home. Each glass panel is hand-etched with a spray of daisies, a detail that softens the formality without undermining it.

Lit, the etching becomes visible from across a room. That is the point.

Available at AfterMidnight. Inquire via DM.

Ceiling flush mount, hand-worked patinated brass, brutalist style, Europe, mid-20th century.Torn and hammered brass rays...
22/04/2026

Ceiling flush mount, hand-worked patinated brass, brutalist style, Europe, mid-20th century.

Torn and hammered brass rays explode from a central opaline globe — the sun rendered in metal, as if someone pressed it flat against a ceiling and let it cool. Each ray is irregular, cut and bent by hand. No two are the same.

A lamp that does not wait to be noticed.

Available at AfterMidnight. Inquire via DM.

Adjustable pendant lamp, opaline glass and polished brass, Gebrüder Cosack, Neheim-Hüsten, Germany, 1970s.An opaline gla...
21/04/2026

Adjustable pendant lamp, opaline glass and polished brass, Gebrüder Cosack, Neheim-Hüsten, Germany, 1970s.

An opaline glass bell sits inside a wide brass brim, the proportions of a sun hat, the finish of a trophy. The coiled cable allows the height to be adjusted by hand, a practical detail that Cosack executed with the same care as everything else.

Two materials, one silhouette. Cosack at its most self-assured.

Available at AfterMidnight. Inquire via DM.

Het Scheepvaarthuis, Amsterdam — Joan van der Mey, 1913–1916.In 1912, six competing Dutch shipping companies agreed to s...
20/04/2026

Het Scheepvaarthuis, Amsterdam — Joan van der Mey, 1913–1916.

In 1912, six competing Dutch shipping companies agreed to share a single headquarters on Waalseiland, the same stretch of Amsterdam harbour from which Cornelis Houtman had set sail for the East Indies three centuries earlier. They hired Joan van der Mey, then largely unknown, and gave him 1,400 square metres and a million guilders. What he handed back was the founding monument of the Amsterdam School.

The building is shaped like a cargo ship, its prow pointed towards Oosterdok. Step inside and the maritime logic continues at every scale: entrance doors revolve around a compass point, trident handles give onto marble staircases traced with wave motifs, ironwork lamps branch from the walls like sea anemones, and whale-headed banisters guard the basement stairs. On the top floor, glazier Willem Bogtman's stained-glass ceiling maps constellations and shipping routes — a sky built for navigators who would never see the real one from this room.

Van der Mey received a commercial brief and returned something closer to a total world. The Amsterdam School — expressive, metaphor-driven, briefly brilliant — began here.

It is now Grand Hotel Amrâth. The compass still turns at the door.

📷 Oskar Proctor

Ceiling flush mount, opaline glass and patinated metal, expo style, Europe, mid-20th century.The wheel form, a broad dru...
19/04/2026

Ceiling flush mount, opaline glass and patinated metal, expo style, Europe, mid-20th century.

The wheel form, a broad drum of opaline glass stepped at the rim, anchored by a dark metal ring, has the quiet authority of a lamp designed for public space. Railway stations, exhibition halls, civic buildings: places where lighting had to be read from a distance and survive decades of daily use.

On a domestic ceiling it becomes something else entirely. The scale is assertive. The light is generous.

Available at AfterMidnight. Inquire via DM.

Adres

IJzerenweglei 51
Mortsel

Openingstijden

Maandag 09:00 - 17:00
Dinsdag 09:00 - 17:00
Woensdag 09:00 - 17:00
Donderdag 09:00 - 17:00
Vrijdag 09:00 - 15:00

Telefoon

+32475629387

Website

http://www.am-antwerp.com/

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