Was ist die Webseite?

Artclub

„artclub“ hat das Ziel, Kunst für alle zugänglich zu machen, Künstler zu unterstützen und eine lebend

22/06/2026

ARTCLUB Open Studio was a three-week project where twenty-two artists worked together in one space. The idea was simple: create together, exchange ideas, support each other.
What came out of it were real works. Some pieces grew from collaboration between artists, others emerged from the daily exchange and support happening in the room. It was open. It was honest.
At the end of those three weeks, there was an exhibition. It shows what happened when these artists decided to work in the same room instead of alone.
We’re grateful to all the artists who made this possible: 
Alicia Lencina  Camille Sernetz Camille  Charli Heit  Cornelis Weiss craykrow  Devon Nguyen DEVON NGUYEN  Florentina .hmf  Frederik Anhalt .anhalt  Helena Leeners Helena Leeners  ISI PFLANZ  Joline Sommer Joline Sommer  Kezia Damerow  Kunika Tappert  Leonhard Göhler  Lilian Mühlenkamp Lilian Mühlenkamp  Luca Reichhardt  Malia Krey Malia  Mika Monz .monz  Noël David Legrant Jr.  Ronald Roland Ronny  Sarah Domitille Jehle Sarah | Baby G  Stan Valdez
Adria Ilonca adria📌  Marko Augusti markoaugusti  
Photography: Alislencina | Photography | Berlin  Music: Julian Franzke  DJ:  
Thanks to our partners CA Immo and HTW Berlin for making the space possible.
Throughout the project, we collected donations for Kinderschutzengel e.V. All proceeds from the exhibition went to support them.

See all the at artclub.wtf ↗

19/06/2026

Today’s Art Note: Why do galleries still exist?

Galleries are dying. That’s real. But the question isn’t whether they survive. It’s whether we lose something important when they do.

The internet solved access. You can see thousands of artworks right now, free, from your couch. That’s undeniably better. But galleries still do something the algorithm doesn’t: they say “this matters.” A person with taste, with conviction, pointing at an artist and saying this is worth your attention. That human curation, that belief, it doesn’t translate to a feed.

And then there’s the room itself. Original art changes when you’re standing in front of it. You see the scale. You see the texture. You see the mistakes and marks the artist made. You feel it differently. That’s not nostalgia. That’s just what happens when you’re in the same space as something real.

The old gallery model is dead. The velvet ropes, the exclusion, the slow gatekeeping. But the need for spaces where artists are visible, where someone believes in them, where you can stand in front of something real? That’s more important now than ever.

What does that space look like? Maybe it doesn’t look like a gallery at all.

18/06/2026

Highlight Piece Week 25.

Fragments by Kunika Tappert

Fragments compresses a crowd into a single, unstable field of memory. Faces surface and fade, pressing through one another without hierarchy. A visual conversation where nothing settles. The work hums with colour and overlap, creating the feeling of multiple moments held at once.

Available now on artclub.wtf :arrow_upper_right:

What draws you into this chaos? Which face holds your eye?

17/06/2026

Today’s Art Note: What happens after you buy?

Most art disappears after the first sale. It gets hung on walls, stored away, moved between collectors. The artist loses track of where it went, and honestly, they probably never see it again.

They also lose out when it gets resold. The secondary market exists, prices shift, but they see nothing from any of it. That’s how the system works.

But here’s what actually matters: art isn’t made to vanish. It’s made to be seen, to sit in your space, to bring you something every time you look at it. That’s the whole point.

When you buy directly from an artist, you get to keep that connection alive. You’re giving the work a home that matters. You’re the reason they made it in the first place.

Explore art at artclub.wtf

Where does art belong in your home?

08/06/2026

This is André.

André Bräuer creates work that moves between abstract expressionism and structured materiality; color as emotion, material as resistance.
Inspired by nature, urban spaces, and personal longing, he explores what happens when painting and photography collide.
Nothing is decorative. Everything is honest.
His practice asks: what can a surface hold? What does restlessness look like when you make it visible?

Follow .braeuer.art for more.
↗️ What draws you to abstract work?

05/06/2026

Today’s Art Note: Geography & Gatekeeping.

Here’s how the system works. The art world has favorites and they’re tied to your passport. A European artist gets taken seriously as a thinker. A Latin American artist gets marketed as colorful and exotic. An African artist as political. An Asian artist as a craftsperson. Before your work even gets seen, your origin has already decided what you’re allowed to make. So what happens?

Take an artist from Rio who moves to Berlin. They don’t just become an artist. They become “the Brazilian artist.” It sounds specific. It’s actually a cage. Because now their work isn’t just art. It’s proof of their passport. Collectors want authenticity tied to geography. Galleries want a story they can sell. So artists learn to feed the system.

They stop asking: what do I actually want to explore? And they start asking: what does my origin story sell?

Here’s the thing though. Culture absolutely shapes how you see the world. Your background, your perspective, your experiences they’re real and they matter. They should absolutely come through in your work. That’s authentic.

But there’s a difference between your culture influencing your perspective and your culture becoming your entire identity in the art world. One is art. The other is exoticism. One gives you freedom. The other gives you a label.
At ARTCLUB we built something different. We don’t ask where you’re from. We ask what you’re exploring. Because your origin can shape your work. It just shouldn’t become your only story.

The rest of the system still needs to catch up though.

Swipe → Have you ever had your background change how people see your work?

03/06/2026

Highlight Piece Week 23.

FLUX_2 by Niklas Klinck.

There’s something mesmerizing about watching order dissolve into texture, geometry melt into movement. This piece sits in that exact moment. Black and white, stripped down, no distractions. The tension between what’s controlled and what’s raw.

Niklas works in this space where abstraction meets tactility. Every mark counts.

Available now on artclub.wtf ↗️

What draws you in first: the geometry or the texture?

03/06/2026

ARTCLUB OPEN STUDIO — NON-PROFIT VERNISSAGE

On June 12, we invite you to the final vernissage of ARTCLUB Open Studio: a project that brings artists together to create, exchange ideas, and develop new works in a shared studio environment.
Join us for an evening of art, community, and open exchange — showcasing the works created throughout the project.

We will be collecting donations for Kinderschutzengel e.V., and all profits made by ARTCLUB from the event will be donated.

12.06.2026 — from 6 PM
Pohlstraße 20, 10785 Berlin
Free entry. Limited capacity.

01/06/2026

Berlin. June 2026.

New month, same energy. Studio mess, event nights, conversations that matter. This is what we’re building.

find it on artclub.wtf ↗️

What’s pushing your work forward right now?

29/05/2026

Today’s Art Note: What AI Means for Original Art.

A million images were generated today. Probably more. Most of them look fine. Some of them look incredible. And almost none of them will make anyone feel anything a week from now.

We are living through a moment where the ability to create an image has been completely separated from the experience of having something to say. Anyone can generate a convincing painting, a moody portrait, a sweeping landscape. The technical barrier is gone. What that leaves behind is a question that the art world has been quietly avoiding: if images are infinite, what actually makes one worth keeping?

The answer is not style. Style can be mimicked. It is not even quality in the traditional sense. It is authorship. The fact that a specific person, at a specific point in their life, made a decision to put something into the world. That process carries weight that does not show up in the pixels but you feel it when you stand in front of the work.

The artists making things by hand right now are not competing with algorithms. They are doing something else entirely. They are leaving a record of being human in a moment when that is starting to feel like it needs defending.

That is what original art has always been. It is just clearer now.

Swipe → Do you think AI changes what it means to own original art?

Adresse

Berlin

Webseite

http://artclub.wtf/

Benachrichtigungen

Lassen Sie sich von uns eine E-Mail senden und seien Sie der erste der Neuigkeiten und Aktionen von Artclub erfährt. Ihre E-Mail-Adresse wird nicht für andere Zwecke verwendet und Sie können sich jederzeit abmelden.