The Linie

The Linie Curated antique and vintage objects defined by form, character, and story. Based in Berlin.

French Art Deco lidded box in black Hyalith glass, c. 1930s.A silver-coloured geometric grid gives the rounded body a cl...
12/09/2026

French Art Deco lidded box in black Hyalith glass, c. 1930s.

A silver-coloured geometric grid gives the rounded body a clear Art Deco order. The spherical finial completes its compact silhouette.

Available now at thelinie.com. Link in bio.

Ebony three-figure sculpture, Tanzania, c. 1960s-70s.Attributed to the Makonde carving tradition, the sculpture places t...
09/09/2026

Ebony three-figure sculpture, Tanzania, c. 1960s-70s.

Attributed to the Makonde carving tradition, the sculpture places three elongated figures around a smooth sphere. Most of its volume and weight sit above the narrow figures and the open spaces between them.

Available now at thelinie.com. Link in bio.

Studio ceramic vase by Elly and Wilhelm Kuch, Germany, 1960s.Full shoulders and a narrow neck give the vase strong volum...
07/09/2026

Studio ceramic vase by Elly and Wilhelm Kuch, Germany, 1960s.

Full shoulders and a narrow neck give the vase strong volume and weight. Abstract black and charcoal markings change with every turn, in contrast with the clear silhouette.

Available now at thelinie.com. Link in bio.

Pair of turned ebony candleholders, Africa, mid-20th century.Rounded volumes are stacked along narrow stems, giving the ...
05/09/2026

Pair of turned ebony candleholders, Africa, mid-20th century.

Rounded volumes are stacked along narrow stems, giving the pair a clear architectural order. Their repetition creates a strong vertical rhythm, reinforced by the weight of the ebony.

Available now at thelinie.com. Link in bio.

Japanese crystalline-glaze vase by Tachikichi, Kyoto, late 20th century.Flower-like crystals grow within the glaze durin...
03/09/2026

Japanese crystalline-glaze vase by Tachikichi, Kyoto, late 20th century.

Flower-like crystals grow within the glaze during controlled kiln cooling rather than being applied as a pattern, making the surface unique to each vase. The crystalline surface shifts in colour with the angle, from warm ivory and ch*****ne to pale lilac and blue-grey. The low, rounded body gives the vase full volume and a strong sense of weight.

Available now at thelinie.com. Link in bio.

Brutalist two-light bronze candleholder attributed to Kunstschmiede Bergmeister, Germany, c. 1960s-70s.The two candle di...
02/09/2026

Brutalist two-light bronze candleholder attributed to Kunstschmiede Bergmeister, Germany, c. 1960s-70s.

The two candle dishes extend from a low asymmetrical body. Open space beneath the centre gives the compact form a clear architectural structure.

Available now at thelinie.com. Link in bio.

The new collection is now available.Form-led antique and vintage objects across cultures, selected for their full forms ...
02/09/2026

The new collection is now available.

Form-led antique and vintage objects across cultures, selected for their full forms and strong sense of weight.

View the collection at thelinie.com. Link in bio.

A closer look at the new collection.Full forms, narrow bases and a strong sense of weight.Launching Wednesday 2 Septembe...
31/08/2026

A closer look at the new collection.
Full forms, narrow bases and a strong sense of weight.

Launching Wednesday 2 September.

The Private Preview opens tomorrow. Sign up through the link in bio.

Japanese Takaoka copperware single-flower vase, Shōwa period, c. 1960s–80s.The wooden box identifies it as 一輪插 (ichirin-...
04/08/2026

Japanese Takaoka copperware single-flower vase, Shōwa period, c. 1960s–80s.

The wooden box identifies it as 一輪插 (ichirin-zashi, or single-flower vase), made for one stem or a small focused arrangement.

In Japanese flower arrangement, the vessel leaves space for line, angle, and the character of a single stem.

Available now at thelinie.com — link in bio.

One of Frank Lloyd Wright’s few surviving works in Japan, and one to save for a future design visit near Osaka. Yodokō G...
30/07/2026

One of Frank Lloyd Wright’s few surviving works in Japan, and one to save for a future design visit near Osaka. Yodokō Guest House is a rare meeting of Western modernism and Japanese domestic space.

Designed in 1918 and completed in 1924 for the Yamamura family, the house brings Wright’s geometric interiors and integrated furniture into conversation with tatami rooms, Japanese timberwork and locally quarried Oya stone.

Images beautifully photographed by:
— Slides 1, 3–4 and 6-7tkacheva — Slides 2 and 5ocejo — Slides 8-9

— The Linie Archive

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