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Marie Daâge

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France
Les Paris
Marie Daâge

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Informations de contact, plan et itinéraire, formulaire de contact, heures d'ouverture, services, évaluations, photos, vidéos et annonces de Marie Daâge, Décoration d’intérieur, Les Paris.

09/10/2026

Here, three variations of VENDÔME FLAMBOYANTE collection come together: TORES on the bread plate, with its concentric mouldings inspired by architectural reliefs, MOUCHETTES, with its flowing Gothic tracery on the dinner plate, and CHOUX FRISÉS, whose sculpted foliage unfolds across the dessert plate.

Painted in a subtle harmony of Caki (No. 34) and Chocolat (No. 13), the different motifs complement one another, creating a layered composition where geometry meets organic movement.

Every detail is painted entirely by hand in our French atelier, and every colour combination can be reimagined from our palette of 68 shades.

Pictured on the Capucine chest by Elizabeth Garouste at .avantscene, with silver by , crystalware by and embroidered linen by

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• 🎨 All collections are available to customize in our original 68-color palette • 🇫🇷 fine porcelain made & 100% freehand-painted in France • ⚜️24 carats matt gold-gilded • 🛍 [email protected] •📍12 rue de Tournon Paris 6 • © Marie Daâge. Original designs, reproduction prohibited •

08/10/2026

Our small plates make the perfect cocktail plates — an elegant, versatile format for aperitifs, cocktail parties and everything in between.

Here, our TIE DYE collection brings together a spontaneous interplay of colours: Vert de Gris No. 20, Vert Cactus No. 47, Chocolat No. 13, Marron Glacé No. 14 and Pierre de Paris No. 69.

Each plate reveals its own subtle nuances and painterly transitions, while together they form a beautifully harmonious ensemble. And with our palette of 68 colours, every combination is possible.

The delicate colour transitions of the porcelain find a striking setting on the sculptural Anthévémis buffet by , where intricate floral forms meet the lush, botanical exuberance of Véronique Rivemale’s Muguet lamp — a poetic dialogue between craftsmanship, colour and nature, brought together at .avantscene.

• 🎨 All collections are available to customize in our original 68-color palette • 🇫🇷 fine porcelain made & 100% freehand-painted in France • ⚜️24 carats matt gold-gilded • 🛍 [email protected] •📍12 rue de Tournon Paris 6 • © Marie Daâge. Original designs, reproduction prohibited •

07/10/2026

Seen as a whole, the table reveals another dimension of PANACHE.

Warm and cool tones, greens, pinks, deep reds and softer mineral shades coexist freely. Every plate is different, every brushstroke has its own rhythm — and yet the service feels entirely coherent.

This is the freedom we seek in a table: not perfect repetition, but a common language. Colour, gesture and texture move from one piece to another, allowing each place setting to have its own character while remaining part of the whole.

Paired with PARURE, Panache unfolds almost like flowers across the table — spontaneous, generous, alive.

A table currently on display at our Paris Boutique & Creative Studio, 12 rue de Tournon, Paris 6e.

• 🎨 All collections are available to customize in our original 68-color palette • 🇫🇷 fine porcelain made & 100% freehand-painted in France • ⚜️24 carats matt gold-gilded • 🛍 [email protected] •📍12 rue de Tournon Paris 6 • © Marie Daâge. Original designs, reproduction prohibited •

07/10/2026

PANACHE & PARURE — the beauty of the gesture. At first glance, it feels spontaneous: a sweep of colour, the trace of a brush, almost like flowers opening freely across the table.

But spontaneity is perhaps the hardest thing to master.

PANACHE is entirely painted freehand, in a succession of generous brushstrokes whose depth, texture and vibration depend on the painter’s hand. The pressure of the brush, the movement of the wrist, the amount of colour carried in each stroke — a seemingly simple gesture that requires years of experience and exceptional dexterity.

Here, warm and cool tones meet across the table. No two plates are exactly alike, yet together they form a remarkably coherent service. That is precisely what we love: not uniformity, but harmony.

Paired with PARURE, the collection reveals all the beauty of hand-painted porcelain — colour with depth, surfaces that feel alive, and the unmistakable presence of the hand behind each piece.

A table to discover at our Paris Boutique & Creative Studio, 12 rue de Tournon, Paris 6e.

• 🎨 All collections are available to customize in our original 68-color palette • 🇫🇷 fine porcelain made & 100% freehand-painted in France • ⚜️24 carats matt gold-gilded • 🛍 [email protected] •📍12 rue de Tournon Paris 6 • © Marie Daâge. Original designs, reproduction prohibited •

05/10/2026

A closer look at VENDÔME FLAMBOYANTE, our latest permanent collection, shown here in Noir No. 10 paired with Café au Lait No. 06, a soft light brown.
The collection takes its inspiration from the Flamboyant Gothic façade of the Abbey of the Trinity in Vendôme, translating details of its carved stone into freehand-painted friezes. Here, the MOUCHETTES, ACANTHES and CHOUX FRISÉS motifs come together across the table.

The name "Flamboyant" itself comes from the flame: in late Gothic architecture, stone tracery developed into flowing, S-shaped curves reminiscent of flames.

The mouchette is one of its most characteristic forms — and the connection becomes almost literal here, as our painted MOUCHETTES meet the bold, almost naïve flames of Elizabeth Garouste’s Amaryllis table from .avantscene.
The setting is completed with linen by , silverware by and crystalware by .

• 🎨 All collections are available to customize in our original 68-color palette • 🇫🇷 fine porcelain made & 100% freehand-painted in France • ⚜️24 carats matt gold-gilded • 🛍 [email protected] •📍12 rue de Tournon Paris 6 • © Marie Daâge. Original designs, reproduction prohibited •

01/10/2026

During Paris Design Week, our studio became a landscape of colours, and forms. From the sculptural Athena vase in PANACHE to a wall dedicated to TERRITOIRE, the presentation offered a glimpse into the breadth of the Maison’s porcelain library.

Serving dishes, vide-poches, square trays, fruit bowls, tumblers and cups revealed the diversity of forms, each becoming a canvas for different colour combinations and collections.

At Marie Daâge, a collection is never conceived in isolation. Shapes, motifs and colours are designed to live together, allowing pieces created at different moments to enter into new dialogues.

A glimpse of our Paris studio during Design Week — and of the many possibilities behind the Maison’s collections.

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• 🎨 All collections are available to customize in our original 68-color palette • 🇫🇷 fine porcelain made & 100% freehand-painted in France • ⚜️24 carats matt gold-gilded • 🛍 [email protected] •📍12 rue de Tournon Paris 6 • © Marie Daâge. Original designs, reproduction prohibited •

24/09/2026

For this new chapter of VENDÔME FLAMBOYANTE, previewed during Paris Design Week, another palette explores the cooler side of our colour library: Vert Cactus No. 47, Vert de Gris No. 20 and Opaline No. 50.

These three greens move from the depth of Vert Cactus to the mineral softness of Vert de Gris and the pale, luminous quality of Opaline. Together, they create a fresh yet nuanced harmony, where intensity gradually gives way to light.

As throughout our September presentation, Taupe No. 32 provides the underlying structure, echoing the grisaille used in medieval stained glass to draw details and create shading. Against it, the greens reveal themselves differently — sometimes dense and graphic, sometimes softer and almost translucent.

On VENDÔME FLAMBOYANTE, the colours are worked in reverse combinations, alternating the grey structure and coloured ornament to reveal the rhythm of the hand-painted motif in different ways.

We then extended this palette beyond VENDÔME FLAMBOYANTE, through pieces from the Maison’s existing library, bringing together different collections, periods and gestures through the same colour harmony.

A reminder that our palette is not simply a library of colours, but a language — one that allows designs to be recomposed, connected and seen anew.

• 🎨 All collections are available to customize in our original 68-color palette • 🇫🇷 fine porcelain made & 100% freehand-painted in France • ⚜️24 carats matt gold-gilded • 🛍 [email protected] •📍12 rue de Tournon Paris 6 • © Marie Daâge. Original designs, reproduction prohibited •

16/09/2026

For this new chapter of VENDÔME FLAMBOYANTE previewed during Paris Design Week, one of the palettes brings together Taupe No. 32, Porphyre No. 44 and Aubergine No. 51.

Taupe No. 32 is the common thread running through all of our September harmonies, echoing the grisaille that structures medieval stained glass. Here, it is paired with two colours that deliberately sit between warm and cool: the muted, earthy red of Porphyre and the deeper, cooler tone of Aubergine.

The result is a palette that resists an obvious season. Warm without becoming autumnal, cool without feeling austere, its slightly muted tones shift with the light and with the proportions in which they are used.

On VENDÔME FLAMBOYANTE — ACANTHES, the colours are worked in reverse combinations, alternating the grey structure and coloured ornament to reveal the rhythm of the hand-painted acanthus leaves in different ways.

We then extended the same palette beyond VENDÔME FLAMBOYANTE, through pieces from the Maison’s existing library: BELLE DE NUIT, CERCLE D’ÉCAILLE, ALLÉE DE CYPRÈS, RUBAN, ROND DE MAILLE and PANACHE.

Different collections, periods and gestures, brought together by the same three colours — a reminder that our colour library is also a way of creating new dialogues between designs.

15/09/2026

PARIS DESIGN WEEK — A CLOSER LOOK AT THE TABLE

As Paris Design Week continues, a closer look at one of the tables currently on display at our Paris studio.

For this September chapter of VENDÔME FLAMBOYANTE, grisaille meets a richer palette of violets, greens and deeper tones, bringing a new play of colour and light to the collection’s hand-painted mouldings and friezes.

Layered across the table, the different colourways are designed to be mixed and combined — each place setting offering its own interpretation of the collection.

Come and discover the table and the new VENDÔME FLAMBOYANTE colourways in person through the end of Paris Design Week.

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Maison Marie Daâge
12 rue de Tournon, Paris VI
September 10–19, 2026
Monday–Saturday, 10:30 am–7:00 pm
Extended hours by appointment
[email protected]

11/09/2026

DAY 2 — PARIS DESIGN WEEK

As day two comes to an end, we look forward to welcoming you to our Paris studio over the coming days to discover Vendôme Flamboyante and its new September colourways.

Our 2026 collection was first introduced in January in a mineral palette inspired by the carved stone of the Flamboyant Gothic façade of the Trinity Abbey in Vendôme, just a few steps from our atelier.

For September, the collection enters a new chromatic chapter — shifting from stone to light and looking to another essential element of Gothic architecture: stained glass.

The new compositions explore grisaille, the medieval glass-painting technique used to draw details and create shading. On porcelain, this principle becomes a dialogue between a constant grey structure — Taupe No. 32 — and more saturated tones, from Aubergine No. 51, Violet No. 11 and Porphyre No. 44 to Vert Cactus No. 47, Vert de Gris No. 20 and Opaline No. 50.

Each combination offers a different interpretation of the collection’s hand-painted mouldings and friezes, playing with structure, drawing, colour and light.

Come and experience these new harmonies in person during Paris Design Week.

Maison Marie Daâge
12 rue de Tournon, Paris VI
September 10–19, 2026
Monday–Saturday, 10:30 am–7:00 pm
Extended hours by appointment
[email protected]

Tableware GothicArchitecture StainedGlass Grisaille ParisDesignWeek2026

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