Quelles sont les heures d'ouverture ?

Mardi 14:00 - 19:00 Mercredi 14:00 - 19:00 Jeudi 14:00 - 19:00 Vendredi 14:00 - 19:00 Samedi 14:00 - 19:00

Alexis Renard

Page d'Accueil
France
Paris
Alexis Renard

Établie depuis 1999 sur l’île Saint-Louis, la galerie Alexis Renard est un acteur incontournable instagram.com/alexisrenard_art/

Alexis Renard is a specialized dealer and expert in the field of Islamic and Indian Art and is promoting a small group of Pakistani contemporary artists. Established since 1999 on Saint-Louis Island in the heart of Paris, the gallery offers valuations, brokerage operations and research of objects for museums and private collectors, as well as buying and selling.

24/04/2026

THROWBACK : Auction Results with

19/11/2025

Book Signing evening
PASCAL HONORÉ’s monography
« Rives/Shores », Ed. Lelivredart, 2025
(with a contribution from Alexis Renard)
📍 Galerie Alexis Renard - 5 rue des deux ponts, Paris
🗓️ 02/12 - 18:30

30/09/2025

DE LA GALERIE AU MUSEE / NOW IN MUSEUMS / MUSEE GUIMET, PARIS

Arm Ornament
Repoussé gold sheet, pearl and ruby
Southern India, Tamil Nadu, 18th - 19th century
Height : 11 cm

This gold bazu band is finely worked in high relief repoussé, showing profuse decoration. It is bearing a Kirtimukha head in the upper part, and shows Krishna Venugopala (the flute player) in the center, sitting on Nandi with Gopis on each side. In the lower part are depicted two Yalis, elephants and lions. On the back, two yalis are depicted amongst foliages. This ornament bears a pearl on the top, pendeloques with a ruby, and an owl gold mark.

A comparable arm ornament of the same form is kept in the Barbier-Mueller collection, and published in: Exhibition catalogue, Inde, Bijoux en Or des collections Barbier-Mueller, Paris: Somogy Editions d’Art / Geneva: Musée Barbier-Mueller, exhibition at the Toulouse city hall, 2004-2005, n°32, p. 160-161.

Alexis Renard, Shades, lines, colors & letters, 2019, N°19

25/09/2025

Petit retour sur notre exposition à la Pagode de CT Loo pour cette première édition de . Un grand merci à tous ! ✨

A little look back at our exhibit at the C.T. Loo Pagoda during the very first edition of . Many thanks to everyone! ✨

Photos 📸 :

11/09/2025

✨ Dans quelques jours, l’aventure commence ! ✨
Nous sommes ravis de participer à la toute première édition de , le nouveau rendez-vous des collectionneurs d’art à Paris. Au cœur de la mythique Pagode de Monsieur Loo, retrouvez-nous aux cotés de 11 galeries remarquables pour une expérience artistique unique. Loin de l’effervescence des grandes foires, « Sur Invitation » propose une immersion intimiste propice à la rencontre et au dialogue avec les œuvres.
Point d’orgue de l’événement : une exposition collégiale orchestrée par l’agence PINTO, où les pièces maîtresses de chaque galerie se rencontrent dans une scénographie exceptionnelle.
Une expérience rare, pensée pour les collectionneurs les plus passionnés.
📅 17–21 septembre 2025 | 📌 La Pagode de Paris | 🎟️ Sur invitation uniquement

27/08/2025

Bhairavi Ragini
Polychrome pigments and gold on paper
India, 18th century
Height : 22 cm Width : 15 cm

The theme of this ragamala is that of a Shivaworshipper venerating the lingam, symbol of the personified Hindu god. Here, a young woman stands before a small shrine, holding an oil lamp towards the worshipped object. She is accompanied by three women in the background, who are playing music.

Raga were originally a complex medieval music system, intended to evoke a particular feeling in the listener. Their melodies refer to an emotion, a state of mind or a mood, and are sometimes associated with a season, or a specific time of day, thus creating a story.

Indian painters then transposed them into images combining painting, poetry and music, known as ragamala. Deeply rooted in the Indian world, ragamala were the subject of numerous variations by artists’ workshops from the 16th century onwards. These paintings, meant to be depictions of feelings, come in feminine (ragini) or masculine (raga) versions.
Alexis Renard, Fierce and furious, Bold and beauty, 2025, N°38

(Complete dossier available on request)

30/07/2025

Fermeture estivale - Summer closure 2025 -

27/05/2025

New catalogue Fierce / Bold - Pagoda 2025 -

14/02/2025

Upcoming sale, 22 February:
Important Safavid Qur’an
Ink, polychrome pigments and gold on paper, stamped and gilded leather
Western Iran, Shiraz, first half of the 16th century
34 x 22 x 6 cm

A magnificent 16th-century Safavid Qur’an, distinguished by its impressive size and exceptional craftsmanship. The manuscript opens with a stunning double-page frontispiece featuring illuminated polychrome medallions (shamsa) and inscriptions in elegant white thuluth script. This is followed by a richly adorned bifolio of Surah al-Fātiḥa, with golden cartouches set against a striking sky-blue background, surrounded by intricate mandorlas with delicate arabesque patterns. Throughout the Qur’an, each page is meticulously framed with gilded and polychrome borders. The text is arranged with seventeen lines per page, with the first, ninth, and seventeenth lines highlighted in bold thuluth script in vibrant gold or blue, while the remaining lines are written in refined black naskh script. Vertical cartouches, adorned with floral arabesques, and gilded rosettes serve as verse markers, enhancing the manuscript’s decorative appeal. An illuminated double-page spread marks the opening of Surah Maryam, with vivid colors and intricate geometric patterns. The final pages are equally adorned, featuring a prayer inscribed in white and gold thuluth against richly decorated backgrounds.

The binding, likely original and contemporary with the text, is crafted in red leather with stamped mandorlas, corner-pieces, and cartouches bearing oxidized silver and gold arabesque patterns. The flap includes a calligraphic cartouche with verse 79 from Surah al-Wāqi‘a: “None shall touch it except the purified.”

This Qur’an is a magnificent example of the luxurious manuscript production of the Safavid period. Its large format, the exceptional quality of the illumination on the opening and final prayer pages, and the consistent ornamentation of each page affirm the manuscript’s importance, likely commissioned by a high-ranking patron and demonstrating the virtuosity of Persian book artisans of the time.

View the full catalog here : https://tinyurl.com/4ahfk9vy
(Complete dossier available upon request)

13/02/2025

Important Qur'an soon at auction 22/02 -

25/01/2025

Deccani bronze Parrot

Bronze or cast brass
India, Deccan, 17th century
Height 16, Width 23 cm

Provenance: Formerly in a French private collection acquired in the 1950’s or earlier

This finely executed sculpture of a parrot was probably once part of an oil lamp. It is finely
decorated with engraved feathers, and bears a suspension hook on its back. The hole on its
stomach served as an oil outlet. As for its base, it served as an oil cup cover, sitting right above
the wick. The wear and tear of the lamp shows that it has been in use for centuries.
The original collector, the former owner’s father, was a worker in the Halles market before it was
redone in the 1970’s, and was an avid collector of oceanic and exotic antiques. The piece was
probably varnished in Europe in the 19th century, as evidenced by the caramel patina,
reminiscent of European Renaissance bronze patinas.

Alexis Renard, Presents from the Past... and other treasures, 2023, N°9

(Complete dossier available on request)

Adresse

5 Rue Des Deux Ponts
Paris
75004

Heures d'ouverture

Mardi	14:00 - 19:00
Mercredi	14:00 - 19:00
Jeudi	14:00 - 19:00
Vendredi	14:00 - 19:00
Samedi	14:00 - 19:00

Site Web

http://alexisrenard.com/

Notifications

Soyez le premier à savoir et laissez-nous vous envoyer un courriel lorsque Alexis Renard publie des nouvelles et des promotions. Votre adresse e-mail ne sera pas utilisée à d'autres fins, et vous pouvez vous désabonner à tout moment.