Linda Southwell Ceramics

Linda Southwell Ceramics Sculptural porcelain ceramics from UK artist Linda Southwell

On the work bench today... a slightly hurried and unfocused piece that has suffered around the quagmire of report writin...
14/06/2026

On the work bench today... a slightly hurried and unfocused piece that has suffered around the quagmire of report writing. I found I work best with a carrot dangling infront of me. Food treats are out of the window as I my body is currently a temple!!! And I made millionaire shortcake for the kids...

The garden whispers at me all day with the wind through the hornbeams and I have to neglect her 😪

Happy Sunday you lovely lot

This fell off the wall yesterday (a gust of wind slammed a door shut and I think the vibrations made it fall otherwise I...
31/05/2026

This fell off the wall yesterday (a gust of wind slammed a door shut and I think the vibrations made it fall otherwise Ive got a ghost). It was a wreath shape. Broken but I think I prefer it like this. There is nothing wrong with being a little broken.

Four more flower heads to make. Ive started so I will finish... 💪
29/05/2026

Four more flower heads to make. Ive started so I will finish... 💪

28/05/2026

I had a humming bird hawk moth in the garden early morning (s**t photo on stories because I couldnt get close enough and was distracted by the vigilant cat). This evening's treat is another hawk moth but not sure which one? Can anyone tell from the video? Im not well up on my moths. Theyre here for the valerian which Im super glad I let grow where it self seeded. I had the intention of not overly curating this garden. Things that have thrived, Ive allowed to do their thing and it was a good decision.

Painted ladies were in the garden this afternoon but we wont talk about the cat killing and eating one (😭). At least she ate it?

Ooof London was hot... The Wallace collection was a decadent detour on the way to see Cecily Brown at the Serpentine. I ...
25/05/2026

Ooof London was hot... The Wallace collection was a decadent detour on the way to see Cecily Brown at the Serpentine. I love this bonkers bit of Italian maiolica from 1510 called "two girls embracing". Aliens? not

I just cannot not see that plastic toy tree that was around when I was a kid when I look at this assemblage. 🙈 Contempla...
23/05/2026

I just cannot not see that plastic toy tree that was around when I was a kid when I look at this assemblage. 🙈 Contemplating lifting the black heart tree into the kiln but its really heavy and its been a day of procrastinating. I have, however started to re read the subversive stitch by Rozsika Parker, which is a seminal piece of feminist literature. Im picking out different threads from her writing (pun intended) and thought I'd share this today: "The development of an ideology of femininity coincided historically with the emergence of a clearly defined separation of art and craft".

A before and after firing photo. The black porcelain has such a velvety depth to it. The electrics are back up and runni...
23/05/2026

A before and after firing photo. The black porcelain has such a velvety depth to it. The electrics are back up and running 😅

I had an amazing day yesterday helping (if you can call it that or was it more like getting in the way 🤔?)  First and fo...
18/05/2026

I had an amazing day yesterday helping (if you can call it that or was it more like getting in the way 🤔?) First and foremost, what a lovely bunch of people!! I was super tired when I arrived home but also full of thoughts about clay communities, rituals and the complex relationship we have with materials.

What struck me most was how much of wood firing is about attention. Watching a pyrometer, flames as they move around the kiln, cones bending at strategic places in the kiln, ash build up, and safety measures too. Tiny shifts constantly being read and interpreted. It felt less like controlling the kiln and more like being in conversation with 'it'.

Ive heard so many potters talk about kiln gods as though we are doing something sacrificial, which is not without risk. The kiln, often anthropomorphised into something to be fed (or tame?) There was a real sense that the materials are not passive and this made me think of Jane Bennett's Vibrant Matter. Bennett discusses the idea of thing power or material agency. Things exert force back onto us and this is laid bare in wood firing.

The group dynamic also made me think of Wenger's communities of practice. Knowledge was shared through doing rather than formal instruction. Jobs shifted fluidly between potters, stories and advice were exchanged, and a huge amount of tacit knowledge was passed around through observation and participation.

Very grateful to you all for sharing and welcoming me. Please can I come back? 😊

Its funny how perspective changes things...
16/05/2026

Its funny how perspective changes things...

Address

Eckington

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Tuesday 9am - 5pm
Wednesday 9am - 5pm
Thursday 9am - 5pm
Friday 9am - 5pm

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