Studio Epsilon

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Interior design studio working across residential, boutique hospitality and yacht interiors

The studio develops spaces in response to their environment — shaped by context, material and the way they are lived in over time

London Lanzarote International

A worn woven rug, originally made by my mother in the 1950s.Rather than let it disappear entirely, I cut parts of it int...
28/06/2026

A worn woven rug, originally made by my mother in the 1950s.
Rather than let it disappear entirely, I cut parts of it into cushion covers and dyed them in indigo, allowing the cloth to shift into a new life without losing the evidence of age, wear and handling.
The cloth was already fragile, and the dyeing revealed more of that vulnerability rather than hiding it. I prefer that honesty. The remaining fragments have since been used in a framed textile collage, and the most damaged areas will be mended rather than discarded.
I am increasingly drawn to this kind of transformation.
When something carries both history and emotional weight, keeping it does not always mean preserving it intact. Sometimes it means allowing it to evolve, and finding another way for it to remain present.

Two buildings. One system.The Old Sessions House, Clerkenwell Green — built 1782, Portland stone, Ionic columns, coffere...
09/06/2026

Two buildings. One system.
The Old Sessions House, Clerkenwell Green — built 1782, Portland stone, Ionic columns, coffered dome modelled on the Pantheon. England’s largest courthouse. Judges ascended to their courtrooms. Prisoners descended to the cells below.
The House of Detention, a few streets north — Victorian brick, underground vaults. Where the accused waited before being brought up to face judgment.
Clerkenwell Design Week chose both as exhibition venues. What struck me wasn’t the weight of that history but the quality of what follows it. Buildings move through phases — they absorb lives, uses, verdicts — and then, if they’re fortunate, something shifts. New hands arrive. New purpose finds the rooms. The stairs that once marked the distance between freedom and confinement now simply take you somewhere worth going.
What I find myself drawn to, repeatedly, is the decision not to conceal any of it. The Sessions House walls have been stripped back to every skin they’ve ever worn — plaster over paint over plaster, each layer a different era, a different set of hands, a different idea of what the building should be. Nothing has been erased. Everything has been accepted. There is a kind of honesty in that approach that I find more compelling than any restoration that arrives at a single authorised version of a surface. The patina is not a problem to be solved. It is the building’s autobiography.
There is something generous about the way CDW finds these spaces and opens them. You come for the design and leave having met the building. That feels like the right order of things.
— London, May 2026

Palacio Saldaña. Designed by Joaquín Saldaña y López for Madrid’s aristocratic elite — French hôtel particulier, Neo-Bar...
06/06/2026

Palacio Saldaña. Designed by Joaquín Saldaña y López for Madrid’s aristocratic elite — French hôtel particulier, Neo-Baroque bones, built for a world that understood what it meant to commission something to last.
It didn’t last untouched. Decades of commercial adaptation did what they always do — practical, incremental, unsentimentally erosive. RH stripped it back. The original magnolias are there again. The marble fountains. The garden that was always meant to be seen from inside.
Swipe and the building keeps giving — a stairwell lined with gold-framed mirrors, each one catching a different fragment of the same light. Someone made decisions here that weren’t purely commercial. That still means something.
A palace becoming a showroom is not a restoration of purpose. But a building being genuinely listened to, after years of not being heard — that is not nothing. I’ve worked with this brand long enough to know they do that part well.

— Madrid

Current project — Lanzarote.An existing house in its interim phase, observed through light, proportion and use before fu...
27/04/2026

Current project — Lanzarote.

An existing house in its interim phase, observed through light, proportion and use before full transformation begins.

Not every project starts with resolution.
Some begin by learning how to inhabit what is already there.






Space begins with proportion, light and restraint.What is removed matters as much as what remains.
23/04/2026

Space begins with proportion, light and restraint.

What is removed matters as much as what remains.

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34-36, St John Street
London

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