Cheshire Antiques Consultant LTD

Cheshire Antiques Consultant LTD Important British & European Fine Art (17th–21st Century). Portraiture, marine, sporting & landscapes, alongside sculpture & curated collectibles.

Worldwide shipping. Cheshire Antiques Consultant LTD® is a registered UK trade mark (UK00004303420). Global Reputable Dealers of Fines Art, antiques & collectibles from 17th century old masters to modern contemporary works of art. Portraits, marine, hunting, sporting, still life floral, landscapes, cityscapes & interior genre. Viewings by appointment only!

04/08/2026

Available for purchase today exclusive feature After J. F. Herring Snr The Hunting Stud Equestrian Oil Painting c.1900

Late Victorian–Edwardian British Sporting Oil on Canvas After Herring’s Celebrated 1845 Stable Composition

Highlights

• Atmospheric British equestrian oil painting dating to approximately 1900.

• Executed after John Frederick Herring Senior’s celebrated composition The Hunting Stud of 1845.

• Depicts four hunters—one grey and three bays—within a traditional timber stable.

• Animated narrative incorporating working grooms and two huntsmen in scarlet coats.

• Fine attention to equine anatomy, glossy coats, bridles, saddlery and stable detail.

• Warm sporting palette of chestnut, bay, ochre, sienna and deep crimson.

• Unsigned work by an unidentified British School painter.

• Richly ornamented Larson-Juhl gilt moulded frame.

• Fitted with AR70 low-reflection glazing offering approximately 70% UV protection.

• Midlands private equine collection and auction-house provenance.

• Privately loaned and exhibited at the Famous Lord Hill Museum.

• An impressive statement piece for an equestrian, country-house or sporting interior.

Introduction

An evocative British sporting oil painting depicting four accomplished hunting horses attended by grooms inside a traditional country stable.

Painted in approximately 1900, at the transition between the late Victorian and Edwardian periods, the work follows The Hunting Stud, John Frederick Herring Senior’s celebrated composition of 1845, now represented in the Tate collection.

One grey and three bay hunters stand beneath heavy timber beams as the stable staff prepare them for the day. One groom examines a raised hoof, another attends to the tack, while a further figure steadies a horse by its bridle. Beyond them, two huntsmen in scarlet coats confer beneath the softened light of the stable interior.

04/08/2026

Today’s feature are these rather striking French School, Circa 1930

Pair of Art Deco “Skyscraper” Frosted Glass Wall Appliqués

Architectural Moulded Glass Sconce Shades | In the Manner of Marius-Ernest Sabino

Highlights

• Striking matched pair of French Art Deco wall-light shades.

• Dating to the interwar period, circa 1930.

• Heavy moulded or pressed glass with a satin-frosted surface.

• Stepped “skyscraper” profiles with sunburst, zig-zag and fan decoration.

• Sculptural architectural form with strong three-dimensional relief.

• In the manner of French glass designer Marius-Ernest Sabino.

• Stylistically comparable with lighting by Ezan and Verreries des Hanots.

• Supplied with period bent-brass wall-support brackets and later screws.

• Substantial weight of approximately 2.2 kg per shade.

• No wiring, bulb holders or electrical components are included.

Introduction

A highly decorative matched pair of French Art Deco moulded-glass wall-light shades dating to circa 1930.

Each shade is conceived as a miniature architectural façade, with a tall central panel surrounded by stepped, projecting tiers. The resulting silhouette recalls the skyscrapers, cinema façades and ziggurat-like forms that became defining symbols of interwar design.

Bold sunburst rays, zig-zags and fan motifs cross the moulded surface, creating a sophisticated play of geometry and light. When illuminated from behind, the frosted glass would diffuse the light while the raised details catch and reflect brighter highlights.

02/08/2026

Our featured new arrival Dennis Herbert Trewartha (British/Cornish, c.1931–2021) Chisum Trail, New Mexico, U.S.A., 2001–2002

Original Signed Oil on Canvas | Cornish Artist’s American Western Landscape

Highlights

• Original oil on canvas by Callington-based Cornish artist Dennis Herbert Trewartha.

• Inspired by the artist’s personal journey through New Mexico in 2001.

• Signed and dated “D.H.T. 2002” to the lower right.

• Inscribed to the reverse: “D. H. Trewartha – Chisum Trail – New Mexico – U.S.A. 2001”.

• Depicts the historic Chisum Trail, associated with nineteenth-century American cattle rancher John Simpson Chisum.

• Atmospheric Southwestern landscape featuring yucca, desert vegetation, distant mountains and wildlife.

• An unusual international subject within the artist’s varied body of Cornish landscapes, maritime paintings, wildlife studies and still lifes.

• Curated by Cheshire Antiques Consultant LTD®.

• Subsequently privately loaned and exhibited at the Famous Lord Hill Museum.

• Presented in an attractive decorative gilt frame and ready to hang.

Introduction

An atmospheric original oil on canvas by the Cornish regional artist and businessman Dennis Herbert Trewartha, depicting the historic Chisum Trail amid the expansive landscape of New Mexico, U.S.A.

The composition was inspired by Trewartha’s personal journey through New Mexico in 2001. The reverse records the title, location and year in the artist’s own hand, while the painted signature to the lower right is dated 2002. This suggests that the painting was completed following his return, using observations, sketches, photographs or recollections gathered during his travels.

Trewartha presents a sweeping view across sunlit desert terrain towards a succession of rugged mountain ridges beneath an open blue sky. Yucca, dry grasses, low shrubs and weathered vegetation animate the foreground, while a solitary coyote-like animal stands alert within the wilderness.

Its quiet presence introduces scale, movement and narrative interest while reinforcing the landscape’s sense of remoteness.

30/07/2026

Just arrived into our collection today this beautiful Antique French Brass Christ Blessing Halo Sunburst Radiant Glory Wall Sculpture 19th C

Anonymous French Ecclesiastical Workshop

Late 19th-Century Embossed Brass Catholic Devotional Wall Plaque

Highlights

• Antique French religious wall plaque dating from the late 19th century.

• Depicts the haloed figure of Christ raising his right hand in blessing.

• Finely detailed face, flowing hair, beard and classical drapery.

• Encircled by a dramatic sunburst representing divine light.

• Produced from embossed and pressed brass.

• Retains its original integral hanging loop.

• Richly aged surface with darkened patination and natural verdigris.

• Reportedly originating from a convent in France.

• An atmospheric example of French Catholic devotional metalwork.

• Ideal for a religious art collection, historic interior or private devotional display.

Introduction

A distinctive late 19th-century French brass wall plaque depicting the haloed figure of Christ Blessing within an ornate radiant sunburst.

Christ appears in half-length relief with long, flowing hair, a carefully modelled beard and a serene expression. His right hand is raised in the traditional Christian gesture of benediction or religious instruction, while softly arranged classical drapery extends across his shoulders and chest.

A clearly defined halo appears behind Christ’s head. The central medallion is surrounded by an elaborate series of graduated rays forming a radiant glory, traditionally known in French ecclesiastical art as a gloire rayonnante.

The combination of the halo and radiating sunburst emphasises Christ’s divine authority and the symbolism of heavenly light. The plaque’s intimate dimensions suggest that it was intended for personal devotion or display within a convent cell, private chapel or domestic prayer space.

30/07/2026

Today’s featured work is this impressive Renaissance Knight with Mounted Attendants Beneath a Gothic Cloister

Victorian Historical Oil on Canvas | Circle of Sir John Gilbert RA

Highlights

• Impressive late Victorian historical oil painting.

• Depicts an armoured Renaissance nobleman accompanied by two mounted attendants.

• Dramatic piebald charger with richly decorated ceremonial tack.

• Atmospheric Gothic cloister and stone gateway setting.

• Catalogued as Circle of Sir John Gilbert RA (1817–1897).

• Fine attention to armour, horses, costume and architectural detail.

• Rich Victorian palette with luminous metallic highlights.

• Retains an older brass plaque associating the work with Sir John Gilbert.

• Auction provenance from Lindsay Burns & Company, Perth.

• Presented in a substantial traditional gilt frame with a glass front protective cover and ready to hang.

Introduction

An atmospheric late 19th-century British historical oil painting depicting a distinguished Renaissance knight riding beneath a Gothic cloister accompanied by two mounted attendants.

The principal figure is presented in polished, fluted armour and an elaborate feathered plume, mounted upon a powerfully modelled piebald charger. Rather than showing a battle, the painting captures a ceremonial procession filled with dignity, anticipation and romantic historical drama.

Executed by an unidentified British artist working within the artistic circle of Sir John Gilbert RA, the work reflects the Victorian fascination with chivalry, Renaissance pageantry and the heroic interpretation of the past.

Catalogue Details

Artist: Circle of Sir John Gilbert RA (1817–1897)

School: British School

Date: Late 19th century

Title: Renaissance Knight with Mounted Attendants Beneath a Gothic Cloister

Medium: Oil on canvas

Signature: No visible signature

Presentation: Traditional original gilt moulded frame with brass attribution plaque

25/07/2026

Today’s featured new arrival William Oliver Victorian Portrait Oil Painting of a Lady with Red Parasol, Circa 1880
William Oliver (William Oliver Williams) (1823–1901)
Young Lady Seated with a Red Parasol
Original Signed Victorian British Figurative Oil on Canvas | Circa 1875–1885

Highlights
Original signed Victorian oil painting by William Oliver (1823–1901).
Elegant young woman seated beneath a striking crimson-red parasol.

Signed “W. Oliver” in the lower-left corner.

Dating from approximately 1875–1885.

Professionally conserved during 2026.

Earlier overpainting removed to reveal the artist’s original highlights and brushwork.

Historic professional full relining.

Original Swedish art dealer’s and biographical labels retained.

Documented provenance spanning Sweden and Great Britain.

Privately loaned and exhibited at the Famous Lord Hill Museum during 2026.

Presented in a premium Larson-Juhl gilt moulded frame.

Comprehensive professional conservation treatment report and invoice included.

Ready to hang and display.

18/07/2026

Today we feature this intriguing Large Victorian Marine Oil Painting “The Jute Clipper Slieve Roe at Sea” Attributed to Lai Fong (Fl. 1870–1910)

⚓ Subject & Medium
An exceptional and historically important late Victorian marine oil on canvas depicting the celebrated British three-masted iron full-rigged jute clipper Slieve Roe under full sail during her outbound voyage off the coast of Calcutta (now Kolkata), India.
Shown in perfect starboard profile sailing confidently towards the right, the magnificent vessel powers through lively rolling seas beneath an expansive sky filled with softly illuminated blue-grey clouds. Every aspect of the ship has been executed with remarkable precision, from the towering spread of canvas sails and intricate standing and running rigging to the sailor figures visible upon the deck carrying out their duties.
The vessel’s name, “Slieve Roe”, is clearly painted upon the bow. The British Red Ensign flies proudly from the stern, whilst six additional signal and ensign flags are hoisted from the masts, bringing colour, authenticity and movement to the composition. Lifeboats remain secured amidships, and silhouettes of other sailing vessels can be seen upon the distant horizon, enhancing the sense of scale and the bustling maritime activity surrounding the Port of Calcutta during the height of the British Empire.
Executed in oil on canvas during the last quarter of the nineteenth century, this is an outstanding portrait of one of Britain’s finest merchant sailing ships and a remarkable survival from the great age of international sail.

11/07/2026

Adore our latest addition 👑 Portrait Elizabeth Cavendish (née Cecil), Countess of Devonshire (1620–1689)
English School, Mid-17th Century In the Manner of Sir Peter Lely (1618–1680)

🎨 Subject & Medium
Oil on original oak panel.
An exceptionally elegant and historically significant seventeenth-century English cabinet portrait depicting a distinguished young noblewoman, traditionally identified as Elizabeth Cavendish (née Cecil), Countess of Devonshire (1620–1689), wife of William Cavendish, 3rd Earl of Devonshire.
Presented in a graceful three-quarter pose, the sitter is draped in a sumptuous cobalt-blue silk mantle gathered with an ornate jewelled clasp, whilst a strand of luminous pearls and matching pendant earrings subtly proclaim her elevated social standing. The composition possesses an intimacy rarely encountered outside the finest cabinet portraits of the period, capturing not only the sitter’s likeness but also her quiet dignity, intelligence and noble refinement.
Painted in oil upon its original oak panel, this remarkable work survives as fine example of English portraiture from one of the most fascinating periods in British history.

🖌️ Composition & Technique
Executed with remarkable delicacy and refinement, the portrait exemplifies the sophisticated naturalism that characterised English court portraiture during the middle decades of the seventeenth century.
The artist demonstrates an accomplished understanding of tonal modelling, employing delicate translucent glazes to achieve a porcelain-like luminosity across the sitter’s complexion. Gentle transitions of light softly define the cheeks and chin, while carefully placed highlights animate the pearls, silk drapery and jewelled ornament with understated brilliance.
The sitter’s physiognomy is particularly captivating. Her broad aristocratic forehead is framed by abundant chestnut ringlets cascading gracefully over her shoulders, creating an elegant rhythm throughout the composition. Delicately arched brows rest above large, limpid almond-shaped hazel eyes calm yet engaging gaze lends the portrait remarkable psychological presence.

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