Apstage - Stage Design Experience

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Apstage - Stage Design Experience Exhibition booths, event stages & branded spaces designed and built to perform.

We design and build exhibition booths, event stages, and branded interiors that help companies stand out and perform. With 27+ years of experience, Apstage delivers high-end design, engineering precision, and seamless execution—anywhere in the world.

A conference set has to work for twelve speakers one after another and look like it was built for each of them.While a l...
01/10/2026

A conference set has to work for twelve speakers one after another and look like it was built for each of them.

While a launch stage is used once for ninety minutes, a conference set is used for eight hours, by a keynote, a panel of five, a video, an awards segment and a CEO who was added on Tuesday. It has to hold all of that without a rebuild between sessions.

• Sightlines from the back row to the lectern, and from the front row to the screen, set together. Fix one and you can break the other.
• Screen height against the front row. Too low and the first three rows watch a speaker’s head against a moving image.
• A walk-on path with no cable across it, because the one person who trips will be the one who matters.
• Lighting that works for one person at a lectern and five on sofas without re-rigging in the break.
• A set that photographs the same for every speaker, because each of them will post it, and that is the client’s brand twelve times over.

One set, one agenda, twelve different jobs. Same drawings discipline as a stand.

Message us what you are planning for the autumn.
𝗔𝗽𝘀𝘁𝗮𝗴𝗲 · +𝟯𝟬 𝟮𝟭𝟬 𝟮𝟰𝟲𝟬𝟱𝟴𝟱

Nobody sees your exhibition stand head-on. It is designed head-on anyway.Walk any hall and watch where you first notice ...
10/09/2026

Nobody sees your exhibition stand head-on.
It is designed head-on anyway.

Walk any hall and watch where you first notice a stand. It is from the aisle, moving, at somewhere between thirty and sixty degrees off its front. The front elevation, the one everybody approved, is the view you get for about two paces at the end.

What that changes on the drawing:

• The corner does the work, not the front. The corner is the first thing in view and the last thing out of it. If it is blank, the stand is blank for most of the approach.
• The headline has to read foreshortened. A word that is legible on the elevation can disappear at forty-five degrees. Set it larger, set it higher, or set it on the corner.
• Side walls are front walls. Anything solid on the side is what the approaching visitor sees first. If it is the back of a graphic panel, that is the first impression.
• The way in has to be visible from the angle, not from the front. An entrance centred on the elevation can be invisible from the aisle.
• Test the design from the aisle, on the plan, before anyone renders the front.

The stand is not a picture. It is a shape people walk past.

Message us your show and your stand size for a layout read.
𝗔𝗽𝘀𝘁𝗮𝗴𝗲 · +𝟯𝟬 𝟮𝟭𝟬 𝟮𝟰𝟲𝟬𝟱𝟴𝟱

By day six of a nine-day show, the stand is doing a job nobody specified. Most exhibition stands are specified for three...
05/09/2026

By day six of a nine-day show, the stand is doing a job nobody specified. Most exhibition stands are specified for three days.

The finishes, the storage, the staffing plan and the spares are all sized to that. A long show does not stretch those decisions, it breaks them, and it breaks them in the same five places every time.

• 𝗙𝗶𝗻𝗶𝘀𝗵𝗲𝘀. Nine days of hands, bags and cleaning on every edge, counter and floor. What still reads precise on day nine was chosen for that in the materials schedule.
• 𝗥𝗲𝘀𝘁𝗼𝗰𝗸. Brochures, samples, water, kit. Nine days of it has to live somewhere on the stand that is not the meeting table.
• 𝗧𝗵𝗲 𝗻𝗶𝗴𝗵𝘁𝗹𝘆 𝗿𝗲𝘀𝗲𝘁. Every evening the stand goes back to day-one state. That needs a person, a routine, and a lockable place for what comes off the floor.
• 𝗥𝗼𝘁𝗮𝘁𝗶𝗼𝗻. Nobody works nine days. Handover between teams needs a place to happen and a one-page brief that survives it.
• 𝗥𝘂𝗻 𝘁𝗶𝗺𝗲. Lighting and screens on for nine days. Spares on site, and access to change them without a ladder in the aisle.

Specify the stand for the last day and the first eight take care of themselves.

Message us your show and your stand size for a layout read.

𝗧𝗵𝗲 𝗿𝗲𝗻𝗱𝗲𝗿 𝗶𝘀 𝗻𝗼𝘁 𝘁𝗵𝗲 𝗽𝗿𝗼𝗺𝗶𝘀𝗲. 𝗧𝗵𝗲 𝗯𝘂𝗶𝗹𝗱 𝗳𝗶𝗹𝗲 𝗶𝘀.Every render leaves out the same three things, and none of them are dec...
21/08/2026

𝗧𝗵𝗲 𝗿𝗲𝗻𝗱𝗲𝗿 𝗶𝘀 𝗻𝗼𝘁 𝘁𝗵𝗲 𝗽𝗿𝗼𝗺𝗶𝘀𝗲. 𝗧𝗵𝗲 𝗯𝘂𝗶𝗹𝗱 𝗳𝗶𝗹𝗲 𝗶𝘀.

Every render leaves out the same three things, and none of them are decorative: the cable, the join lines, and the people.

What decides whether the built stand matches the picture:
•Tolerances written into the drawings, not assumed on site. A 3mm reveal in a render is a decision about substrate, edge treatment and who cuts it.
•A materials schedule that names finishes by product code, not by adjective. Warm oak is not a specification.
•Where the joins fall, decided at drawing stage. Panel sizes are fixed by what fits through a door and onto a truck.
•Lighting specified as fittings and positions, not as a mood in the visual.
•Who is on site on build day, and whether they drew any of it.

The render is what gets approved. The build file is what gets delivered. The gap between them is where the disappointment lives, and it is closed on paper months earlier.

Message us your show and your stand size for a layout read.
𝗔𝗽𝘀𝘁𝗮𝗴𝗲 · +𝟯𝟬 𝟮𝟭𝟬 𝟮𝟰𝟲𝟬𝟱𝟴𝟱

A launch stage is used once, for about ninety minutes, and there is no second take.A booth gets three days to be underst...
14/08/2026

A launch stage is used once, for about ninety minutes, and there is no second take.

A booth gets three days to be understood. A stage gets one run, in front of the people the whole budget was spent on, and everything that could go wrong does so in public.

What that changes in the drawings:

• Sightlines are set from every seat, not from the camera position. The camera has one angle, the room has all of them.
• The rig, the light and the strike all have to fit inside the venue’s access window, which is usually decided before the creative is.
• Cable routes, load points and access are fixed before anything is designed to look like anything.
• Finishes are chosen for how they read under stage lighting, which is nothing like how they read in a showroom.
• It has to photograph, because the ninety minutes end and the content does not.

Same drawings discipline as a stand. Higher penalty for getting it wrong.

Message us what you are planning.
𝗔𝗽𝘀𝘁𝗮𝗴𝗲 · +𝟯𝟬 𝟮𝟭𝟬 𝟮𝟰𝟲𝟬𝟱𝟴𝟱

Η 90ή ΔΕΘ ανοίγει στις 5 Σεπτεμβρίου και κλείνει στις 13.Πολλά από τα περίπτερα που θα δείτε εκεί σχεδιάστηκαν την άνοιξ...
09/08/2026

Η 90ή ΔΕΘ ανοίγει στις 5 Σεπτεμβρίου και κλείνει στις 13.

Πολλά από τα περίπτερα που θα δείτε εκεί σχεδιάστηκαν την άνοιξη. Η αριθμητική είναι σταθερή: ένα custom περίπτερο θέλει 12 με 16 εβδομάδες από την υπογραφή μέχρι την παράδοση, και αυτές οι εβδομάδες δεν συμπιέζονται χωρίς κόστος. Το κόστος βγαίνει στις επιλογές: υλικά, φινιρίσματα, χρόνος για μελέτη.

Το φθινοπωρινό πρόγραμμα:
• Auto Athina, 3 με 11 Οκτωβρίου.
• 100% Hotel Show, 23 με 25 Οκτωβρίου.
• Συσκευασία, 6 με 9 Νοεμβρίου.
• Xenia, 21 με 23 Νοεμβρίου.

Πείτε μας την έκθεση και τα τετραγωνικά σας. Θα σας στείλουμε το χρονοδιάγραμμα κατασκευής.

𝗔𝗽𝘀𝘁𝗮𝗴𝗲 · +𝟯𝟬 𝟮𝟭𝟬 𝟮𝟰𝟲𝟬𝟱𝟴𝟱

Η 90ή ΔΕΘ ανοίγει στις 5 Σεπτεμβρίου.Τα περίπτερα που θα δείτε εκεί έχουν ήδη αποφασιστεί. Ένα custom περίπτερο θέλει 12...
29/07/2026

Η 90ή ΔΕΘ ανοίγει στις 5 Σεπτεμβρίου.
Τα περίπτερα που θα δείτε εκεί έχουν ήδη αποφασιστεί.

Ένα custom περίπτερο θέλει 12 με 16 εβδομάδες από την υπογραφή μέχρι την παράδοση, και μέχρι τον Σεπτέμβριο μένουν πέντε εβδομάδες.

Αυτό που κρίνεται αυτές τις εβδομάδες είναι οι φθινοπωρινές εκθέσεις:
→ 100% Hotel Show, 23 Οκτωβρίου.
→ Συσκευασία, 6 Νοεμβρίου.
→ Xenia, 21 Νοεμβρίου.

Για αυτές τις ημερομηνίες υπάρχει ακόμα χρόνος. Ένα brief που κλειδώνει μέσα στον Ιούλιο αφήνει χρόνο για σωστή επιλογή υλικών, μελέτη χωρίς πίεση και ένα συνεργείο αφοσιωμένο σε ένα έργο.

Πείτε μας τα τετραγωνικά του περιπτέρου σας και την έκθεση που σας ενδιαφέρει. Θα σας στείλουμε το χρονοδιάγραμμα κατασκευής.
𝗔𝗽𝘀𝘁𝗮𝗴𝗲 · +𝟯𝟬 𝟮𝟭𝟬 𝟮𝟰𝟲𝟬𝟱𝟴𝟱

We build booths. 𝗪𝗲 𝗮𝗹𝘀𝗼 𝗯𝘂𝗶𝗹𝗱 𝘀𝘁𝗮𝗴𝗲𝘀.The two look like different work. The discipline underneath is the same one.A stag...
26/07/2026

We build booths. 𝗪𝗲 𝗮𝗹𝘀𝗼 𝗯𝘂𝗶𝗹𝗱 𝘀𝘁𝗮𝗴𝗲𝘀.
The two look like different work. The discipline underneath is the same one.

A stage is a booth with the audience on the outside. Both run on the same questions:
→ Where attention lands in the first seconds, and what carries it.
→ How the space reads from every seat or every aisle, not only the front.
→ How light, structure and sequence hold up under a live audience.
→ How fast it builds, and how well it holds on the third day or the second show.

A product launch is a 90-minute show. A conference keynote is a set that has to survive a full agenda. The engineering is the part that travels between them.

Same team. Same drawings discipline. Booths, stages, and the events around them.

Message us what you are planning.
𝗔𝗽𝘀𝘁𝗮𝗴𝗲 · +𝟯𝟬 𝟮𝟭𝟬 𝟮𝟰𝟲𝟬𝟱𝟴𝟱

Every booth is approved twice.First in a meeting. Then in the aisle.The first audience sees a render. Fixed angle, contr...
21/07/2026

Every booth is approved twice.
First in a meeting. Then in the aisle.

The first audience sees a render. Fixed angle, controlled light, all the time it needs to inspect every surface.

In the aisle, the same stand gets a few seconds at walking pace, under hall lighting, next to competitors.

A stand designed for both keeps its logic intact from screen to floor:
→ The render promises only what the workshop can deliver.
→ The layout reads at eye level and at aisle speed.
→ Materials, scale and finishes hold their character in the hall.

The meeting releases the budget. The aisle settles it, in front of people who have walked the whole hall first.

Late October and November briefs are in approval now. Send us the show and your square metres for a feasibility read.

Performance over decoration.𝗧𝗵𝗮𝘁 𝗶𝘀 𝗵𝗼𝘄 𝘄𝗲 𝗯𝘂𝗶𝗹𝗱.A stand has one job: to make a passing stranger stop, and to make the r...
16/07/2026

Performance over decoration.
𝗧𝗵𝗮𝘁 𝗶𝘀 𝗵𝗼𝘄 𝘄𝗲 𝗯𝘂𝗶𝗹𝗱.

A stand has one job: to make a passing stranger stop, and to make the right conversation happen. Everything after that is finish.

We design for that job the way engineers design for load:
→ Where attention lands in the first seconds.
→ How people move through the space, and where they pause.
→ How it still reads sharp on day three, under real traffic and real light.

A render can look impressive and still fail the floor. The stands that perform were engineered for the floor from the first drawing.
This month we are showing the logic behind that, one piece at a time.

Message us your autumn show for a feasibility read.

𝗔𝗽𝘀𝘁𝗮𝗴𝗲 · +𝟯𝟬 𝟮𝟭𝟬 𝟮𝟰𝟲𝟬𝟱𝟴𝟱

Address

Filadelfias 170
Acharne
13671

Opening Hours

Monday 09:00 - 17:00
Tuesday 09:00 - 17:00
Wednesday 09:00 - 17:00
Thursday 09:00 - 17:00
Friday 09:00 - 17:00

Telephone

+302102460585

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