Zebregs&Röell Fine Art and Antiques

Zebregs&Röell Fine Art and Antiques Zebregs&Röell specializes in Colonial Art and Antiques, Natural History and Wunderkammer objects.

For European traders overseas it was always important to have access to paper and writing materials, and so writing boxe...
23/05/2026

For European traders overseas it was always important to have access to paper and writing materials, and so writing boxes were made in various shapes and sizes and differing degrees of opulent refinement to meet this need.

This one, from the east coast of India, dating from circa 1710-1720, would do it’s job quite well.

No wonder it caught the eye and was sold to a museum at  pppppppppppppppllllpppp ppl pp ppl. It’s easily the most eye-wa...
17/05/2026

No wonder it caught the eye and was sold to a museum at pppppppppppppppllllpppp ppl pp ppl. It’s easily the most eye-wateringly beautiful sculpture we’ve sold so far — this sculpture of a Guanyin. The gilt-bronze image, also known as Avalokiteshvara, the Bodhisattva of compassion, is Chinese and dates from the Southern Song to Yuan dynasty, 13th–14th century.

The Water-Moon Guanyin (水月觀音, Shuiyue Guanyin) is one of the most contemplative manifestations of Avalokiteshvara. For the name comes from the Buddhist metaphor of the moon being luminous yet insubstantial when reflected on water: an emblem of the illusive nature of all phenomena and the emptiness that reality actually encompasses.

Depicting the Guanyin this way is traditionally attributed to the Tang court painter Zhou Fang (c. 730–800), and the form became one of the favourite subjects in Chinese Buddhist art from the Tang through the Ming dynasties.

The deity is shown seated in rajalilasana, the pose of ‘Royal Ease’ with one knee raised, the body relaxed, and often with the head lightly supported by a hand. It signifies serene withdrawal from the world and absorption in contemplation. The setting is Guanyin’s island paradise, Mount Potalaka, later identified with Mount Putuo off the Zhejiang coast, a major pilgrimage centre.

Find this wonderful and highly rare Gujarati mother-of-pearl bottle with us. It dates from the 16th to the 17th century ...
05/05/2026

Find this wonderful and highly rare Gujarati mother-of-pearl bottle with us. It dates from the 16th to the 17th century and is one of those things you just can keep staring at…

26/04/2026

Paterson’s Company School Animal Drawings, a discovery only possible in wildest dreams. No copies drawn after the originals, but actually the originals that were copied.

A story on the early days of discovery and categorical determination of flora and fauna. A story on the almost forgotten Indian artists who had their work claimed by European patrons that flaunted with it as if they made the drawings themselves. A story on the wonders of nature. No fairytale.

Find the new publication ‘Paterson’s Company School Animal Drawings’ by Christina Hales on the website.

What’s your favourite piece on the photo?Let us know in the comments!
20/04/2026

What’s your favourite piece on the photo?
Let us know in the comments!

Missed it at TEFAF? This super rare ivory and tortoiseshell marquetry box attributed to Willem de Rots (active c. 1640–1...
23/03/2026

Missed it at TEFAF? This super rare ivory and tortoiseshell marquetry box attributed to Willem de Rots (active c. 1640–1660), The Hague, dating from the mid-17th century.

This object shows the refined court culture of The Hague under Amalia van Solms, where Parisian taste shaped local production. The use of ivory and tortoiseshell marquetry situates the box within an early phase of what would later be termed Boulle work, a technique based on the simultaneous cutting of layered materials.

Not a lot is known about Willem de Rots. We know that he was in The Hague in 1649 and that he was associated with the court. Documented as ‘congierge’, he was responsible for the management of princely interiors.

And his oeuvre is rare. Very rare. Only three objects with certain attribution. A cabinet in the Rijksmuseum, a box in the Victoria & Albert Museum, and a box in Germany. On the basis of close comparisons with these pieces, the present can be placed within his circle. That makes four!

Unlike the highly elaborate court commissions associated with De Rots, this box represents a more restrained object, possibly produced for a visitor to court. Its quality and material richness nevertheless align it with elite consumption and courtly exchange in the Dutch 17th century.

A fabulous silver shield boss, presumably from India, 18th century or earlier. Little object, huge effect.
19/03/2026

A fabulous silver shield boss, presumably from India, 18th century or earlier. Little object, huge effect.

Time to toast yet?You can find some spectacular 18th century glasses in our stand. Two of them were made to toast on the...
18/03/2026

Time to toast yet?

You can find some spectacular 18th century glasses in our stand. Two of them were made to toast on the welfare of the East Indiamen ships the Amsterdam and the Bossche Hoven. The Amsterdam glass is particularly special, for it is the most famous VOC ship. It sunk on its maiden voyage, but a replica can be found in Amsterdams right in front of the Maritime Museum!

18/03/2026

Another spectacular piece from our collection.
This model of the Church of the Holy Sepulchre, probably made by Indian craftsmen in Jerusalem or the Levant in the 17th century.

It measures H. 25 x L. 45 cm and all pieces can be taken apart. Even the interiors are present!

Come and see it at TEFAF Maastricht until Thursday!

Find this Tlingit wooden wolf mask in our TEFAF stand.It comes from the Northwest coast of what we call Alaska, and date...
17/03/2026

Find this Tlingit wooden wolf mask in our TEFAF stand.
It comes from the Northwest coast of what we call Alaska, and dates form circa 1900 or earlier.

It was owned by a British family for generations until it was sold to a collector.

The wooden mask is carved in the form of a wolf’s head, associated with the Eagle moiety of the Tlingit people. The mask is detailed with inlaid abalone shell teeth and eyes, two stylized ears featuring a human or spirit face, and remnants of animal hair applied to the top and sides.

Wolf masks like this were used in ceremonial performances, particularly during potlatch rituals, where they represented clan crests or ancestral spirits. The wolf (Gooch) is a key clan figure within Tlingit social structure and frequently appears in masks, totem poles, and regalia.

The expressive features and surface wear suggest this mask was used, not just made for display. The integration of abalone, which catches light in movement, would have heightened its presence during dance or procession

The great majority of Tlingit masks were created for shamanic use, carved to represent the spirit helpers upon whom the shaman would call for assistance in healing the sick or divining future events. The sculpture of the powerful mask shown here appears to be very much a part of that tradition. The inclusion of movable eye covers, however, is an unusual trait among shaman’s masks. It may be speculated that this mask was created for shamanic use, or was used for potlatch and feast performances dramatizing the great stories of clan history and mythology in the firelight of a winter bighouse.

Find it at TEFAF, stand 146.

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Keizersgracht 543
Amsterdam Centrum
1017DP

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