Fabryka Architektury mgr inż. arch. Ewa Czerwińska

Fabryka Architektury mgr inż. arch. Ewa Czerwińska Rozgość się w Fabryce Architektury i czerp z niej inspirację! W obszarze, gdzie przestrzeń, krajobraz, zieleń, natura dopełniają swoją siłą i zmiennością.

Specialist in adaptive reuse & change of use of heritage & existing buildings | Designing user-centered interiors that reflect identity, bring comfort & support well-being W miejscu, gdzie projektuje z pasji, fascynacji, odkrywczości, wewnętrznej potrzeby, wykształcenia i doświadczenia. Tu, gdzie przestrzeń definiuje się poprzez percepcję, wrażliwość, ciekawość, dedukcję, świadomość i kreatywność.

W warsztacie, gdzie myśli, pomysły i spostrzeżenia powstają w oparciu o rozmowy, rozumienie, obserwacje i docelowe potrzeby. W wytwórni, w której wyzwania są inspiracją, historie motywacją, otwartość priorytetem, tożsamość miejsca intrygą, pomysłowość ekscytacją, szukanie rozwiązań celem, a funkcjonalność i przyjazna przestrzeń - dominantą. W pracowni wyobraźni, która pozwala szkicować zamysł, przedstawiać niewyobrażone oraz wizualizować oczekiwane. W manufakturze, gdzie nie tworzy się schematami, a kieruje intuicją, intelektem i indywidualnością. W fabryce, która potrafi wydobyć z istniejącego miejsca to, co niedostrzeżone i wskazać kierunek ku nowej perspektywie. W przestrzeni, której skoncentrowanie na analizie, wnikliwości i zależnościach ukazuje informacje o potencjale. Dlaczego zapraszam do Fabryki? Bo przywodzi na myśl podróż w czasie. Cofnięcie się wstecz, które pomaga zmienić perspektywę patrzenia. Prowadzi w kierunku dawnych obiektów przemysłowych o przemyślanej formie zewnętrznej, funkcjonalnym układzie, wyjątkowym wyrazie i detalach elewacji. Przypomina miejsca, wokół których koncentrowany był rozwój miast, w kontekście przestrzennym, gospodarczym, społecznym, kulturowym. Oczami wyobraźni obrazuje założenia przemysłowe, takie jak dawne fabryki Scheiblera czy przędzalnia lnu w Żyrardowie, czyli miejsca potrzebne ludziom, dzięki którym mogli kształtować swoje życie i realizować marzenia. To miejsca pracy dla mieszkańców, to zagospodarowane osiedla domów pracowniczych wraz z pełną infrastrukturą i zapleczem egzystencjonalno-kulturalno-społecznym. To obiekty o niepowtarzalnych walorach urbanistycznych, architektonicznych i estetycznych. Wpisane w krajobraz miast. A jeśli pozostawione w tożsamości lokalnej, to po dekadach, a nawet wiekach przeobrażone i dostosowane do nowych warunków świadomości społecznej. To obiekty pełniące nową funkcję, dające nową wartość, odgrywające nową rolę w życiu mieszkańców. Fragmenty tkanki miejskiej, które wskutek przemijalności czasu, wielu zmian, potrzeb rozwoju nabrało innego wymiaru, innego wyrazu czy innego znaczenia. Fabryki to miejsce tworzenia i wytwarzania, czegoś z niczego. Tu powstają idee, ich szkic, zarys, plan działania. Tu jest ciąg produkcyjny, przemyślany i konsekwentny. Tu z wyobraźni tworzy się produkt końcowy. W fabryce nie tworzy się prostolinijnie. Tu jest szukanie rozwiązań. Niejednokrotnie łączy się tu elementy, których scalenie na pozór jest nieoczywiste. To miejsce produkowania czegoś, co jeszcze chwilę temu nie istniało. Tak samo wygląda projektowanie w Fabryce Architektury. Tworzę w oparciu o etapy złożonego procesu analityczno-obserwacyjno-twórczego.

Biel i czerń. Klasyczny kontrast. Najbardziej oczywisty w zestawieniu kolorów.Podkreślony prostymi liniami i gładkimi po...
11/09/2026

Biel i czerń.

Klasyczny kontrast. Najbardziej oczywisty w zestawieniu kolorów.

Podkreślony prostymi liniami i gładkimi powierzchniami. Wyrazisty, ale nie surowy. Nie wywołuje wrażenia chłodu.

Tu przełamany został ciepłym, beżowo-szarym odcieniem, delikatną strukturą oraz fakturą swobodnego usłojenia drewna.

Kontrast we wnętrzu nie zawsze łagodzi się kolorem.
Czasem inna struktura, gra światła i zestawienie z innym materiałem zmieniają kompozycję oraz sposób, w jaki odbieramy przestrzeń.

Te ulotne momenty w Twoim własnym domu …Kiedy poranne słońce przenika do wnętrza.Zagląda w jego najróżniejsze zakamarki....
10/09/2026

Te ulotne momenty w Twoim własnym domu …

Kiedy poranne słońce przenika do wnętrza.
Zagląda w jego najróżniejsze zakamarki.
Tworzy niepowtarzalny klimat miejsca malując cieniem i kontrastem chwilowe obrazy.

Od teraz ten profil będzie stopniowo wracał do komunikacji w języku polskim.Po ostatnich miesiącach publikacji w języku ...
09/09/2026

Od teraz ten profil będzie stopniowo wracał do komunikacji w języku polskim.

Po ostatnich miesiącach publikacji w języku angielskim, ponownie otwieram to miejsce do rozmów i inspiracji dotyczących architektury, wnętrz oraz świadomego kształtowania przestrzeni, w której żyjesz, pracujesz i przebywasz.

Do śledzenia treści w języku angielskim zapraszam na profil Ewa Czerwińska - Architect.



From now on, this profile will gradually return to communicating in Polish.

After the past few months of publishing in English, I am once again opening this space for conversations and inspiration about architecture, interiors and the conscious shaping of the spaces in which you live, work and spend your time.

For content in English, I invite you to follow Ewa Czerwińska - Architect.

An invisible part of my work that many people do not even know exists.One of the pre-design stages of a project is an in...
30/08/2026

An invisible part of my work that many people do not even know exists.

One of the pre-design stages of a project is an inventory of the existing vegetation on the site.

You go to the site. Spend a few hours outdoors. And to anyone watching, it may look as if you are simply taking a walk through a garden or forest during your working hours.

But there is quite a lot to do.

You move from one tree to another. Measure the trunk circumference. Mark each tree on the plan and check whether it has already been recorded on the current site survey prepared by a land surveyor. Assign it a number. Identify the species. Assess its condition. Take photographs. And make notes.

You look closely at the leaves or needles. Examine the bark. Observe the shape of the crown and the overall form of the tree. Sometimes, you also look down at the ground, searching for cones, fallen leaves, fruits or flowers that may help you identify the species.

When the project involves an existing building, you also measure the distance between each tree and the building. You check whether any of them are growing too close, pose a safety risk or have roots that could affect the foundations.

All this information helps determine which trees can be preserved, which require maintenance and which may conflict with the planned work. It can also influence the position of a new building, paths, parking spaces or underground services.

This is what one of my recent working days looked like.

A day away from the computer.
A day spent outdoors.
A day in the field.

From the photos, it could easily be mistaken for a day off, couldn’t it?

Not every working day is spent in front of a computer when you’re an architect.Some days look completely different …Like...
27/08/2026

Not every working day is spent in front of a computer when you’re an architect.

Some days look completely different …

Like the day when you pop in for an architects’ breakfast.
For networking. Chatting. Meeting fellow architects.

Attend a GROHE product presentation.
For the latest industry updates.

And take a few pictures of the bathroom displays at the ELEMENTS Poznań showroom.
For inspiration.

Cobalt. Dots. Circles. Peacock eyes.Hand-stamped cups, plates, coasters and jugs, decorated using a technique dating bac...
16/08/2026

Cobalt. Dots. Circles. Peacock eyes.

Hand-stamped cups, plates, coasters and jugs, decorated using a technique dating back to 1882, are no longer just elements of Bolesławiec pottery. They have become a distinctive hallmark of the city - and within the city itself.

The characteristic patterns, colours and the ceramic material itself have been transferred onto elements of street furniture and urban details, highlighting the spirit, tradition and history of the place, also through contemporary interpretations.

🧿The ones I find most captivating are the cobalt, blue and white birds, looking almost like an expressive study filled with dynamic, bold lines, drawn across the ceramic tiles that decorate the entrance to the park /author: Mateusz Grobelny/.
🧿A ceramic dress with the characteristic pattern of white dots against a cobalt background welcomes visitors to the Muzeum Ceramiki w Bolesławcu, while the same stamped pattern extends across the vaulted ceiling.
🧿A bench standing in the Market Square is finished with ceramic tiles in a variety of patterns, creating an effect reminiscent of a shimmering surface of water /author: Mateusz Grobelny/.

In Bolesławiec, patterns once associated mainly with tableware have ceased to be merely decoration on everyday objects. They have begun to strongly identify the urban space itself, showing how a local tradition can function not only as a souvenir or an expression of craftsmanship, but also as a consciously created language of place - becoming a living part of the city’s identity.

PS. I have my own pieces of Bolesławiec pottery at home too, including ones I hand-stamped myself at the Living Museum of Ceramics.

🧿And you? Have you ever seen Bolesławiec pottery?🧿

Pictures - my own 🧿
Location: Bolesławiec, Lower Silesia, Poland

Muzeum Ceramiki w Bolesławcu
Manufaktura w Bolesławcu

13/08/2026

Have you ever wandered around at midnight looking for the darkest place?

Far from urban areas. Far from any lights. A place so dark that you can’t even see your own hand in front of you?

Where all you can hear around you is the sound of the night. The endless chirping coming from somewhere in the fields. And you have no idea what kind of animal might suddenly appear from the woods, from the fields, or just beneath your feet. And you stand just in the middle of this darkness.

Sounds crazy, doesn’t it?

There’s a tradition in my family. Every year, on the 12th of August, we jump into the car to find the best place to gaze at the starry sky. To watch the Perseid meteor shower. And count how many we can spot.

Surrounded by darkness. And by a dome of clear, starry sky. If the stars are visible, of course.

Yesterday, the conditions were just perfect. The Moon was in its new moon phase, leaving the sky exceptionally dark. After a spectacular solar eclipse.

So we did our night wandering again.

We drove away from the city lights. Into the darkness. To look up. To listen to the music of the darkness. To experience the moment.

And perhaps that is part of what makes this experience so extraordinary - sometimes, you need to see less to experience more. You need to change your surroundings to perceive more. You need to stop for a while and listen, to catch the right moments.

Did you look up at the sky last night?

“I thought your home would be like a museum.” Ania once told me when she finally came to visit us.It had taken her almos...
11/08/2026

“I thought your home would be like a museum.” Ania once told me when she finally came to visit us.

It had taken her almost a year to come over for coffee. She postponed it. Put it off. Changed the date. Until finally, she came.

She sat down. Silently, she began looking around. She took a sip of coffee and said:
- I feel really good here …

A moment later, she asked:
- Do you know why I didn’t come before? …

I listened, intrigued.
- Because I was nervous - Ania continued. - I was convinced I’d be sitting here on edge the whole time - she added quietly. - That your home would be like a museum, where I’d be afraid of breaking or damaging something.

My eyes widened in surprise.

- I thought it would look like something straight out of a catalogue. Stiff and unapproachable … - She took a deep breath and continued. - Because I thought that was how architects lived. But I feel really good here, and now it seems strange that I ever thought otherwise.

At that moment, I suddenly thought of what visiting museums felt like back in the 1980s.
You would pull huge, grey felt slippers over your shoes. You’d polish the wooden floor as you walked. And most of your attention went into making sure you didn’t slip. The exhibition itself somehow remained in the background.

I smiled.

- You can’t live as if you’re in a museum when you have small children. And our home was created for us. So that we can use it in the best possible way, every single day.

Ania’s words are still with me.

Especially because she wasn’t the only one to think this way.
On the one hand, they reveal how people imagine architects’ homes.
On the other, they reveal the apprehension of confronting a space created by someone who designs spaces professionally.
And then there are the questions that keep coming back:
Should a space look good?
Should it be functional?
Should it make us feel good?

I don’t choose between one, the other or the third.

A space should respond to the needs of the people who live in it. It should serve them. Give them comfort. Freedom. Joy. And allow them to experience everyday life in a way that feels good.

For more than 20 years, I haven’t designed homes and interiors for photographs, changing trends or unrealistic visualisations.
I’ve designed them for real, individual people. Individually.
So they can feel good in their spaces.
At ease. Natural. Comfortable.

So that every day, their own home gives them the feeling:
“This is my place.”

"…and even the shadow beside the vase that I normally wouldn't notice."That's what Zuzanna said as she was looking throu...
08/07/2026

"…and even the shadow beside the vase that I normally wouldn't notice."
That's what Zuzanna said as she was looking through the photos of her living room that I had taken between a bite of Pavlova and raspberries falling onto the plate.

Bathed in the late afternoon sunlight streaming through the windows of the open-plan living room and kitchen – a space that looked completely different just a few months earlier.

I love stepping into homes that truly reflect the people who live in them.
I love seeing the smiles on their faces when they finally feel at home in their own space.
I love witnessing the changes they finally had the courage to make after our consultations – changes that genuinely improve their everyday lives.

And I love discovering personal objects, like the glass and ceramic flowers displayed in the navy-blue vase on the salmon-coloured cabinet. They had spent years hidden away in cardboard boxes because there had never been the right place, the right setting, or the right background to let them be seen.

After our consultations, Zuzanna gained much more than a bright, spacious new interior. She also gained:
- the confidence to use the colours she truly loves,
- greater certainty when making decisions about her home,
- a place for the objects that had been hidden away for years,
- and a home that reflects who she is and how she wants to live.

Then I showed her a few photographs I had taken just moments before. She smiled and said, "I think I'll start noticing things like that from now on."

That's the moment when a space stops being just a place to live.
You begin to truly notice it.

And once you start seeing more … you begin experiencing it differently.

Sometimes your space doesn't need another makeover. It needs a new perspective. Have you ever felt that your space is al...
03/07/2026

Sometimes your space doesn't need another makeover. It needs a new perspective.

Have you ever felt that your space is almost finished ... but something is still missing?

That's exactly how Magdalena felt regarding her apartments for rent in Italy.
She came to me looking for support with choosing colours, fresh ideas, and a new perspective on the holiday apartments she had already created.

What she received was not just the answer to her questions.
We set a clear direction, a distinctive concept inspired by the spirit of the place - what was surprising to Magdalena, and a completely new way of seeing the potential of her apartments.

Because she wanted to offer her clients something more than just “a place to stay”. She wanted to create memorable experiences there, not created by trends, typical solutions and white or grey colors.

Here’s what Magdalena said:
"I wholeheartedly recommend sessions with Ewa.
Her perspective helped me gain clarity about one of my biggest dilemmas – choosing the right colours and creating interiors for my holiday rental apartments.
I wanted my guests to feel relaxed, comfortable and welcome, and for each apartment to have its own character and evoke warm seaside memories.
Thanks to Ewa, I found a much clearer direction and greater confidence in my decisions.
Thank you, Ewa! You truly open a window to a whole new way of seeing the world."

Swipe through the carousel to discover what brought Magdalena to the consultation, what she gained from it, and why this experience changed the way she sees space.

If you're creating your own home, holiday apartment or rental property and feel there's still something missing, I’m here to support you.

📩 Send me a DM.

Adres

Młyńska 4/15
Szamotuły
64-500

Godziny Otwarcia

Poniedziałek 08:00 - 16:00
Wtorek 08:00 - 16:00
Środa 08:00 - 16:00
Czwartek 09:00 - 16:00
Piątek 09:00 - 16:00

Telefon

+48607990201

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