Kitchensbypaul

30/09/2026

One workshop, from the kitchen to the bathroom.

The same hands that built the kitchen built this bathroom. A floating vanity in pale oak with rounded corners and a solid stone top, twin basins, twin taps, and a mirror cabinet framed in oak that reflects the arched window behind you. A bath clad in the same stone as the worktops, with a view over the rooftops of Stockholm.

One material palette, room after room.

Kitchens by Paul, Stockholm

Photos by Adam Helbaoui

27/09/2026

Les détails.

You arrive through a pair of pocket doors, fluted glass in a thin bronze frame, and the room is already composed before you step in.

Then the small things take over. A chandelier with brass stems that arc like fishing rods, each one ending in a frosted glass bell. Wall lights stripped back to one bare bulb on a brass rod. A walnut sideboard with pyramid-cut doors that change tone as you walk past. A coffee table in raw travertine, the holes left open, standing on four drum legs and carrying nothing more than two candlesticks and a book. A twisted bronze guéridon between the armchairs, the kind of piece you put there for the shadow it makes.

If we had to write the palette down: bisque, biscuit, caramel, smoke, one flash of verdigris in the rug. And a parquet the colour of strong coffee to hold it all down.

Interior architecture and design: Kitchens by Paul, Stockholm

Private residence, Paris

23/09/2026

Anyone can draw a curve. Building one in oak and glass is another story.

The wall cabinets in this kitchen end in a bowed glass door, so the row turns the corner instead of stopping at it. The peninsula ends in a curved door that opens onto curved shelves. The stone top follows the same radius, polished to a soft round where the oak turns.

Inside, drawers sit within drawers. The frames are oak with a fine beading, the grain runs true across every front, and the light under the cabinets runs the full length with no visible fitting.

We build these curves in our own workshop, one piece at a time. Which detail would you have in your kitchen: the bowed glass, the curved door, or the hidden drawer? Comment below ⬇️

Photos by Adam Helbaoui

Kitchens by Paul, Stockholm.

22/09/2026

The difference is in the millimetres. Softly rounded oak, fine reveals, concealed lighting and glass framed with almost nothing around it. Precise, quiet, and made to last.

20/09/2026

A breakfast nook that follows the window.

Under the sloping roof of a Stockholm attic apartment we built a curved bench in pale oak and moss green wool, shaped to the bay so not a centimetre of the view is wasted. Behind it, the same oak runs across the kitchen: framed doors with a fine beading, curved glass cabinets, a stone splashback that catches the morning light.

Designed and built by Kitchens by Paul, Stockholm.

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08/07/2026

We’re Hiring!

We’re looking for experienced:
🔹 Kitchen Worktop Installation Specialists
🔹 Measurement Specialists (Proliner)

Carpentry (Snickare) experience is required.
We offer competitive pay, long-term employment, and full training and education to help you grow with us.
📩 Apply: [email protected]

08/07/2026

We’re Growing. Join Sweden’s leading luxury kitchen team.

At Kitchens by Paul, we create some of Scandinavia’s most exclusive kitchens and interiors. As demand continues to grow, we’re expanding our installation team.
We are currently looking for:

Kitchen Worktop Installation Specialists (6 positions)
Measurement Specialists (Proliner experience) (3 positions)

We offer:
• Long-term employment
• Very Competitive salary
• Private health inssurance, life inssurance, pension.

If you take pride in your work and want to be part of a company that sets the standard for premium kitchens, we’d love to hear from you.

📩 Send your CV to [email protected]
Please share this post with someone who might be the perfect fit.

04/07/2026

04/07/2026

A morning corner for Dejan and Eldina, tucked into the bay window of their Stockholm home.

The curved banquette in bouclé softens what is otherwise a very architectural room: the tall paneled doors, the plaster cornice, the ceiling rosette that hints at the building’s age.

We wanted the joinery to hold onto that history rather than compete with it, so the cabinetry stays quiet and pale against the walls while the seating does the talking in texture.

The table is solid walnut, cut into a sculptural cone base with enough presence to anchor two dining chairs. Their round backs and slatted wood frames feel almost like small pieces of furniture design on their own, upholstered in an olive velvet that warms up nicely against the herringbone parquet underfoot.
And on the table, an amber glass bowl. The kind of object that catches the afternoon light through the window and does more for a room than most accessories twice its size.

Small breakfast nook, every material in it chosen on purpose.