Modernity Stockholm

Modernity Stockholm We are committed to the collection of exceptional pieces of 20th Century Design.

Modernity specializes in curating exceptional 20th Century Design pieces, with a distinct focus on post-war Scandinavian furniture, textiles, ceramics, glass, lighting and jewellery. We collect a wide range of design classics and rarities by designers such as Hans Wegner, Arne Jacobsen, Alvar Aalto, Axel Salto, Berndt Friberg and many more. After moving from Scotland to Sweden and following a care

er in design retailing, Andrew Duncanson opened Modernity's doors in 1998. In addition to supplying pieces to international collectors and museums, Modernity exhibit regularly at antique and design shows in London, New York and Paris. The gallery is situated on Sibyllegatan in the heart of Stockholm's design district Östermalm. Over the years this showroom has become a meeting place both for local and visiting 20th Century Design enthusiasts. Modernity is a member of the Swedish Art & Antique Association and also of the International Confederation of Art and Antique Dealers CINOA.

A selection of Nordic design from the 1940s–60s, bringing together works by Poul Hundevad, Eje Ahlgren, Märta Måås-Fjett...
12/08/2026

A selection of Nordic design from the 1940s–60s, bringing together works by Poul Hundevad, Eje Ahlgren, Märta Måås-Fjetterström and Wilhelm Kåge.

Selected works shown:

Folding chair designed by Poul Hundevad, Denmark, 1950s

Floor lamp model G-075 designed by Eje Ahlgren for Bergboms, Sweden, 1960s

Rug 'Nyponblomman' designed by Märta Måås-Fjetterström for MMF AB, Sweden, 1940s

Vase 'Farsta' designed by Wilhelm Kåge for Gustavsbergs Studio, Sweden, 1948

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Object of the week — Knotted pile rug 'Skögen och älven' designed by Margareta Sundbom Eichenholz for Gävleborgs Läns He...
10/08/2026

Object of the week — Knotted pile rug 'Skögen och älven' designed by Margareta Sundbom Eichenholz for Gävleborgs Läns Hemslöjdsförening, Sweden, 1952

This flossa carpet by Margareta Sundbom-Eichenholz reflects her close relationship with the landscapes of northern Sweden, with 'Skögen och älven' meaning 'The forest and the river' in English. The central field is composed in shifting tones of blue, green and grey, suggesting water, forest shadow and filtered light. Around it, a richly patterned border introduces geometric motifs, circular forms and rhythmic bands.

Woven as a traditional knotted pile, the carpet combines Swedish handicraft techniques with a distinctly modern visual language. Rather than depicting nature directly, Sundbom-Eichenholz translates the atmosphere of the forest into colour, pattern and texture.

Margareta Sundbom-Eichenholz studied at Konstfack in Stockholm around 1950 and developed a practice shaped by both traditional craft and modern textile art. Her work was strongly influenced by the forests of Hälsingland, as well as by her life in northern Uppland and Gästrikland. Active for only a short period before her artistic production ended in 1957, her carpets represent a concentrated and distinctive contribution to Swedish textile design.

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Completed in 1962, the Enso-Gutzeit Headquarters, built for the Finnish forestry and paper company, is one of Alvar Aalt...
03/08/2026

Completed in 1962, the Enso-Gutzeit Headquarters, built for the Finnish forestry and paper company, is one of Alvar Aalto’s most accomplished architectural works. Located on Helsinki’s South Harbour between Katajanokka and Market Square, the building was carefully designed to integrate with the city’s waterfront skyline.

Clad in white Carrara marble, its façade reflects the changing Nordic light and earned the building the nickname "Sugar Cube" (Sokeripala) for its simple cubic form and luminous appearance.

Faithful to his holistic approach to design, Aalto conceived every aspect of the building, from its architecture to its interiors. The furniture, lighting and built-in elements were designed as integral parts of the whole, with bespoke pieces created specifically for the headquarters alongside carefully selected Artek furniture to achieve a harmonious environment.

Today, the Enso-Gutzeit Headquarters remains a defining example of Aalto’s vision, where architecture, furniture and lighting come together as a unified work of design.

Modernity currently has some of the lights designed specifically for the Enso-Gutzeit Headquarters in its collection, including the Ceiling Lamp model A203 and the Ceiling Lamp designed by Alvar Aalto for Idman, Finland, 1950s. The collection also includes the iconic Ceiling Lamp “Beehive” model A332, which was used throughout the building.

Explore them on the Modernity website.

Photography credits:
Façade facing the Market Square. Photo: Eino Mäkinen ©️ Alvar Aalto Foundation.
Cabinet. Photo: Maija Holma ©️ Alvar Aalto Foundation.
The interior design included unique objects and standard-produce furniture and light fittings. Photo: Maija Holma ©️ Alvar Aalto Foundation.
Group of seats in that foyer on the Directors' floor. The rug was designed by the textile artist Greta Skogster-Lehtinen.
Photo: Maija Holma ©️ Alvar Aalto Foundation.
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An aquatic imaginary runs through this summer's selection, shapes, materials and textures inspired by the ocean. Selecte...
29/07/2026

An aquatic imaginary runs through this summer's selection, shapes, materials and textures inspired by the ocean.

Selected works:

Sculpture 'A fish called Matti', Anonymous, Finland, 1980s

Sculpture by Tina Reuterberg, Sweden, 2005

Aloe Vera' sculpture designed by Roland Persson, Sweden, 2005

Bowl 'Il passagio - liten' or 'The passage - small' designed by Inger Sannes, Sweden, 2014

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Object of the week — Occasional table 'Model AT-10' designed by Hans J. Wegner for Andreas Tuck, Denmark, 1950s The AT-...
27/07/2026

Object of the week — Occasional table 'Model AT-10' designed by Hans J. Wegner for Andreas Tuck, Denmark, 1950s

The AT-10 occasional table, designed by Hans J. Wegner for Andreas Tuck in the 1950s, exemplifies Wegner's ability to combine functionality with simple, elegant design. Crafted from teak, the table features a finely crafted solid wood top and a woven cane shelf below, showcasing Wegner’s attention to detail and his mastery of materials.

Hans J. Wegner, often referred to as the father of Danish design, revolutionized mid-century furniture through his innovative approach to form and material. Growing up as the son of a cobbler, Wegner developed a profound appreciation for craftsmanship and a deep understanding of wood’s potential. Over his lifetime, he created more than 500 designs, many of which have become icons of modern design. His philosophy was rooted in creating furniture that was simple, genuine, and alive with the spirit of the material.

This occasional table reflects those ideals, with its clean lines and thoughtful construction. The woven cane shelf adds both functionality and a sense of lightness, making it suitable for various interiors. Wegner’s designs have had a lasting impact, and pieces like the AT-10 continue to embody the timeless qualities that have brought Danish furniture to international acclaim.

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Designer Highlight — Vicke Lindstrand (1904 - 1983)Victor Emanuel Lindstrand, widely known as Vicke Lindstrand, was one ...
24/07/2026

Designer Highlight — Vicke Lindstrand (1904 - 1983)

Victor Emanuel Lindstrand, widely known as Vicke Lindstrand, was one of the most influential figures in twentieth-century Swedish glass art. A versatile designer and artist, he worked across glass, ceramics, textiles and painting, making a significant contribution to the development of modern Scandinavian design. Widely regarded as a pioneer of Swedish art glass, he helped establish Sweden's international reputation for innovation and artistic excellence.

Lindstrand gained early recognition for his artistic talent, and his work was selected for the art competitions held alongside the 1932 and 1936 Summer Olympics, reflecting his standing within the wider cultural world. He began his career in glass at Orrefors, where he became known for his bold artistic vision and for pushing the boundaries of colour, engraving and sculptural form. In the 1950s he joined Kosta Glasbruk, where he continued to explore new techniques and produced many of the factory's most celebrated post-war designs.

His work is characterised by graphic clarity, dynamic composition and a sophisticated understanding of how light interacts with glass. From thick-walled sculptural vessels to engraved scenes and richly coloured overlays, Lindstrand combined technical mastery with artistic imagination, creating works that remain instantly recognisable.
Today, Vicke Lindstrand is recognised as a defining figure of Swedish modern glass. His designs continue to be admired for their craftsmanship, originality and enduring visual power, and they remain among the most sought-after examples of twentieth-century Scandinavian glass.

Selected works shown:
Vase 'Model 385' designed by Vicke Lindstrand for Uppsala Ekeby, Sweden, 1940s

Mandrill sculpture designed by Vicke Lindstrand for Uppsala Ekeby, Sweden, 1940s

Vase designed by Vicke Lindstrand for Kosta, Sweden, 1958

Three zebras by Vicke Lindstrand for Upsala Ekeby, Sweden, 1940s

Framed drawing 'Rider in a Spring Landscape' by Vicke Lindstrand, Sweden, 1950s

Vase ‘Colora’ designed by Vicke Lindstrand for Kosta, Sweden, 1950s

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Object of the week — Armchair 'The Thumb' designed by Arne Norell for Gösta Westerberg, Sweden, 1950s 'The Thumb' design...
20/07/2026

Object of the week — Armchair 'The Thumb' designed by Arne Norell for Gösta Westerberg, Sweden, 1950s

'The Thumb' designed by Arne Norell for Gösta Westerberg was designed in 1952 and first exhibited at Önskehemsutställningen, or The Dream Home Exhibition, the same year. The exhibition presented new ideas for modern domestic interiors and included several designs that would later become recognised Swedish classics, among them Greta Magnusson Grossman’s floor lamp model G-33.

At the time, Arne Norell was working as a workshop master for Gösta Westerberg in Stockholm, and 'The Thumb' belongs to this early phase of his production. Its construction shows an understanding of both upholstery and cabinetmaking, with the rounded seat and enveloping back balanced by a light wooden base. The chair’s low stance and open form give it a domestic character while retaining the clarity of structure associated with Swedish mid-century design.

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Designer Highlight — Nanna Ditzel (1923 - 2005)Nanna Ditzel was one of the most imaginative and influential figures in D...
17/07/2026

Designer Highlight — Nanna Ditzel (1923 - 2005)

Nanna Ditzel was one of the most imaginative and influential figures in Danish design, known for her ability to merge craftsmanship, experimentation and a strong artistic sensibility. Trained first as a carpenter at Richards Skole, she continued her studies at the Danish School of Arts and Crafts, graduating in 1946. During this period she met the architect Jørgen Ditzel, who became both her partner and collaborator until his passing in 1961. Their partnership produced a wide range of innovative work that challenged traditional ideas of furniture and interior design.

Ditzel’s creative output spanned furniture, jewellery, tableware and textiles, demonstrating an unusually broad artistic range. She designed jewellery for Georg Jensen, where her sculptural and organic approach translated into expressive silver pieces. Her furniture designs for Fredericia and other manufacturers helped define the forward-looking aesthetic of postwar Danish modernism. Known for her interest in furniture that encouraged reclining or lounging, Ditzel consistently explored how comfort, form and movement could shape new ways of living.

Nature served as a lasting source of inspiration, seen in her use of bright colours, rounded silhouettes and fluid, biomorphic lines. These qualities gave her work a distinctive lightness and playfulness while remaining grounded in the functional clarity that characterises Scandinavian design.

Today, Nanna Ditzel is celebrated as one of the most original voices of the mid-century Danish design movement, admired for her curiosity, her material understanding and her ability to push beyond conventional boundaries.

Selected works shown:

Pair of armchairs 'Basket Club' designed by Nanna Ditzel, Denmark, 1950s

Desk designed by Nanna Ditzel for Søren Willadsen Møbelfrabrik, Denmark, 1950s

Set of six 'Ring Chairs' designed by Nanna Ditzel and Jørgen Ditzel for Kold Savværk, Denmark, 1958

Bracelet designed by Nanna Ditzel and Jørgen Ditzel for Georg Jensen, Denmark, 1950s

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Object of the week — Cabinet model 2135 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s The cabinet stands on sl...
06/07/2026

Object of the week — Cabinet model 2135 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s

The cabinet stands on slender legs, maintaining an airy, lightweight appearance that aligns with Frank’s preference for furniture that feels open rather than heavy or imposing.

Josef Frank’s design philosophy, which emphasised both practicality and visual harmony, is evident in the cabinet’s thoughtful proportions and refined material choices. The combination of cherry wood and root veneer aligns with his preference for natural materials, celebrating their beauty while ensuring a timeless piece.

Model 2135 was made in two versions, one with this striking root veneer and the other with simple mahogany doors. Simplicity and exceptional quality make this piece a timeless Svenskt Tenn collectible.

Josef Frank was an Austrian-Swedish architect and designer known for his vibrant, functional, and timeless furniture and textiles. Rejecting strict modernism, he embraced colour, pattern, and organic forms, creating designs that felt warm and inviting. His work with Svenskt Tenn shaped Scandinavian design, blending craftsmanship with a playful, effortless elegance.

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Focus — Nordic Abstraction A selection of Nordic abstract works from our collection.These works reflect different appro...
01/07/2026

Focus — Nordic Abstraction

A selection of Nordic abstract works from our collection.

These works reflect different approaches to abstraction, with an emphasis on form, material, and surface.

Selected works shown:

Painting by Rune Hagberg, Sweden, 1968

Painting by Sophie Tottie, Sweden, 1990s

Sculpture by Bengt Rosenström, Sweden, 1993

Painting by Sven Hansson, Sweden, 1982

Composition by Lars Englund, Sweden, 1980s

Painting Fra Coma til Egba by Kai Führer, Denmark, 1977

Sculpture 'Ljusgård' by Lars Erik Falk, Sweden, 1980

Set of paintings 'Around Malevitch' by Poul Pedersen, Denmark, 1976

Painting 'African Night II' by Ole Schwalbe, Denmark, 1950s

Woven painting by David Svensson, Sweden, 2002

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Sibyllegatan 6
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