10/09/2026
/ Fresh off the floor at Furniture China 2026.
3,200 exhibitors, a room the size of an entire district; we brought our best and we want to walk you through it.
A coffee table as intricate in its construction as it is in its idea. Built with our lead designer, full story in an upcoming GRAINS episode.
A table built around one idea: everything comes from somewhere. and nothing exists apart from what it came from.
Round slabs have been one of our most requested designs. We took that back to the team and asked what we could actually do with it that hadn’t been done before. This is where we landed.
Mappa Burl, paired with a matte clear epoxy rather than our usual glossy finish, letting the burl’s own texture come through instead of a polished shine.
New leg design built specifically for these slabs, where they curve outward like a trunk splitting into limbs, and the epoxy sits above the burl the way a canopy sits above a tree.
A bookmatched Suar slab, reworked into yet another innovative use for a slab, this time as a room divider.
Most dividers are built from panels joined at hard, visible angles. This one uses shorter, narrower cuts fitted seamlessly together so instead of folding at fixed points, the whole piece curves.
One of, if not the most, exciting piece we have to showcase during the exhibition: Kauri, a species we are introducing for the very first time.
This specific slab came from a tree we have confirmed to be at least 43,000 years old due to the limitations of what carbon dating can measure. It could be up to 120,000 years old. Another one getting its own GRAINS episode soon.
Burmese Rosewood, a species we have never carried until now due to the difficulty in procurement of single slabs.
Paired with our signature epoxy to also make the piece functional without taking anything away from the wood’s natural character.
Japanese Cypress, also known as Hinoki, a new species now available at Woodslab shown here completely raw.
Before it becomes anything, this is what it looks like. No epoxy deciding where a crack ends. No finish telling you how to feel about a void. Just the tree, in its original form waiting to find out what it bec
