PLUS Collaboratives

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PLUS Collaboratives PLUS Collaboratives is a multi award-winning interdisciplinary group that designs, curates, and develops experiences for our clients. Design is a solution.

From curating and creating an event, researching and developing a space, and even conceptualising visual communication strategies to formulating a communications campaign, we believe in a data/research-based approach to ensure that we will always be able to deliver our clients’ brand messages. We use a 360-approach to tailor experiences to clients ranging from designing experiential productions in the areas of audio visual lighting (AVL), project management, built supervision, to capturing moments and unique experiences through photography and videography. These services offered reveal our capabilities in AVL, photography, videography and creativity design to ensure every step is taken care of for our clients’ projects. At PLUS, we believe in providing our clients with an end-to-end one.

It was today that everyone realised she does not like mango cakes.Happy birthday Ms Fong.
23/10/2026

It was today that everyone realised she does not like mango cakes.

Happy birthday Ms Fong.



[Throwback] The part of Insecta Iridesse that feels especially resolved in hindsight, is the way the publication gave th...
19/10/2026

[Throwback]

The part of Insecta Iridesse that feels especially resolved in hindsight, is the way the publication gave the entire project somewhere to live.
The explorer’s field journal formed the core of Foxejurix, replacing a conventional technical catalogue with maps, currency, weather studies, newspaper clippings, expedition notes and documentary drawings. Each artefact contributed to the fictional expedition while demonstrating a different ink, paper stock, finish or print combination.
The paper jewellery belonged to this record before it appeared in the physical show. Carnelian, Emeraude and Amethystos were first documented as rare species within the publication, then realised as specimens displayed within habitats connected to their respective presses.
Carnelian appeared among gradated leaves produced by the PrimeLink C9065/C9070. Emeraude inhabited stones moving from 30 to 100 per cent black, created using the monochrome B9 Series Production Press. Amethystos occupied webs printed in gold, silver and white speciality inks by the Iridesse Production Press.
The show gave physical scale and presence to the world already established on the page. Visitors could encounter the species, examine their surfaces and connect the specimens back to the expedition records and technical samples within the journal.
Looking back, the strength of the project lies in that relationship. The publication carried the story, information and print proof, while the show made its contents feel momentarily real. Together, they allowed a product catalogue to become something people could read, investigate and remember.

Check out both parts of the project here:

https://plus-group.sg/projects/insecta-iridesse/
https://plus-group.sg/projects/insecta-iridesse-2/





[Throwback] Insecta Iridesse is one of those projects that still makes us think about how far a technical brief can trav...
16/10/2026

[Throwback]

Insecta Iridesse is one of those projects that still makes us think about how far a technical brief can travel once the product itself becomes the premise.
The project centred on Foxejurix, a fictional island inhabited by rare, gem-like insects whose forms and habitats had been shaped by colour, tonal density and metallic sheen. The qualities of Fujifilm’s production presses became the environmental conditions of this imagined ecology.
Carnelian belonged to a world of vivid gradations, Emeraude to a monochrome terrain of shifting black tones, and Amethystos to structures formed through reflective gold, silver and white. Each species appeared to have evolved from the visual properties of the press used to create it.
That premise gave the project a consistency we still value. The technology did more than support the visual language. It determined how Foxejurix looked, how its species behaved and what kind of environments they occupied.
The resulting paper jewellery gave those imagined creatures a physical presence, inviting people to study their wings, textures and changing surfaces as though they were specimens from an unfamiliar ecosystem.
Revisiting the work, what continues to resonate is how curiosity came before explanation. Audiences first met the island and its inhabitants, then gradually recognised the print capabilities embedded within them.

Check out both parts of the project here:

https://plus-group.sg/projects/insecta-iridesse/
https://plus-group.sg/projects/insecta-iridesse-2/





Last year, we nabbed several awards at The Drum Awards. This year, we’re proud to have been featured as one of the top 1...
07/10/2026

Last year, we nabbed several awards at The Drum Awards. This year, we’re proud to have been featured as one of the top 100 independent agencies of 2026 by The Drum, alongside The Secret Little Agency and Greenpark Asia.

Thank you The Drum for recognising the bold work that we do.





Last year, we nabbed several awards at The Drum Awards. This year, we’re proud to have been featured as one of the top 1...
07/10/2026

Last year, we nabbed several awards at The Drum Awards. This year, we’re proud to have been featured as one of the top 100 independent agencies of 2026 by The Drum, alongside The Secret Little Agency and Greenpark Asia.

Thank you The Drum for recognising the bold work that we do.





Inaugural lantern making competition at PLUS.Nothing says pop culture (this year’s theme) like Labubu, Yayoi Kusama, and...
01/10/2026

Inaugural lantern making competition at PLUS.

Nothing says pop culture (this year’s theme) like Labubu, Yayoi Kusama, and beloved characters like Hello Kitty, Pikachu, and … a demonic lamb?

What started as a friendly competition quickly became an afternoon of laughter, unexpected ideas and plenty of conversation around the office. The activity helped capture what we enjoy most about Mid-Autumn Festival: coming together, making something, and finding new ways to celebrate familiar traditions.

What theme should we go with next year?





Happy birthday to our Sep birthday baby!
30/09/2026

Happy birthday to our Sep birthday baby!



Our Creative Director, Mervin Tan, will be joining the judging panel for The Crowbar Awards 2026, hosted by Association ...
28/09/2026

Our Creative Director, Mervin Tan, will be joining the judging panel for The Crowbar Awards 2026, hosted by Association of Advertising & Marketing Singapore This year’s theme, Kill Vanilla, challenges students to push beyond the expected - something we’re always looking to bring into our own work.





Sharing in the simple magic of the full moon brings us all back together for an evening filled with lanterns, laughter, ...
23/09/2026

Sharing in the simple magic of the full moon brings us all back together for an evening filled with lanterns, laughter, and our favourite company. We hope your Mid-Autumn Festival is as bright and brilliant as the moon above!​
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We believe design begins with people – how people move through a space, how they use it, what they notice, and ultimatel...
20/09/2026

We believe design begins with people – how people move through a space, how they use it, what they notice, and ultimately, how a space makes them feel.

That is why materiality matters to our practice. The tactile quality of a surface, the visual mood it creates, and the way light meets a material all contribute to the experience of a place.
Our collaboration with Lamitak has always explored the relationship between people, community, felt experience, and material – in our open concept studio, different coloured, textured and finished laminates help create subtle shifts between zones.
Sleek black pro laminates define the working areas, while warmer wooden laminates create a softer transition towards dining and moments of rest in other areas without the need to draw a physical boundary.

Our next collaboration takes this exploration beyond our own studio. “Ways of Seeing, Ways of Living” is a campaign that brings together 11 different creative voices including PLUS Creative Director Mervin Tan’s, showing how laminates can move beyond being a surface treatment to influence the character, atmosphere and everyday experience of a space. Each creative brings their own interpretation of what a lived-in environment can look and feel like when expressed through a tactile palette of materials, making each idea reflect their creative personalities.





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71 Ubi Crescent, #04-13 Excalibur Center
Singapore
408571

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