Dimensions in Design

Dimensions in Design View examples of my work, ask me questions about my services and private message me regarding appoin Amy has over 25 years of experience in Interior Design.

She got her start in a drapery workroom fabricating drapery treatments. Her job there instilled a love of fabrics and spring-boarded her into design school. Prior to her education, she also worked in flooring design centers and other drapery businesses where she created a foundation for her entire career. Originally from Kansas, Amy worked in Topeka, Manhattan and Wichita. She received her educati

on attending Kansas State University and added CAD** to her knowledge at Wichita Area Technical College later in her career. Continuing education is important to Amy and she is diligent in acquiring new knowledge and keeping up with current design trends. However, she will tell you that trends come and go. When designing your dream home, follow your own style and set your own trend!

02/07/2026

This is beautiful work!

Historic design, timeless style.
09/22/2025

Historic design, timeless style.

A brief history lesson. Welcome inside the Schumacher Archive, where our legacy comes to life. | 16 comments on LinkedIn

08/26/2025

This antique door is a pure display of craftsmanship.

08/18/2025

Did you know that ivy wreaths worn around the head were said to prevent the negative effects of excessive drinking? 🌿🍷

A belief that explains why Bacchus, the Roman god of wine and revelry, is frequently depicted adorned with wreaths of ivy and grapevines.

Mucha’s “Ivy” (1901) and its companion work “Laurel” were originally created as color lithographs. Due to their exceptional popularity, both pieces were subsequently reproduced as decorative metal plates. Art historians note that “Ivy” bears striking similarities to the poster Mucha designed for dancer Lygie in the same year, suggesting the performer may have served as inspiration for this celebrated work.

#慕夏 #ミュシャ #アルフォンスミュシャ

Fun!
08/18/2025

Fun!

Then & Now

Storer House is a Frank Lloyd Wright house located at 8161 Hollywood Boulevard in the Hollywood Hills. The house was built in 1923 and the structure is noteworthy as one of the four so-called Mayan Revival style textile-block houses built by Wright in the Los Angeles area from 1922 to 1924. The top photo is dated 1924

The Storer House was built in 1923 for Dr. John Storer, a homeopathic physician. Wright used the textile-block motif to "fit" the home into the hillside, trying to create the impression that the home was "a man-made extension of the landscape."

The house is dominated by a large upstairs living room with a high ceiling, Mayan inspired columns, and tall narrow windows; the living room is the front facade facing the street. The tall banks of windows flood the living room with natural light. Outside the living room, there are two terraces, one with a view of Hollywood and the other with a view of the hillside. The floor plan forms a T and has large public spaces, each with a fireplace. The dining room and kitchen are on the main floor. The house has 2,967 square feet with three bedrooms, a den, three bathrooms, staff wing and a spa. The house was built without a front door, entrance being offered through a rear door, "as if to finalize the metaphor of privacy and retrenchment." Actually there are five door/window openings in front, being very visually pleasing, but perhaps lacking the definitiveness of "one front door."

The house is built on a steep hillside in the Hollywood Hills at a time when the hills did not have the rich foliage present today. At the time of its construction, Storer House is said to have resembled a Pompeiian villa. Frank Lloyd Wright's son, Lloyd Wright, was both the on-site construction manager and the landscape architect, providing an illusion of a ruin barely visible within its jungle environment.

The Storer House was added to the National Register of Historic Places in 1971 and designated as a Historic-Cultural Landmark #96 in 1972 by the Los Angeles Cultural Heritage Commission.

By the early 1980s, the house had fallen into a dilapidated condition before being acquired in 1984 for $800,000 by motion picture producer Joel Silver. Silver, who has produced such films as Lethal Weapon, Die Hard and The Matrix, began a restoration project in 1984. The restoration was carried out under the supervision of Wright's grandson, Eric Lloyd Wright, and Martin Eli Weil, past president of the Los Angeles Conservancy. One of the challenges in the restoration effort was to develop a formula to duplicate the structure's concrete blocks. Ultimately, replacement blocks were made using soil from the backyard mixed with cement to conform to Wright's concept of "organic architecture." In addition to restoring the house, Silver also restored the original landscaping and installed a pool that had been planned but not built. Eric Wright worked with Silver in completing elements included in the original plans. The restoration project won awards from the California Council of the American Institute of Architects and the Los Angeles Conservancy. In 2005, The New York Times wrote that the Storer House "is widely considered the best-preserved Wright building in Los Angeles." Source: Wikipedia

In February 2015 the L.A. Times reported that the Storer House managed to sell for $6.8M, the most expensive sale of a Wright house to date.

08/18/2025

Wilhelm Otto Peters (17 August 1851 – 18 November 1935) was a Norwegian painter who participated in the Modern Breakthrough in Nordic painting. He associated closely with the Skagen Painters in the early 1880s and was one of the first to paint the fishermen in Brøndums store.

Born in Oslo, Peters studied drawing from 1867 to 1870 under David Arnesen and J.F. Eckersberg. Working as an illustrator, he came to the attention of Karl IV who made arrangements for him to study at the Royal Swedish Academy in Stockholm from 1871 to 1873. He then went to Rome where he studied under Antonio Piccinni from 1873 to 1876, completing his studies in 1880 after periods in Munich and Paris.

Educated as a Historicist painter inspired by Alma Tadema, he turned to folklore, exhibiting in Denmark. While in Paris in the late 1879s, he was attracted by French Naturalism. When he arrived in Skagen in 1881, he had gained international experience from his travels to Germany, Rome and Paris and became a contributor to the Modern Breakthrough in Nordic painting.
After meeting Michael and Anna Ancher during his first visit to Skagen, he returned in 1882 and 1883 when he associated with Christian Krogh, P.S. Krøyer and Eilif Peterssen. He was one of the first of the Skagen Painters to paint the fishermen in the inn, a theme which was later adopted by Michael Ancher and Krøyer.
Peters was successful in having one of his paintings exhibited at Oslo's Høstutstillingen (autumn exhibition) in 1882. In 1885, he became a head teacher at the Norwegian National Academy of Craft and Art Industry, a post he retained until 1923. In addition to his paintings and etchings, he created stained-glass windows including those in St. Olav's Cathedral, Oslo.

Wonderful bit of knowledge about art …
08/11/2025

Wonderful bit of knowledge about art …

Address

Cedar Park, TX

Alerts

Be the first to know and let us send you an email when Dimensions in Design posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Business

Send a message to Dimensions in Design:

Share