06/05/2026
Swatt | Miers had already established the language: stone floors, wood ceiling planes, glass walls, and the Orinda hills as a fourth room.
Our role was to stay in conversation with the architecture. Same palette, same temperature, same restraint. Every detail had to respond to the house - the furniture, the textiles, the way light moves across the plaster.
The painting in the living room is the one moment that pushes against the quiet. A cityscape set against all that landscape. It creates just enough tension, and earns its place.
Architecture: Swatt | Miers Architects
Builder: McKenzie Gray Home Builders
Photographer: Kuoh Photography