09/30/2021
In 1988 African/American Memphis film producer Anthony "Amp" Elmore completed Memphis 1st 35mm Independent feature film production via his Memphis made movie "The Contemporary Gladiator.." White Memphis Shelby County Film Commissioner Linn Sitler used her power and position as Memphis Film Commissioner to erase the fact that Anthony "Amp" Elmore's film is Memphis 1st Independent Feature film.
Linn Sitler as Memphis Shelby County Film Commissioner put her thumb on the scale to not only disadvantage Elmore's 1988 historic film production, Linn Sitler used her office and power as Memphis Film Commissioner to eviscerate and erase Elmore's historic Memphis Film History.
In contrast to Memphis White Supremacy and Racism, White Germany not only purchased the rights to Elmore's film, Germany dubbed the film into their deutsch language and they re-titled the film "Kickbox Gladiator." The Germans unlike Xeon Films who acquired the film for American distribution, the Germans chose to not edit and produced an "uncut" version of the film.
The Country of Germany embraced the 1988 Memphis released film and culturally, skillfully translated the movie into the German language or deutsch. The German re-titled the film "Kickbox Gladiator."
The delineation between Memphis, Tennessee and Germany acknowledging this Memphis African/American film is Memphis Shelby County Film Commissioner Linn Sitler. The film buyers in Germany looked at the film for its historic, cultural, artistic, marketing and other values. In Memphis Film Commissioner Linn Sitler looked at how Elmore being noted as Memphis 1st feature filmmaker would affect white Memphis.
While Elmore's film is undoubtedly Memphis 1st Independent 35mm Feature film Memphis Film Commission Linn Sitler in practice used her position as Memphis Shelby County Film Commissioner to put her "Thumb on the scales" to not only disadvantage Elmore's African/American Film production, Linn Sitler used her position to extricate Elmore's film out of Memphis film history.