Morel Doucet

06/26/2025

I’m honored to announce the acquisition of two of my ceramic works by the Chitra Collection—marking the museum’s very first ceramic commission!

Titled “Pearl of the Antilles: Sugarcane and Tea” and “Ayiti en Bleu: The Songbird Sings a Reverie of Liberation” (2025), these teapots dive deep into Haiti’s tea traditions—where every pour holds the weight of colonial history and the power of healing.

Tea in Haiti isn't just a drink. It carries echoes of the sugar trade, enslavement, and resistance. It’s a story of survival and transformation—how herbal infusions once tied to oppression became sources of spiritual nourishment and ancestral wisdom after the Haitian Revolution.

As I shared with the museum:
"This project seeks to restore balance. To say—our tea histories matter too. Our infusions, our ceremonies, our resistance—they belong in the museum, not just in the margins.”
Grateful to curator Evelyn Earl for such a thoughtful conversation. You can read our full interview at chitracollection.com.

Photography by the brilliant David Gary Lloyd

12/17/2024

Galerie Myrtis is thrilled to share Morel Doucet’s inclusion in the Wallpaper Magazine article “5 Artists from the Caribbean diaspora to have on your radar” by Alicia Sheber.

This feature highlights the remarkable talent and cultural richness of the Caribbean community. Doucet features alongside esteemed creatives such as Sonya Clark (), Anina Major (), and April Bey ().

The column also highlights the recent release of the book “Crafted Kinship” by Malene Barnett (), which celebrates the legacy and creativity of Caribbean artisans. Read the article to discover more about each featured artist and how they blend traditional techniques with contemporary practices.

Click the link in our bio to read the full article!

Photographer: David Gary Llyod; Image courtesy of the artist and Galerie Myrtis

12/12/2024

Galerie Myrtis proudly announces that Morel Doucet is a recipient of The Harpo Foundation 2024 Visual Artists Grant. The Harpo Foundation supports under-recognized artists whose work fosters critical dialogue. Doucet received this grant for his innovative artistry and skillfully weaving powerful narratives about ecology, identity, and social justice. This milestone reflects Morel’s commitment to creating thought-provoking works that challenge perspectives and inspire change.

The grant review process was rigorous, involving three rounds of independent evaluation and input from 13 advisors and panelists in the contemporary arts field, who rotate annually to ensure a fair and equitable process. With a record-breaking number of applications this year, the selection process was highly competitive, but the Foundation has chosen 10 outstanding artists whose work pushes boundaries and inspires.

We couldn’t be prouder of Morel Doucet and the entire cohort, and we wish them all continued success in 2025 and beyond!

Elizabeth Alexander ()
Margaret Jacobs ()
Autumn Knight ()
SaraNoa Mark ()
Laura Nova ()
Yoshie Sakai ()
Shirin Towfiq ()
Brooks Turner ()
Samira Yamin

Photographer: David Gary Lloyd; Image courtesy of the artist and Galerie Myrtis

12/06/2024

The Future of Clay is on view until December 31, 2024—don’t miss this groundbreaking exhibition!

Curated by Anya Montiel, Angelik Vizcarrondo-Laboy, Zindzi Harley, and Jennifer Zwilling, this show explores What is the Future of Clay? through the innovative works of eight artists: Morel Doucet, Chase Kahwinhut Earles, Kristy Moreno, Holly Wilson, Cesar Viveros, Jolie Ngo, Anne Adams, and Michelle Im.

This exhibition celebrates the diversity of ceramic art and its power to reflect our evolving society. It’s the culmination of three years of community-centered curatorial work, reimagining how we create and engage with art in today’s social and political climate.

Come experience how clay is shaping the future before it’s gone!

Exhibition Dates: Oct 5 – Dec 31, 2024
Location: The Clay Studio

11/04/2024

I’m thrilled to announce that “Crafted Kinship: Inside the Creative Practices of Contemporary Black Caribbean Makers” by the incredible Malene Barnett is finally here!

This book is a powerful tribute to the legacy, culture, and artistry of Black Caribbean makers, and I’m deeply honored to have contributed my voice and work to this archival project. It’s more than a book—it’s a celebration of heritage, resilience, and creativity that bridges generations and inspires the next.

Join me in exploring the stories, practices, and innovations that have shaped the vibrant landscape of Caribbean craftsmanship. Order your copy online or find it at your local bookstore. Let’s uplift these stories and continue to champion the power of community and creative expression.

10/01/2024

On view at The Clay Studio in Philadelphia as part of “The Future of Clay” exhibition. Oct 5th - Dec 31st, 2024

Curatorial team Anya Montiel, Angelik Vizcarrondo-Laboy, Zindzi Harley, and Jennifer Zwilling proposed the following question: What is the Future of Clay?
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The Blueprint (Indigo Wing & A Poem Full of Corpses
Medium: Porcelain Ceramic
Dimensions: 22 - 24 Diameter
Year: 2024

“The Blueprint (Indigo Wing & A Poem Full of Corpses)” is a reflection on humanity’s impact on nature, exploring the fragile balance between creation and destruction. The indigo wing, a symbol of beauty trapped in a blueprint, represents nature constrained by human ambition. The “Poem Full of Corpses” mourns the silent losses of environmental exploitation. Inspired by South Florida’s climate crisis, this piece calls for a reimagining of our relationship with the Earth—a shift from destruction to regeneration.

Photographer: Eli Flynn; Images courtesy of the artist and Galerie Myrtis
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Featuring artist:
Morel Doucet (Moreldoucet)
Chase Kahwinhut Earles (kahwinhut)
Kristy Moreno (.moreno)
Holly Wilson ()
Cesar Viveros (),
Jolie Ngo ()
Anne Adams ()
Michelle Im ()

09/09/2024

“HOMO SARGASSUM” opens today at Florida State University's Museum of Fine Arts (FSU MoFA), in collaboration with the Tout-Monde Art Foundation!

The exhibition will be on view until March 8, 2025. Curated by Louisa Marajo and Vanessa Selk, it features incredible artwork from Caribbean, West African, and Latin American artists who have teamed up with scientists, researchers, and tech innovators to promote ecological awareness and solutions.

I’m excited to be part of the symposium for "HOMO SARGASSUM" on September 26-27 at FSU MoFA, 530 West Call Street, Tallahassee, FL. My panel discussion, "The Ecocide of the Sargassum Algae: Who is Killing Who?" will take place on September 27 from 2:15 pm - 3:45 pm. Make sure to register to join us!

🔗 Click the link below to register for the symposium!

Featured Artwork: Details of "The Birth Of Venus (Ivory White & A Song For Remembrance)", 2024, Porcelain ceramic, 20 - 22" diameter (Variable setup)

Photographer: Eli Flynn; Images courtesy of the artist and Galerie Myrtis

08/19/2024

I’m thrilled to share that *The Washington Post* has reviewed the "Fragile Beauty: Art of the Ocean" exhibition currently on display at the Hillwood Museum. In the article titled "A peek at the oceanic wealth of the woman who built Mar-a-Lago," writer Mark Jenkins explores the history of Hillwood's collection and highlights the work of contemporary artists like myself, who address the environmental impacts of human consumption. The article also includes an interview with Dr. Wilfried Zeisler, Hillwood's Deputy Director & Chief Curator, about the significance of recontextualizing the collection in today’s world.

"Fragile Beauty" will be on view through January 5, 2025, at the Hillwood Museum, 4155 Linnean Ave NW, Washington, DC. You can read the full article by clicking the link in my bio!

Artwork details:
Morel Doucet, *The Christening of Land and Water*, 2022, Slip-casted white earthenware, 14 x 13 x 21”

Installation images by photographer Mark Finkenstaedt; Image courtesy of the Hillwood Estate, Museum & Gardens.

Marjorie Merriweather Post’s fortune bought her a vast collection of pearl, ivory, seashell and other marine artworks, on view at the Hillwood Museum.

08/02/2024

Closing my residency program with the most beautiful sunset! The colors painted across the sky felt like the perfect ending to this incredible journey. It’s been a transformative experience, filled with creativity, inspiration, and new friendships. I couldn't have asked for a better way to wrap up my time here.