Susan Harwood

Susan Harwood Try it, you may find that you really enjoy it!

Independent Stampin Up Demo
A continuum keeps going, changing slowly over time, like creativity & I get called Miss Q, that's why I call my creative space MissQsCraftingContinuum
I teach papercrafting.

06/04/2026
Such a cute stamp set!
06/03/2026

Such a cute stamp set!

05/19/2026

Great tip!

05/02/2026
01/14/2026

Celebrating my 5th year on Facebook. Thank you for your continuing support. I could never have made it without you. 🙏🤗🎉

12/20/2025

Sixteen-year-old Mary hid her three-month-old sister under her coat on the Orphan Train heading to Kansas on July 15, 1902. The orphanage had said they couldn't place infants and teenagers together—families wanted one or the other, not both. Mary was supposed to board the train alone, let her sister go to a different family, accept separation. Mary refused. She stole the baby from the nursery, hid her under her coat, boarded the train, and prayed no one would notice.
The baby stayed silent for the first two hours—sleeping, miraculously quiet despite hunger and discomfort. Mary held her coat tight, felt the baby's warmth against her chest, knew discovery meant both would be sent back to New York, both would lose this chance. Other orphans on the train whispered—they knew Mary was hiding something, most guessed it was her sister, none told the matrons because orphans protected each other.
At the first stop—a small Kansas town—families came to select children. Mary stepped off the train with her bulging coat, baby shifting underneath, her heart hammering. A farm couple approached, said they wanted a strong girl for housework. Mary said yes immediately, too quickly. The woman looked suspicious, asked about Mary's thick coat in July heat. Mary said she was cold, was sick, was anything except hiding a baby.
The photographer documenting orphan placements captured Mary stepping off the train—coat visibly concealing something, face showing terror of discovery, other orphans watching protectively. The image shows desperation, the lengths siblings would go to stay together, the system's cruelty in separating families because it was administratively easier.
The baby cried. The woman heard, demanded Mary open her coat. Mary refused, started backing toward the train. The couple was calling for officials when an older farmer stepped forward—childless widower named Thomas, had been watching, understood what Mary was doing. "I'll take them both," he said. "Girl and baby. Both." Mary started crying, asking if he meant it. Thomas said, "I lost my own family to fever. I understand not wanting to lose yours."
Mary and her sister lived with Thomas for eight years—he treated them as daughters, not servants. When Mary turned twenty-four, Thomas gave her his farm—"You're the daughter I lost, this is your home." Mary raised her sister, got her through school, lived on that farm for sixty-three years. When Mary died in 1973, age eighty-seven, her sister—now seventy-one—displayed that photograph at the funeral: "Mary hid me under her coat and risked everything to keep us together. Thomas saved us both by seeing past rules to humanity. That photograph shows the moment Mary could have lost everything. Instead, she gained a father, a home, and the knowledge that love sometimes requires breaking rules. I'm alive and educated and whole because my sister hid me under a coat and refused to let bureaucracy separate us."

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