James Findlay Collectable Books & Antique Maps

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James Findlay Collectable Books & Antique Maps Online antiquarian bookshop 🇿🇦 Antique maps, political posters, travel posters, collectable books, documents & art
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James Findlay has been a dealer in antiquarian books, antique maps, posters, engravings, and paintings since 1997. As of April 2026 the business has moved completely online after many happy years of operating retail stores in Saxonwold, Rand Club and The Cape Town Club. Based in Nottingham Road, his work is his vocation. He specializes in unusual ‘pieces on paper’, such as manuscript letters, rare

Africana, first editions, banned political posters and pamphlets. In addition to his extensive collection of antique maps, dating from the mid 16th to the early 20th century, he also stocks watercolours, oils and other signed works of art. His descriptions of each precious item are meticulous. With his extensive hands-on experience of artefacts, James has a rare gift for bringing the nuances of history to life. James focuses on books, maps and collectables that are worth about R1,000 each or more. James Findlay Collectable Books;
Email: [email protected]
Tel: 0797794574
Online Collectable Books: https://www.jamesfindlaycollectablebooks.com
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First edition of John Fowles's The French Lieutenant's WomanPublished by Jonathan Cape in 1969.Seeing a pure, 9-digit "S...
12/06/2026

First edition of John Fowles's The French Lieutenant's Woman
Published by Jonathan Cape in 1969.

Seeing a pure, 9-digit "SBN" is a distinct hallmark of a late-1960s British first edition.

Historically, The French Lieutenant's Woman is considered one of the definitive masterpieces of historiographic metafiction. While it is set in Victorian Lyme Regis (1867), Fowles continuously breaks the "fourth wall."

As a 20th-century narrator, he openly critiques Victorian social mores, discusses Karl Marx (notably quoted on the title page and analyzes the psychology of his own characters.

Most famously, Fowles subverted centuries of literary tradition by offering the reader three different endings, fundamentally challenging the authority of the traditional omniscient novelist.

The quote on the title page is from Karl Marx's 1844 essay Zur Judenfrage (On the Jewish Question): "Every emancipation is a restoration of the human world and of human relationships to man himself."

Including a prominent Marx quote on the title page of a mainstream British novel in 1969 was a bold choice. It signaled to contemporary readers that despite its crinoline-and-cobblestone setting, this was a radical, forward-looking text deeply concerned with modern liberation movements—including the burgeoning second-wave feminist movement of the late 1960s.

Spine faded; corners clipped; owner’s inscription twice.
150mm x 200mm x 32mm

R750

https://jamesfindlaycollectablebooks.com/first-editions/the-french-lieutenants-woman

2000 Casualties: A History of the Trade Unions in South Africa, co-authored by Ivan L. Walker and Ben Weinbren (1961)Pub...
10/06/2026

2000 Casualties: A History of the Trade Unions in South Africa, co-authored by Ivan L. Walker and Ben Weinbren (1961)

Published by the South African Trade Union Council (SATUC).

The Title's Reference: The 1922 Rand Revolt
The book begins with the 1922 Rand Revolt (the Witwatersrand miners' strike). What began as a strike by white miners against wage cuts and the relaxation of the color bar escalated into an armed insurrection against the Chamber of Mines and Jan Smuts' government. Smuts deployed state military forces, artillery, and bomber aircraft against the striking commandos.

"Printed and made entirely by Trade Union Labour in the Union of South Africa."
During this era, the labor movement took solidarity incredibly seriously. For a definitive history of trade unionism to be considered authentic, it could not be produced via standard commercial, non-union printing houses. The inclusion of the NIC print union logo certifies that every step of this book's physical creation—from typesetting and printing to binding—was executed by unionized workers under fair conditions, making the physical object itself an artifact of the movement it documents.

Multi-signed endpaper; The page reads like a Who's Who of South African trade unionism, socialist activism, and labor organizing from the mid-20th century.

A few notable details and signatures visible on this page include:

The Authors: Ivan L. Walker's distinct signature is visible in the upper right quadrant ("Iv. L. Walker"). Walker was a foundational figure in the typographical unions and later became the Secretary for Labour. Ben Weinbren's bold signature ("B. Weinbren") anchors the lower left. Weinbren was a prominent left-wing activist, head of the Native Public Utility Transport Corporation workers' union, and heavily involved in organizing non-racial and black trade unions in the 1920s and 30s.

Copies with single association signatures from this period are uncommon, but a multi-signed "registry" page like this likely indicates it was passed around at a specific historic union conference, a SATUC executive meeting, or a publication launch dinner in 1961 where the veterans of the movement gathered to commemorate their history.

Evaluating the signatures on the endpaper reveals a fascinating, dense group of mid-20th-century South African labor leaders and trade unionists. Because this book was published in 1961 by the South African Trade Union Council (SATUC), this page serves as an exceptional register of the council’s leadership and affiliated delegates from that specific era.

I speculate that some of the signatures might be:

J. S. Grobbelaar ("J. S. Grobbelaar"): Clearly written in the lower right quadrant. James S. Grobbelaar was a major official within the South African trade union structures, later serving as the highly influential General Secretary of the Trade Union Council of South Africa (TUCSA, which evolved from SATUC).

A. B. McLean ("A. B. McClean / A. B. McLean"): Located just below the center-left. McClean was an active official within the union federations, representing technical or motor-industry employees during the post-war consolidation of SATUC.

L. Bassi ("L. Bassi"): Just above McClean's signature.

C. M. Watson ("C. M. Watson"): Written very cleanly and clearly in the bottom right corner.

D. C. Benade ("D. C. Benade"): Written in a smaller hand in the lower-left area, just above Ben Weinbren's signature. Benade was prominent in the transport and tramway workers' unions.

Dust jacket worn, chipped and creased. Some wear and staining to the book.
170mm x 240mm x 40mm

R800

Co-authored by Ivan L. Walker and Ben Weinbren, and published in 1961 by the South African Trade Union Council (SATUC). The book begins with the 1922 Rand Revolt (the Witwatersrand miners' strike). What began as a strike by white miners against wage cuts and the relaxation of the color bar escalated

The Artist Who Was Almost ForgottenOtto Landsberg 1803–1905: 19th Century South African Artist by Simon A. de Villiers. ...
10/06/2026

The Artist Who Was Almost Forgotten
Otto Landsberg 1803–1905: 19th Century South African Artist by Simon A. de Villiers. De Luxe Edition (1974)
Published by C. Struik.

For decades after his death, Otto Landsberg’s artistic contributions to South Africa were virtually invisible to the public. He lived to the extraordinary age of 101, spending his long life in Cape Town working as a multi-talented force: an art teacher, musician, a prominent artist, and a highly successful s***f merchant and manufacturer.

Despite his prolific output capturing 19th-century Cape landscapes and portraits, his work vanished from the public eye. As late as 1952, a prominent art historian recorded that not a single one of Landsberg’s paintings could be traced. It appeared his artistic legacy had completely evaporated.

The turning point came in 1956 when his grandson, Auguste d’Artre, bequeathed a massive, private family collection of over 70 of Landsberg’s paintings to the Potchefstroom Museum. This sudden resurfacing completely rewrote the record on 19th-century Cape art and directly paved the way for Simon A. de Villiers to compile this definitive study nearly two decades later.

The Portrait
The small photograph featured on the limitation page shows Landsberg in his later years, sporting the magnificent, iconic beard he was well known for in the Cape during the late Victorian era.

Limited De Luxe Edition of 100 copies, this being No. 44.

Very good condition.

245mm x 290mm

R3,000

For decades after his death, Otto Landsberg’s artistic contributions to South Africa were virtually invisible to the public. He lived to the extraordinary age of 101, spending his long life in Cape Town working as a multi-talented force: an art teacher, musician, a prominent artist, and a highly s...

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